Gretsch PX 6122 Country Gentleman Thinline Hollow Body Electric Guitar (1963)
1
/
of
15
Couldn't load pickup availability
Item #13148
Gretsch PX 6122 Country Gentleman Model Thinline Hollow Body Electric Guitar (1963), made in Brooklyn, NY, serial # 54784, walnut grain lacquer finish, laminated maple body and neck, ebony fingerboard, original blue/grey hard shell case.
There are "Beatle guitars" and there are "BEATLE GUITARS"; this 1963 PX-6122 Country Gentleman is one of the latter. When George Harrison appeared on the Ed Sullivan Show on February 9, 1964 seen by millions of instant fans playing this *exact* style instrument, the 1963 Country Gentleman became forever linked to the band's legend. This is a lovely example of the definitive "Harrison Spec" Gent, from exactly the same era and with the same features as the second of two Country Gentleman guitars Harrison famously employed. That instrument was acquired in October 1963 and used constantly during the band's 1963-4 recording, American breakthrough, and the extensive world touring in 1964. Although he employed many different instruments in the 1960s that ""Gent" is still the single guitar most associated with Harrison to this day.
The Country Gentleman in any form is one of Gretsch's classic models, designed in consultation with Chet Atkins before becoming associated with Harrison and subsequently a host of others. It features the thin double-cutaway closed "Electrotone" body introduced in 1962 with simulated f-holes. After the Beatles' Ed Sullivan show appearance, the Country Gentleman was immediately enshrined as one of Gretsch's most consistently successful creations used by countless English and American beat groups. Orders went through the roof at Gretsch, and we generally feel that the limited number of instruments produced BEFORE the Beatles' arrival are unsurprisingly more carefully built than those rushed out after February 1964.
This particular guitar dates to around mid-1963 and sports exact "Harrison spec" features. In 1964 Gretsch altered the model to mount a Super'tron pickup in the neck position, giving a different sound and look than Harrison's iconic 1963 model. Other differences seen on subsequent year models include a single rather than double mute system, pickguard with added "Chet Atkins" logo and round "kidney button" shape buttons on the Grover Imperial tuners. This guitar features two gold-plated Filter'tron pickups, a solid bar bridge and "Gretsch by Bigsby" tailpiece, and the quirky double "flip-up mute" system with red felt around the knobs. Harrison's first 1963 "Gent" had the earlier dial-up mute system; the one seen by millions on the Ed Sullivan show had this "flip up" system.
The Country Gentleman was the top of the Chet Atkins signature line and always a deluxe and expensive guitar; in 1963 it was a solid but not huge seller. After the Beatle connection exponentially many more Gents were sold in the mid-'60s despite the high price tag, and they are still common today. Genuine 1963 models are comparatively quite rare and have been sought after by collectors for decades. This is as nice an example as we have seen in many moons, a lovely fine sounding and playing guitar even outside of its Beatle connections.
Overall length is 42 9/16 in. (108.1 cm.), 17 in. (43.2 cm.) wide at lower bout, and 2 in. (5.1 cm.) in depth, measured at side of rim. Scale length is 24 1/2 in. (622 mm.). Width of nut is 1 11/16 in. (43 mm.).
For a 1960s Gretsch, this guitar is in extremely good condition. There are no signs of binding deterioration at all, AND the neck angle is excellent. Unfortunately both of these points are problematic on many period instruments from Gretsch, which makes it all the more the pleasure to find one free of them. The guitar shows light typical play wear, but remains original and complete except the foam pads on the mutes have been replaced. Over the decades many 1964-5 "Gents" have been retrofitted to approximate "Harrison Spec" but THIS is a genuine 1963 model.
Overall the finish is very clean, with only some handling marks with small dings and dents over most of the instrument. The exception is the treble side of the body, where it looks like the instrument was exposed to dampness long ago and the finish flaked a bit and was oversprayed. This is limited to this one area, and there is no jack repair adjacent to it. The body binding shows slight shrinkage at the waist but no cracking, crumbling, or outgassing. The finish on the back of the headstock has some checking, and the headstock veneer on the face has some shallow cracks mostly near the top. The gold plating has some typical wear overall, most notable on the Bigsby tailpiece.
The pickguard has one small crack at the lower mounting screw, and the gold paint backing up the clear Lucite has some subtle uneven lines...nothing too noticeable. The original frets have been dressed and the guitar plays very well. Everything works as intended, even the elaborate double mute system. This is a super example of this much desired but short-lived variation of the Country Gentleman, as nice as we have had. The original case is included; it shows some wear overall and a repaired handle but remains solid and functional. In the pocket there is a period set of Gretsch "Rhythm & Blues" strings in the round plastic canister and an old curly cord. Excellent - Condition.
View full details
There are "Beatle guitars" and there are "BEATLE GUITARS"; this 1963 PX-6122 Country Gentleman is one of the latter. When George Harrison appeared on the Ed Sullivan Show on February 9, 1964 seen by millions of instant fans playing this *exact* style instrument, the 1963 Country Gentleman became forever linked to the band's legend. This is a lovely example of the definitive "Harrison Spec" Gent, from exactly the same era and with the same features as the second of two Country Gentleman guitars Harrison famously employed. That instrument was acquired in October 1963 and used constantly during the band's 1963-4 recording, American breakthrough, and the extensive world touring in 1964. Although he employed many different instruments in the 1960s that ""Gent" is still the single guitar most associated with Harrison to this day.
The Country Gentleman in any form is one of Gretsch's classic models, designed in consultation with Chet Atkins before becoming associated with Harrison and subsequently a host of others. It features the thin double-cutaway closed "Electrotone" body introduced in 1962 with simulated f-holes. After the Beatles' Ed Sullivan show appearance, the Country Gentleman was immediately enshrined as one of Gretsch's most consistently successful creations used by countless English and American beat groups. Orders went through the roof at Gretsch, and we generally feel that the limited number of instruments produced BEFORE the Beatles' arrival are unsurprisingly more carefully built than those rushed out after February 1964.
This particular guitar dates to around mid-1963 and sports exact "Harrison spec" features. In 1964 Gretsch altered the model to mount a Super'tron pickup in the neck position, giving a different sound and look than Harrison's iconic 1963 model. Other differences seen on subsequent year models include a single rather than double mute system, pickguard with added "Chet Atkins" logo and round "kidney button" shape buttons on the Grover Imperial tuners. This guitar features two gold-plated Filter'tron pickups, a solid bar bridge and "Gretsch by Bigsby" tailpiece, and the quirky double "flip-up mute" system with red felt around the knobs. Harrison's first 1963 "Gent" had the earlier dial-up mute system; the one seen by millions on the Ed Sullivan show had this "flip up" system.
The Country Gentleman was the top of the Chet Atkins signature line and always a deluxe and expensive guitar; in 1963 it was a solid but not huge seller. After the Beatle connection exponentially many more Gents were sold in the mid-'60s despite the high price tag, and they are still common today. Genuine 1963 models are comparatively quite rare and have been sought after by collectors for decades. This is as nice an example as we have seen in many moons, a lovely fine sounding and playing guitar even outside of its Beatle connections.
Overall length is 42 9/16 in. (108.1 cm.), 17 in. (43.2 cm.) wide at lower bout, and 2 in. (5.1 cm.) in depth, measured at side of rim. Scale length is 24 1/2 in. (622 mm.). Width of nut is 1 11/16 in. (43 mm.).
For a 1960s Gretsch, this guitar is in extremely good condition. There are no signs of binding deterioration at all, AND the neck angle is excellent. Unfortunately both of these points are problematic on many period instruments from Gretsch, which makes it all the more the pleasure to find one free of them. The guitar shows light typical play wear, but remains original and complete except the foam pads on the mutes have been replaced. Over the decades many 1964-5 "Gents" have been retrofitted to approximate "Harrison Spec" but THIS is a genuine 1963 model.
Overall the finish is very clean, with only some handling marks with small dings and dents over most of the instrument. The exception is the treble side of the body, where it looks like the instrument was exposed to dampness long ago and the finish flaked a bit and was oversprayed. This is limited to this one area, and there is no jack repair adjacent to it. The body binding shows slight shrinkage at the waist but no cracking, crumbling, or outgassing. The finish on the back of the headstock has some checking, and the headstock veneer on the face has some shallow cracks mostly near the top. The gold plating has some typical wear overall, most notable on the Bigsby tailpiece.
The pickguard has one small crack at the lower mounting screw, and the gold paint backing up the clear Lucite has some subtle uneven lines...nothing too noticeable. The original frets have been dressed and the guitar plays very well. Everything works as intended, even the elaborate double mute system. This is a super example of this much desired but short-lived variation of the Country Gentleman, as nice as we have had. The original case is included; it shows some wear overall and a repaired handle but remains solid and functional. In the pocket there is a period set of Gretsch "Rhythm & Blues" strings in the round plastic canister and an old curly cord. Excellent - Condition.
