{"title":"Orchestral Instruments","description":"","products":[{"product_id":"hawaiian-tremoloa-499","title":"Hawaiian Tremoloa","description":"Hawaiian Model Tremoloa, black original chip board case. \u003cbr\u003e \u003cbr\u003eOverall length is 26 in. (66 cm.), 10 1\/4 in. (26 cm.) width, and 1 1\/2 in. (3.8 cm.) high.","brand":"Tremoloa Maker","offers":[{"title":"Default Title","offer_id":46852769906828,"sku":"499","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01.jpg?v=1774327721"},{"product_id":"national-vio-lectric-electric-violin-1940-2568","title":"National Vio-Lectric Electric Violin (1940)","description":"National Vio-Lectric Model Electric Violin, c. 1940, made in Chicago, black tolex hard shell case. \u003cbr\u003e \u003cbr\u003e. Scale length is in. (0 mm.). Excellent Condition.","brand":"National","offers":[{"title":"Default Title","offer_id":46852770660492,"sku":"2568","price":3800.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_ca90c6d5-07ad-4129-9e34-ff236899ae11.jpg?v=1774327755"},{"product_id":"valco-vio-lectric-electric-violin-2885","title":"Valco Vio-Lectric Electric Violin","description":"Valco Vio-Lectric Model Electric Violin, made in Chicago, 2 tone sunburst lacquer finish. \u003cbr\u003e \u003cbr\u003eOverall length is 23 1\/4 in. (59 cm.), 8 1\/4 in. (21 cm.) wide at lower bout, and 1 1\/2 in. (3.8 cm.) in depth, measured at side of rim. Scale length is 13 in. (330 mm.). Excellent Condition.","brand":"Valco","offers":[{"title":"Default Title","offer_id":46852771610764,"sku":"2885","price":700.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_283409c3-6d44-4f94-ac9d-621bad4d27b3.jpg?v=1774327802"},{"product_id":"gibson-violin-1940-4464","title":"Gibson Violin (1940)","description":"Violin, labeled Gibson, c. 1940, probably German, amber varnish finish, curly maple back, sides and neck; spruce top. \u003cbr\u003e \u003cbr\u003eOverall length is 23 3\/4 in. (60.3 cm.), 8 1\/8 in. (20.6 cm.) wide at lower bout, and 1 1\/2 in. (3.8 cm.) in depth, measured at rib. Scale length is 13 in. (330 mm.). Width of nut is 15\/16 in. (24 mm.). Excellent Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46852805460108,"sku":"4464","price":1500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_c0403c6c-6678-4a9b-ac3b-c40ebd08e1b0.jpg?v=1774328331"},{"product_id":"vega-electric-violin-1939-3275","title":"Vega Electric Violin (1939)","description":"Vega Electric Violin, c. 1939, made in Boston, 2 tone sunburst lacquer finish, original brown hard shell case. \u003cbr\u003e \u003cbr\u003eOverall length is 24 1\/4 in. (61.6 cm.), 6 1\/2 in. (16.5 cm.) wide. Scale length is 12 7\/8 in. (327 mm.). Excellent Condition.","brand":"Vega","offers":[{"title":"Default Title","offer_id":46852963041420,"sku":"3275","price":3500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_8e0df47e-d575-428b-b1b1-4c44f524e1c0.jpg?v=1774328856"},{"product_id":"unknown-vertical-viola-late-19th-century-4886","title":"unknown Vertical Viola (late 19th century)","description":"Vertical Viola (maker unknown), c. late 19th century. \u003cbr\u003e \u003cbr\u003eLength of back is 17 1\/4 in. (43.8 cm.), 12 1\/2 in. (31.8 cm.) wide at lower bout. Scale length is 17 1\/2 in. (444 mm.). Width of nut is 1 1\/8 in. (29 mm.).","brand":"unknown","offers":[{"title":"Default Title","offer_id":46852990632076,"sku":"4886","price":3800.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_c67aedbb-8446-4454-9684-f1d6ad16ce5a.jpg?v=1774329643"},{"product_id":"rickenbacker-solid-body-electric-bass-1935-3628","title":"Rickenbacker Solid Body Electric Bass (1935)","description":"Rickenbacker Solid Body Electric Bass, c. 1935, made in Los Angeles, California. \u003cbr\u003e \u003cbr\u003e. Scale length is in. (0 mm.). Excellent Condition.","brand":"Rickenbacker","offers":[{"title":"Default Title","offer_id":46852990926988,"sku":"3628","price":18000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_76348892-6a24-48c1-a70f-d88eca4ced6a.jpg?v=1774329662"},{"product_id":"dubreq-stylophone-350s-novelty-synthesizer-1972-7059","title":"Dubreq Stylophone 350S Novelty Synthesizer (1972)","description":"Dubreq Stylophone 350S Model Novelty Synthesizer, c. 1972, made in England, black plastic finish, molded styrene case, original box case. \u003cbr\u003e \u003cbr\u003eLength is 11 3\/4 in. (29.8 cm.), 13 in. (33 cm.) width, and 2 1\/2 in. (6.4 cm.) deep. Excellent - Condition.","brand":"Dubreq","offers":[{"title":"Default Title","offer_id":46853007376524,"sku":"7059","price":400.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_bffd02a8-7f41-44d9-938f-68aaf6e78e45.jpg?v=1774330344"},{"product_id":"fender-electric-violin-1958-4725","title":"Fender Electric Violin (1958)","description":"Fender Electric Violin (1958), made in Fullerton, California, sunburst lacquer finish, ash body, maple neck, black tolex hard shell case. \u003cbr\u003e\u003cbr\u003eOne of the rarest 1950's Fender instruments, Leo's Electric Violin was built in extremely small numbers. Originally designed for Bob Wills' Western swing sound, for whatever reason the violin never caught on with Fender customers, despite being a very good design. The body has hollow pockets but is closed with no soundholes, with a proprietary pickup mounted under the bridge. The neck is the standard '50's Fender construction, solid one-piece maple with a maple fingerboard and single-sided headstock. A great sounding electric fiddle, and an amazing Fender collectible.\u003cbr\u003e \u003cbr\u003eOverall length is 25 in. (63.5 cm.), 8 in. (20.3 cm.) wide at lower bout, and 1 1\/2 in. (3.8 cm.) in depth, measured at side of rim. Scale length is 13 in. (330 mm.). Width of nut is 7\/8 in. (22 mm.). 100% original, very fine overall; some clean repairs to the body edges at the seams and a few finish chips, otherwise little signs of use. Two \"dinks\" in the Fender logo decal, the larger on the \"F\". Excellent Condition.","brand":"Fender","offers":[{"title":"Default Title","offer_id":46853011210380,"sku":"4725","price":4500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_ed22e34c-250d-47ab-a111-bdbef607111f.jpg?v=1774330557"},{"product_id":"robert-moog-vanguard-theremin-1960-7216","title":"Robert Moog Vanguard Theremin (1960)","description":"Vanguard Model Theremin, made by Robert Moog, c. 1960, serial # 6021, dark varnish finish, mahogany cabinet, fabric zipper cover case. \u003cbr\u003e \u003cbr\u003eHeight is 21 in. (53.3 cm.), 18 in. (45.7 cm.) width, and 12 in. (30.5 cm.) deep. Very nice and all original except for a couple of small internal plastic brackets (still included though cracked). There is one sealed crack along the upper edge of one side of the cabinet, neatly repaired. This is a very rare find, a fantastic example of a Moog-built Theremin from the beginning of the 1960's-several years before the development of the earliest Moog synthesizer prototype. Excellent + Condition.","brand":"Robert Moog","offers":[{"title":"Default Title","offer_id":46853015011468,"sku":"7216","price":6500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/02_9df22411-dde3-4020-8258-b213d317e283.jpg?v=1774330720"},{"product_id":"magnus-model-1510-chord-reed-organ-1950-7081","title":"Magnus Model 1510 Chord Reed Organ (1950)","description":"Magnus Model 1510 Model Chord Reed Organ, c. 1950, made in Newark, NJ, simulated woodgrain plastic finish, molded plastic body, original box case. \u003cbr\u003e \u003cbr\u003eHeight is 7 1\/2 in. (19 cm.), 11 in. (27.9 cm.) width, and 6 in. (15.2 cm.) deep. Excellent - Condition.","brand":"Magnus","offers":[{"title":"Default Title","offer_id":46853017305228,"sku":"7081","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_6ed1ed4b-58be-425f-bf33-731c6bafe134.jpg?v=1774330797"},{"product_id":"hammond-instrument-company-novachord-synthesizer-1939-1940-2880","title":"Hammond Instrument Company Novachord Synthesizer (1939-1940)","description":"Hammond Instrument Company Novachord Model Synthesizer, c. 1939-1940, made in Chicago, with Original \"Manual for the Service Technician\". \u003cbr\u003e\u003cbr\u003eThe Hammond Novachord may well have been the first electronic keyboard synthesizer. It certainly was the Hammond Organ Company's first electronic tube based instrument. Designed by Laurens Hammond and C.N. Williams, the Novachord was offered by Hammond for a very limited time, from 1939 to 1942. Only 1,096 Novachords were ever manufactured.\u003cbr\u003e\u003cbr\u003eUnlike its younger sibling, Hammond's other electronic instrument, the Solovox (1940-1948), the Novachord looks very much like a full-sized parlor organ. It has a 72 note keyboard with a pressure sensitive system that allows for control over the attack and timbre of the note. 169 vacuum tubes control and generate sound while a series of 12 oscillators gives it a six octave range using a frequency division technique. The Novachord was one of the first electronic instruments to use this technique which would later become standard in electronic keyboard instruments. \u003cbr\u003e\u003cbr\u003eThe front panel of the instrument has a series of 14 switchable rotary knobs to set the timbre, volume, 'resonance', bass\/treble, vibrato (six modulation oscillators are used), and 'brightness' of the sound. A set of 3 foot-operated pedals controls sustain and volume, the third pedal allowing control of the sustain by either foot. The final signal is passed to a preamplifier and then to a set of internal speakers. \u003cbr\u003e\u003cbr\u003eThe Novachord was designed to produce a range of sounds imitating orchestral instruments, such as the piano, harpsichord, stringed and woodwind instruments, as well as a range of its own distinctive sounds.\u003cbr\u003e\u003cbr\u003eThe Novachord we're offering comes with its original \"Manual for the Service Technician\" in a loose-leaf binder.\u003cbr\u003e \u003cbr\u003eCall or email us for additional technical information","brand":"Hammond Instrument Company","offers":[{"title":"Default Title","offer_id":46853174067340,"sku":"2880","price":12000.0,"currency_code":"USD","in_stock":false}]},{"product_id":"oscar-schmidt-silvertone-electro-harp-model-1850-electric-autoharp-zither-1964-5-2888","title":"Oscar Schmidt Silvertone Electro-Harp Model 1850 Electric Autoharp Zither (1964-5)","description":"Oscar Schmidt Silvertone Electro-Harp Model 1850 Electric Model Autoharp Zither (1964-5), made in New Jersey, silver and black paint finish, two-tone vinyl original hard shell case. \u003cbr\u003e\u003cbr\u003eThe very first electric Autoharp, the Silvertone Electro-Harp was available only through Sears for a short time in 1964-5 and sold for $79.95 complete with the amp-in-case unit. \u003cbr\u003e\u003cbr\u003eThis one is complete, in good working order, and includes the original schematic booklet and a selection of Autoharp method materials.\u003cbr\u003e \u003cbr\u003eOverall length is 22 in. (55.9 cm.), 11 7\/8 in. (30.2 cm.) width, and 1 1\/2 in. (3.8 cm.) in depth, measured at side of rim. Excellent Condition.","brand":"Oscar Schmidt","offers":[{"title":"Default Title","offer_id":46853174198412,"sku":"2888","price":300.0,"currency_code":"USD","in_stock":false}]},{"product_id":"unknown-banjo-violin-3139","title":"unknown Banjo Violin (marked \"Sep 27, 1911\")","description":"Banjo Violin (maker unknown) (marked \"Sep 27, 1911\"). \u003cbr\u003e\u003cbr\u003eOne of the most interesting and unusual American folk instruments we have ever encountered�this is a banjo-violin hybrid, handmade with considerable skill and ingenuity. The rim is thin wood bent to shape over an iron frame about 1\/2\" deep just under the head, with 10 conventional late 19th century banjo hook and shoe assemblies mounted along the edge. The uniquely shaped brass hoop is nicely fabricated, complete with an inner groove for hook alignment. The neck is hand carved, with a na�ve but well-proportioned scroll and what look to be period commercial pegs and possibly fingerboard. \u003cbr\u003e\u003cbr\u003eThe neck is attached via an extended dowel stick that also holds the tailpiece loop, in the style of 19th century minstrel banjos. A thin flat piece of wood arched across the top of the instrument just under the skin head holds the arch of the top and gives the bridge a solid resting surface. Inside the rim is a penciled marking \"Sept 27th 1911\" and an initial or signature that is illegible. This instrument was the work of a skilled, if eccentric, craftsman and is of considerable historical interest.\u003cbr\u003e \u003cbr\u003eOverall length is 25 in. (63.5 cm.), 8 3\/8 in. (21.3 cm.) wide at lower bout, and 2 in. (5.1 cm.) in depth, measured at side of rim. Scale length is 13 1\/2 in. (343 mm.). \u003cbr\u003e\u003cbr\u003eAppears all original; has seen some use, but generally well-preserved. There is an old patch to the original skin head but no other evident repair or alteration. Excellent Condition.","brand":"unknown","offers":[{"title":"Default Title","offer_id":46853197004940,"sku":"3139","price":7500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_a955efaf-8b7e-41ad-81da-fc4f40ba6833.jpg?v=1774331779"},{"product_id":"wurlitzer-model-200a-electric-piano-early-1970s-4276","title":"Wurlitzer Model 200A Electric Piano (early 1970's)","description":"Wurlitzer Model 200A Electric Model Piano (early 1970's), made in Cincinnati, Ohio, gig bag case. \u003cbr\u003e\u003cbr\u003eThe classic late 1960's\/early 1970's electric piano with its own inimitable sound, the Wurlitzer 200A has been heard on countless stages and recordings over the past 40+ years.\u003cbr\u003e \u003cbr\u003eHeight is 7 1\/4 in. (18.4 cm.), 39 in. (99.1 cm.) width, and 18 1\/2 in. (47 cm.) deep. \u003cbr\u003e\u003cbr\u003eA very good example overall; includes the oft-missing sustain pedal but not the wire music rack. Some minor scuffing and overall signs of use; some small but noticeable dark spots on a section of keys that look like cigarette ash burns. Just serviced, very good sound with a nice strong vibrato. Generally Excellent Condition.","brand":"Wurlitzer","offers":[{"title":"Default Title","offer_id":46853275582604,"sku":"4276","price":1600.0,"currency_code":"USD","in_stock":false}]},{"product_id":"wurlitzer-model-206-electric-piano-8087","title":"Wurlitzer Model 206 Electric Piano","description":"Wurlitzer Model 206 Model Electric Piano, made in Ilinois, serial # 62573, cream plastic finish. \u003cbr\u003e \u003cbr\u003eHeight is 40 in. (101.6 cm.), 38 in. (96.5 cm.) width, and 18 in. (45.7 cm.) deep. Excellent - Condition.","brand":"Wurlitzer","offers":[{"title":"Default Title","offer_id":46853287805068,"sku":"8087","price":1600.0,"currency_code":"USD","in_stock":false}]},{"product_id":"national-vio-lectric-electric-violin-1936-3742","title":"National Vio-Lectric Electric Violin (1936)","description":"National Vio-Lectric Model Electric Violin, c. 1936, made in Chicago, medium brown sunburst varnish finish. \u003cbr\u003e\u003cbr\u003eOne of the earliest, and certainly one of the best-sounding electric violins ever produced. In the words of jazz violinist \"Stuff\" Smith (from 1940): \"This violin is a KILLER!\"\u003cbr\u003e \u003cbr\u003eLength of button stop is 14 1\/8 in. (35.9 cm.), 8 3\/8 in. (21.3 cm.) wide at lower bout, and 1 7\/16 in. (3.6 cm.) in depth, measured at rib. Scale length is 12 7\/8 in. (327 mm.). Width of nut is 7\/8 in. (22 mm.). Near Mint Condition.","brand":"National","offers":[{"title":"Default Title","offer_id":46853288657036,"sku":"3742","price":4400.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_aded4e8e-576a-4d98-8d8b-0645ba27981c.jpg?v=1774333178"},{"product_id":"unknown-resophonic-violin-7083","title":"unknown Resophonic Violin","description":"Resophonic Violin (maker unknown), probably European, natural wood and aluminum finish. \u003cbr\u003e \u003cbr\u003e. Scale length is in. (0 mm.). \u003cbr\u003e\u003cbr\u003eThis is a folk-made resonator violin in the Stroh pattern, a bit rough but fully functional with a surprisingly decent sound. It appears fairly well-used with general wear and dirt on the very lightly finished wood parts and corrosion to the metal. The resonator cone is spun, not the can-top version generally seen on more modern folk resonator instruments. This one has an older rough-hewn gypsy sort of character and tone to match. Definitely not your classical player's Stroh but a cool knock-around resonator fiddle for the other side of this life! Overall Very Good + Condition.","brand":"unknown","offers":[{"title":"Default Title","offer_id":46853302583436,"sku":"7083","price":1250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_ff51add9-4b37-4197-acd3-c0dafe5f75ff.jpg?v=1774333790"},{"product_id":"stroviols-resophonic-violin-1910-7299","title":"Stroviols Resophonic Violin (1910)","description":"Stroviols Resophonic Violin, c. 1910, made in Birmingham, England, original brown leather covered chipboard case. \u003cbr\u003e\u003cbr\u003eThis is a very rare Stroviols violin. The sound of the instrument is quite loud, and projects very well. It is of course a much more tinny or metallic tone (compared to a wood bodied instrument), yet still quite full and beautiful. \u003cbr\u003e\u003cbr\u003eThe history of the Stroviols company is fascinating, and even plays a role in the development of the National resonator instruments! John Matthias Augustus Stroh, an electrical engineer in London, was a maker using the name Stroviols as a trade name for his phono instruments, which included violin, viola, cello, bass, ukulele, Hawaiian guitar, mandolin, and also one string phonofiddles. \u003cbr\u003e\u003cbr\u003eThe design was patented on May 4th 1899 - UK patent GB9418 titled \"Improvements in Violins and other Stringed Instruments\" which was accepted on March 24th 1900. The patent described the use of a flat metal (other materials are also mentioned) diaphragm in the voice-box (reproducer) of a violin to mechanically amplify the sound. On February 16th 1901 he applied for an additional UK patent (GB3393) titled \"Improvements in the Diaphragms of Phonographs, Musical Instruments, and Anologous Sound-producing, Recording and Transmitting Contrivances\" which was accepted on December 14th 1901. This effectively extended the first concept to now use a conical resonator with corrugations at its edge, allowing a more 'rigid' diaphragm. \u003cbr\u003e\u003cbr\u003eInterestingly, his failure to patent his inventions in the USA allowed John Dopyera and Geo Beauchamp to subsequently obtain US patents for the tricone and single cone designs used in National resonator instruments.\u003cbr\u003e \u003cbr\u003eLength is 23 1\/2 in. (59.7 cm.), 6 11\/16 in. (17 cm.) diameter of bell. Scale length is 13 in. (330 mm.). \u003cbr\u003e\u003cbr\u003eAn exceptionally fine example of this very rare instrument. Very little wear to the finish, a couple scuffs on the back of the barrell, 1 or 2 minor dings in the large bell. All parts are original. Bell diameter is 6 1\/2\". Excellent Condition.","brand":"Stroviols","offers":[{"title":"Default Title","offer_id":46853302911116,"sku":"7299","price":5000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_597fea41-c1d9-4261-aa69-125c34af2495.jpg?v=1774333811"},{"product_id":"unlabelled-upright-bass-1900-3870","title":"unlabelled Upright Bass (1900)","description":"Upright Bass (unlabelled), c. 1900, 3\/4 size, made in Czechoslovakia, reddish and golden brown varnish finish, maple back, sides and neck, spruce top, ebony fingerboard. \u003cbr\u003e\u003cbr\u003eThis is a flat-backed slope-shouldered bass with low C extension on the lowest string. It has original wood shanked brass machine heads with wood knobs. Very narrow neck at the nut, probably altered at Kotick's request to his specifications.\u003cbr\u003e\u003cbr\u003eProvenance: Teddy Kotick\u003cbr\u003e\u003cbr\u003eThe prototype bassist and a favorite of Charlie Parker's, Teddy Kotick preferred supporting the frontline and interacting in the rhythm section to displaying his considerable skills on solos. He had to be prodded into the spotlight by such bandleaders as Bill Evans and Horace Silver, despite his substantial ability. Kotick was among the most reliable accompanists of his day, a player whose timing was impeccable and tone huge and assertive. He was always an in-demand bassist who remained busy throughout most of his career. Kotick began studying guitar at six, then turned to bass in high school. He worked in New England before moving to New York in 1948. \u003cbr\u003e\u003cbr\u003eKotick played with Johnny Bothwell, Buddy Rich, Tony Pastor, Buddy DeFranco, Artie Shaw, Stan Getz, and Charlie Parker from 1948 to 1954. He then worked with Bill Evans, George Wallington, and Horace Silver, and recorded with Rene Thomas, Martial Solal, and Teddy Charles. After a long period of inactivity, Kotick returned in the late '70s playing with J.R. Monterose. He had no sessions as a leader, but can be heard on reissues by Getz, Parker, Wallington, Evans, Silver, and Monterose. \u003cbr\u003e\u003cbr\u003e~ Ron Wynn, All Music Guide\u003cbr\u003e \u003cbr\u003eOverall length is 73 1\/2 in. (186.7 cm.), 25 1\/4 in. (64.1 cm.) wide at lower bout, and 8 in. (20.3 cm.) in depth at deepest point. Scale length is in. (0 mm.). \u003cbr\u003e\u003cbr\u003eThere are many cracks on the top ribs and back and one machinehead knob missing. Good Condition.","brand":"unlabelled","offers":[{"title":"Default Title","offer_id":46853302976652,"sku":"3870","price":8000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_7db36eef-0647-44c4-86de-9386ccd2bc4c.jpg?v=1774333814"},{"product_id":"ampeg-baby-bass-electric-bass-late-1960s-8257","title":"Ampeg Baby Bass Electric Bass (late 1960s)","description":"Ampeg Baby Bass Model Electric Bass (late 1960s), made in Linden NJ, serial # 013873, sunburst finish, fiberglass body, maple neck with ebony fingerboard, original black gig bag case. \u003cbr\u003e \u003cbr\u003eOverall length is 60 in. (152.4 cm.), 18 in. (45.7 cm.) wide at lower bout, and 3.5 in. (8.9 cm.) deep. Scale length is in. (0 mm.). \u003cbr\u003e\u003cbr\u003eThis bass remains all original with some general wear and tear, most notably to the finish on the back of the neck which is worn to the wood in some places. The fiberglass top has sunk just slightly in the bridge area and there is some light shrinkage to the outer edges of the fiberglass covering, as is common with these. The bottom seam by the endpin has been resealed visibly. \u003cbr\u003e\u003cbr\u003eThere is an old repair to one side of the headstock (a grain split from the tuner shaft recess down, not a full headstock break) which is sealed up solidly but a bit sloppily. None of these are functional issues, but are noticeable. The bass plays and sounds as it should; a good-playing example of this famously eccentric Ampeg creation, complete with the worn original gig bag. Excellent - Condition.","brand":"Ampeg","offers":[{"title":"Default Title","offer_id":46853304713356,"sku":"8257","price":2250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_856a5367-f0b8-4de1-8720-bb5cc4813827.jpg?v=1774333879"},{"product_id":"stroviols-resophonic-violin-1910-7930","title":"Stroviols Resophonic Violin (1910)","description":"Stroviols Resophonic Violin, c. 1910, made in Birmingham, England, mahogany body ebony fingerboard, original brown leather covered soft shell case. \u003cbr\u003e\u003cbr\u003eThis is a very rare Stroviols violin. The sound of the instrument is quite loud, and projects very well. It is of course a much more tinny or metallic tone (compared to a wood bodied instrument), yet still quite full and beautiful. This is a particularly nice-sounding example, and is in overall very good + condition, showing only a bit of wear on the back of the neck from play. The decal below the bridge is 90% complete, with some parts having fallen off over time. \u003cbr\u003e\u003cbr\u003eThe history of the Stroviols company is fascinating, and even plays a role in the development of the National resonator instruments! John Matthias Augustus Stroh, an electrical engineer in London, was a maker using the name Stroviols as a trade name for his phono instruments, which included violin, viola, cello, bass, ukulele, Hawaiian guitar, mandolin, and also one-string phonofiddles. \u003cbr\u003e\u003cbr\u003eThe design was patented on May 4th 1899 -- UK patent GB9418 titled \"Improvements in Violins and other Stringed Instruments\" -- which was accepted on March 24th, 1900. The patent described the use of a flat metal (other materials are also mentioned) diaphragm in the voice-box (reproducer) of a violin to mechanically amplify the sound. \u003cbr\u003e\u003cbr\u003eOn February 16th, 1901 he applied for an additional UK patent (GB3393) titled \"Improvements in the Diaphragms of Phonographs, Musical Instruments, and Anologous Sound-producing, Recording and Transmitting Contrivances\" which was accepted on December 14th, 1901. This effectively extended the first concept to now use a conical resonator with corrugations at its edge, allowing a more \"rigid\" diaphragm. \u003cbr\u003e\u003cbr\u003eInterestingly, his failure to patent his inventions in the USA allowed John Dopyera and Geo Beauchamp to subsequently obtain US patents for the tricone and single cone designs used in National resonator instruments.\u003cbr\u003e \u003cbr\u003eLength is 23 1\/2 in. (59.7 cm.), 6 11\/16 in. (17 cm.) diameter of bell. Scale length is 13 in. (330 mm.). \u003cbr\u003e\u003cbr\u003eA very fine example of this very rare instrument. Some wear to the finish on the back of the neck; the finish on the barrel is quite good. Some wear to the logo decal. One or two minor dings in the large bell, and a minor bend in one part of the flare. All parts are original. Includes a period bow. Bell diameter is 6 1\/2\". Very Good + Condition.","brand":"Stroviols","offers":[{"title":"Default Title","offer_id":46853307629708,"sku":"7930","price":4850.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_c53fa28d-5946-43eb-9599-08e5b385a60e.jpg?v=1774334012"},{"product_id":"unknown-violin-1924-8034","title":"unknown Violin (1924)","description":"Violin (maker unknown), c. 1924, brown-red finish, original black hard shell case. \u003cbr\u003e \u003cbr\u003eOverall length is 23 1\/4 in. (59.1 cm.), 8 in. (20.3 cm.) wide at lower bout, and 1 1\/4 in. (3.2 cm.) in depth at side, taken at the end block. Scale length is 12 13\/16 in. (325 mm.). Very Good Condition.","brand":"unknown","offers":[{"title":"Default Title","offer_id":46853310939276,"sku":"8034","price":900.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_f6892b02-8043-44c2-adcf-33b677bf3357.jpg?v=1774334151"},{"product_id":"unknown-19th-century-new-england-folk-fiddle-6451","title":"unknown 19th Century New England Folk Fiddle","description":"19th Century New England Model Folk Fiddle (maker unknown). Unusual 19th century folk violin from New England. Delicately carved scroll. Tailpiece with geometric bone inlay.\u003cbr\u003e \u003cbr\u003eOverall length is 23 in. (58.4 cm.), 8 in. (20.3 cm.) wide at lower bout, and 1 3\/8 in. (3.5 cm.) in depth at side, taken at the end block. Scale length is in. (0 mm.). Very Good Condition.","brand":"unknown","offers":[{"title":"Default Title","offer_id":46853315723404,"sku":"6451","price":750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_7deddf0a-5cce-4829-83f3-8234c5571f4e.jpg?v=1774334329"},{"product_id":"asmund-sandland-hardingfele-1919-3123","title":"Asmund Sandland Hardingfele (1919)","description":"Asmund Sandland Hardingfele, c. 1919, made in Telemarken, Norway, light reddish brown varnish finish, black hard shell case. Also known as a Hardanger fiddle. The Hardanger fiddle was used in the motion picture soundtrack of The Lord of the Rings. This beautifully decorated fiddle comes with a nice period black hard shell case.\u003cbr\u003e \u003cbr\u003eOverall length is 24 3\/8 in. (61.9 cm.), 8 in. (20.3 cm.) wide at lower bout, and 1 1\/8 in. (2.9 cm.) in depth at side, taken at the end block. Scale length is in. (0 mm.). Very Good + Condition.","brand":"Asmund Sandland","offers":[{"title":"Default Title","offer_id":46853315788940,"sku":"3123","price":5000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_52abcbcf-7bda-43e7-b1a6-78e7b4d8c793.jpg?v=1774334333"},{"product_id":"martin-db-81-schalmei-signal-horn-1930s-5342","title":"Martin DB 81 Schalmei Signal Horn (1930's)","description":"Martin DB 81 Model Schalmei Signal Horn, c. 1930's, made in Germany, brass horns, cast metal body. 4-bell, 1-valve. Bell stamped with oval Martin Signal Arrow logo.\u003cbr\u003e \u003cbr\u003eOverall length is 16 in. (40.6 cm.), 2 in. (5.1 cm.) diameter of bell. Overall Very Good + Condition.","brand":"Martin","offers":[{"title":"Default Title","offer_id":46853319524492,"sku":"5342","price":500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_81a54eaf-c823-4141-8819-9b95038f5e0b.jpg?v=1774334493"},{"product_id":"unknown-guitar-shaped-6-string-hurdy-gurdy-late-18th-century-2593","title":"unknown Guitar Shaped 6 String Hurdy-gurdy (late 18th Century)","description":"Guitar Shaped Model 6 String Hurdy-gurdy (maker unknown), c. late 18th Century, made in France, amber varnish finish, maple bady and scroll, boxwood fixtures, ebony, ivory and boxwood appointments. \u003cbr\u003e \u003cbr\u003eOverall length is 25 1\/4 in. (64.1 cm.), 9 1\/4 in. (23.5 cm.) across at the widest point, and 7 1\/4 in. (18.4 cm.) high. Unrestored. Overall Excellent Historic Condition.","brand":"unknown","offers":[{"title":"Default Title","offer_id":46853327323276,"sku":"2593","price":4000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_ec8002e7-349d-4c55-a28c-056515f504ad.jpg?v=1774334662"},{"product_id":"rickenbacker-electro-electric-violin-1936-2407","title":"Rickenbacker Electro Electric Violin (1936)","description":"Rickenbacker \"Electro\" Model Electric Violin, c. 1936, made in Los Angeles, California, molded bakelite, original black hard shell case. \u003cbr\u003e\u003cbr\u003eOne of the rarest and most unusual American string instruments ever created, the futuristic Electro Violin, although a product of the 1930's, STILL looks ahead of its time! \u003cbr\u003e\u003cbr\u003eWith a molded Bakelite neck\/frame without a conventional headstock or body, horseshoe magnet pickup, and the tuners mounted behind the bridge, this instrument hardly resembles a traditional violin at all. Far more radical than the stylishly minimalist steel guitars that made Rickenbacker famous, this must have confused even the most forward-looking violinist in 1936�\u003cbr\u003e\u003cbr\u003eApparently Rickenbacker\/Electro designer George Beauchamp's concept was to create a whole family of purely electric string instruments�at least the violin and bass appear to have been commercially produced, albeit on a very small scale. \u003cbr\u003e\u003cbr\u003eWhile several \"All-Electric\" acts in the 1930's used a full outfit of these Electro orchestral instruments, including violas and cellos, they all became at best an experimental sideline to the company due to the success of the Rickenbacker electric Hawaiian guitar, which became a market leader. \u003cbr\u003e\u003cbr\u003eBeauchamp was a great believer in using plastics in musical instrument construction, and before creating these molded violins and guitars, had designed Bakelite necks and fingerboards for National guitars around 1930. This Bakelite violin is of the earliest design, which was very quickly revised so that by 1939 Rickenbacker was offering an entirely different Electric Violin with a tubular metal body and a conventional headstock. Published production figures indicate only 12 violins were shipped in 1935, with a further 31 in 1936. \u003cbr\u003e\u003cbr\u003eThis instrument has almost no structural kinship with a conventional violin�the neck and frame-like body are Bakelite molded in one piece, to which the Bakelite fingerboard appears glued. The underside of the 'body' is scooped out, with the tuning pegs mounting through the sides and the pickup wires running to a small enclosed 'box' under the chinrest which carries the jack and a single volume control. The pegs are conventional wooden violin tuners, but a carefully engineered fine tuning mechanism is mounted above them consisting of a screw (with the string laying in the slot) set in a metal bar which is raised and lowered by a thumbscrew. \u003cbr\u003e\u003cbr\u003eA conventional violin chinrest is fitted to the hollow curved protrusion of the body, and provision is made for a chest protector mounting. There is a bent metal bracket mounted where the upper bout of the body would be, mimicking the feel of the non-existent sound chamber so the player does not get lost on an endless neck! The string ball ends are held in the underside of the 'headstock,' while the strings run over a Bakelite nut and bridge.\u003cbr\u003e\u003cbr\u003eThe pickup at the heart of this instrument is a smaller version of the standard 1930's Rickenbacker unit, with much narrower horseshoe magnets and a small coil set into the fingerboard, with a pole for each string. It must have been a major design effort to create a over-string pickup that would not restrict bowing to any great degree. This is wired to an output jack and volume pot with an octagonal plastic knob mounted in the hollow 'butt' of the instrument covered by a screw-down plate. The jack faces forward and the volume control (which is very stiff in operation) faces to the rear.\u003cbr\u003e\u003cbr\u003eAlthough a commercial failure when introduced, the Electro Violin is a remarkably well thought out instrument, although perhaps not to the taste of every violinist! In many ways it prefigures many later developments, especially the headless molded basses and guitars of the 1980's. \u003cbr\u003e\u003cbr\u003eIt is still perfectly playable, with a distinctive and powerful, if unconventional, tone. In terms of originality and design flair, this must rank as one of the most innovative string instruments of the 20th century and one of the rarest as well, and an historically important milestone in the development of electric instruments.\u003cbr\u003e \u003cbr\u003eOverall length is 21 in. (53.3 cm.), 6 3\/4 in. (17.1 cm.) across at the widest point. Scale length is 13 in. (330 mm.). \u003cbr\u003e\u003cbr\u003eExcellent original condition; this instrument appears to have been used but has never been repaired or modified at all. \u003cbr\u003e\u003cbr\u003eIt is set up and playable. Complete with original plush lined hard case (which is too short to hold a bow!) and an original set of Rickenbacker string envelopes with strings inside from Electro String in Los Angeles�which warn against using any other strings on Electro instruments. \u003cbr\u003e\u003cbr\u003eAlso included is a WWII era raffle ticket�probably not a winner! Excellent + Condition.","brand":"Rickenbacker","offers":[{"title":"Default Title","offer_id":46853334204556,"sku":"2407","price":12000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_788919e5-350b-413f-adfb-8a6735747758.jpg?v=1774334849"},{"product_id":"rickenbacker-electro-electric-violin-1936-5418","title":"Rickenbacker Electro Electric Violin (1936)","description":"Rickenbacker Electro Model Electric Violin (1936), made in Los Angeles, California, polished Bakelite finish, molded bakelite, original black hard shell case. \u003cbr\u003e\u003cbr\u003eOne of the rarest and most unusual American string instruments ever created, the futuristic Electro Violin was a product of the mid 1930's but STILL looks ahead of its time! With a molded bakelite neck\/frame without a conventional headstock or body, horseshoe magnet pickup and the tuners mounted behind the bridge, this instrument hardly resembles a traditional violin at all. The design is far more radical even than the stylishly minimalist steel guitars that made Rickenbacker famous; this might well have confused even the most forward-looking violinist in 1936�\u003cbr\u003e\u003cbr\u003e Rickenbacker\/Electro designer George Beauchamp's original concept was to create a whole family of purely electric string instruments�at least the violin and bass appear to have been commercially produced, albeit on a very small scale. While several \"All-Electric\" acts in the 1930's used a full outfit of Electro orchestral instruments, including violas and cellos, the bowed instruments became at best an experimental sideline to the company due to the success of the Rickenbacker Electro Hawaiian guitar, which quickly became the market leader. Beauchamp was a pioneer in using plastics for musical instrument construction, and before creating these had designed Bakelite necks and fingerboards for National guitars around 1930. This Bakelite violin is of the earliest style design, likely sold in 1936-which was quickly revised so that by 1939 Rickenbacker was offering an entirely different Electric Violin with a tubular metal body and a conventional headstock. Published production figures indicate only 12 violins were shipped in 1935, with a further 31 in 1936. \u003cbr\u003e\u003cbr\u003eThis instrument has almost no structural kinship with a conventional violin�the neck and frame-like body are bakelite molded in one piece, to which the bakelite fingerboard appears glued. The underside of the 'body' is scooped out, with the tuning pegs mounting thru the sides and the pickup wires running to a small enclosed 'box' under the chin rest which carries the jack and a single volume control. The pegs are conventional wooden violin tuners but a carefully engineered fine tuning mechanism is mounted above them consisting of a screw (with the string laying in the slot) set in a metal bar which is raised and lowered by a thumbscrew. A conventional violin chin rest is fitted to the hollow curved protrusion of the body, and provision is made for a chest protector mounting. There is a bent metal bracket mounted where the upper bout of the body would be, mimicking the feel of the non-existent sound chamber so the player does not get lost on an endless neck! The string ball ends are held in the underside of the 'headstock', while the strings run over a bakelite nut and bridge.\u003cbr\u003e\u003cbr\u003eThe pickup at the heart of this instrument is a smaller version of the standard 1930's Rickenbacker unit, with much narrower horseshoe magnets and a small coil set into the fingerboard, with a pole for each string. It must have been a major design effort to create a over-string pickup that would not restrict bowing to any great degree. This is wired to an output jack and volume pot with a plastic knob mounted in the hollow 'butt' of the instrument covered by a screw-down plate. The jack faces forward and the volume control (which is very stiff in operation) faces to the rear.\u003cbr\u003e\u003cbr\u003eAlthough pretty much a commercial failure when introduced, the Electro Violin is a remarkably well thought out instrument, although perhaps not to the taste of every violinist! In many ways it prefigures later design developments, especially the headless molded basses and guitars of the 1980's. It is still perfectly playable, with a distinctive and powerful, if unconventional, tone. In terms of originality and design flair, this must rank as one of the most innovative string instruments of the 20th Century and one of the rarest as well, and an historically important milestone in the development of electric instruments.\u003cbr\u003e \u003cbr\u003eOverall length is 20 1\/2 in. (52.1 cm.), 6 1\/4 in. (15.9 cm.) width. Scale length is 13 in. (330 mm.). Width of nut is 1 in. (25 mm.). Very clean original condition; this instrument appears to have been played for a time but extremely well cared for. There is some corrosion and evidence of cleaning on the plated metal hand-stop, where the player's hand made repeated contact. The bridge saddle slots have been cut a bit deeper than factory spec to lower the action, the instrument remains quite playable. The bakelite, wiring and the rest of the plated metal shows virtually no wear and many aspects of the instrument appear almost new. This comes complete with the original second-pattern hard case, which is of conventional design but specially lined in deep yellow plush to fit this unconventionally shaped instrument.(The first Rickenbacker violin case was more akin to a trumpet case and was not long enough to accommodate the bow!) Also includes are an original cable and several original Rickenbacker string envelopes. Excellent + Condition.","brand":"Rickenbacker","offers":[{"title":"Default Title","offer_id":46853334368396,"sku":"5418","price":8500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_2a54e454-aa30-4335-836e-98d1f9507d82.jpg?v=1774334855"},{"product_id":"rickenbacker-electric-violin-1938-5551","title":"Rickenbacker Electric Violin (1938)","description":"Rickenbacker Electric Violin, c. 1938, made in Los Angeles, serial # 21, dark brown varnish, raw aluminum finish, tubular aluminum body, maple neck with ebony fingerboard. \u003cbr\u003e \u003cbr\u003eOverall length is 23 1\/2 in. (59.7 cm.), 5 in. (12.7 cm.) across at the widest point. Scale length is 13 in. (330 mm.). Width of nut is 7\/8 in. (22 mm.). Overall Excellent - Condition.","brand":"Rickenbacker","offers":[{"title":"Default Title","offer_id":46853334401164,"sku":"5551","price":8500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_c983e57e-071a-4750-be15-2e20c35d1e08.jpg?v=1774334857"},{"product_id":"rickenbacker-electric-violin-1938-8859","title":"Rickenbacker Electric Violin (1938)","description":"Rickenbacker Electric Violin, c. 1938, made in Los Angeles, serial # 08, dark brown varnish, raw aluminum finish, tubular aluminum body, maple neck with ebony fingerboard, original black hard shell case. \u003cbr\u003e\u003cbr\u003e\u003ciframe width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/1PNHE3PeANo\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003eOne of the rarest and most unusual American string instruments ever created, this second generation Rickenbacker Electric Violin was a product of the late 1930s but STILL looks out of time! The design is more radical even than the stylishly minimalist Hawaiian steel guitars that made Rickenbacker famous; this might well have confused even the most forward-looking violinist in 1938-9. With the body consisting of a tubular metal frame attached to the conventional neck and headstock, it resembles what is in the 21st century termed a \"Steampunk\" aesthetic, although when created it was simply a modernistic statement. \u003cbr\u003e\u003cbr\u003eRickenbacker\/Electro designer George Beauchamp's original ambition was to create a whole family of purely electric string instruments. This never came to fruition, but besides a variety of guitars, at least the violin and bass appear to have been commercially produced -- albeit on a very small scale. Several \"All-Electric\" acts in the 1930s used a full outfit of Electro orchestral instruments, including violas and cellos, but commercial production of the bowed instruments appears to have been minimal. These became at best an experimental sideline to the company compared to the success of the Rickenbacker Electro Hawaiian guitar, which quickly became the market leader. \u003cbr\u003e\u003cbr\u003eBeauchamp was a pioneer in using plastics and metal for musical instrument construction. Around 1930 he had experimented with Bakelite necks for National guitars, and then moved on to the first Electro steel guitars which were the cast aluminum \"Frying Pans\" of 1932-3. The earliest style Rickenbacker violin was an incredibly radical minimalist design molded in solid Bakelite, but with very few sold in 1935-6 it was an apparent market failure. \u003cbr\u003e\u003cbr\u003eThe idea was quickly revised so that by 1938-9 Rickenbacker was offering this entirely different Electric Violin with the tubular metal body mated to a conventional violin neck and headstock, likely bought in. It's possible the more conventional wooden neck was suggested by actual violinists who tried the first molded Bakelite design. That used a headless layout with the tuners on the body (presaging Steinberger by almost 50 years) and had unfamiliar balance and handling characteristics. On this second version at least the neck itself has a familiar wooden feel, even if the balance is still eccentric.\u003cbr\u003e\u003cbr\u003eThis tubular metal instrument is still far from a conventional violin. The body is an aluminum tube with the pickup and fittings attached by slim brackets encircling it. The patented Rickenbacker horseshoe magnet pickup is mounted just ahead of the bridge with the slim magnet pieces curving up from behind. It must have been a major design effort to create a over-string pickup that would not restrict bowing to any great degree. \u003cbr\u003e\u003cbr\u003eA single volume pot is mounted towards the rear of the \"body\" operated by a bright red \"flying saucer\" knob. Behind this is a small enclosed Bakelite \"box\" under which carries the forward facing jack and chin rest. An unused jack port is mounted on the back rim of this section in what would have been about the worst possible place to attach a cord, directly in the player's face! There is a bent metal bracket mounted where the upper bout of the body would be, mimicking the feel of the non-existent sound chamber so the player does not get lost on an endless neck.\u003cbr\u003e\u003cbr\u003eDespite the many unconventional aspects, this instrument is fully functional and actually sounds quite good. The tonality is definitely electric, but the famous Rickenbacker pickup works quite well in a bowed context. The violin is still housed in the original box-like hard shell case lined with green plush and long enough to accommodate a bow, a need which Rickenbacker had apparently forgotten to consider in the 1935 models. \u003cbr\u003e\u003cbr\u003eWhile it looks rather like something Flash Gordon might have encountered in Mongo, this is a practical and well-designed instrument nonetheless, an enduring statement of Deco modernism and one of the most striking violins ever designed.\u003cbr\u003e \u003cbr\u003eOverall length is 23 1\/2 in. (59.7 cm.), 5 in. (12.7 cm.) across at the widest point. Scale length is 13 in. (330 mm.). Width of nut is 7\/8 in. (22 mm.). \u003cbr\u003e\u003cbr\u003eThis instrument remains in completely original and playable condition with only some minor wear. As noted, there are two jack locations but this appears to be a factory modification. There is some light wear overall, primarily to the surface of the metal, most notably to the bent bracket where the player's hand contacts the phantom body. The case has more wear externally but is fully functional, and a period bow is included. Overall a spectacular example of this exceptionally rare piece; a true museum-quality instrument. Excellent Condition.","brand":"Rickenbacker","offers":[{"title":"Default Title","offer_id":46853346132108,"sku":"8859","price":8500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_8f3058eb-d867-4dfa-a1a7-24c534c76a73.jpg?v=1774335388"},{"product_id":"stroviols-resophonic-viola-1910-7242","title":"Stroviols Resophonic Viola (1910)","description":"Stroviols Resophonic Viola, c. 1910, made in London, England. \u003cbr\u003e\u003cbr\u003eThis is an exceptionally rare Stroviols viola, far less common to see than the violin variation. The sound of the instrument is quite loud, and projects very well. It is of course a much more tinny or metallic tone (compared to a wood-bodied instrument), yet still quite full and beautiful. \u003cbr\u003e\u003cbr\u003eThe history of the Stroviols company is fascinating, and even plays a role in the development of the National resonator instruments! John Matthias Augustus Stroh, an electrical engineer in London, was a maker using the name Stroviols as a trade name for his phono instruments, which included violin, viola, cello, bass, ukulele, Hawaiian guitar, mandolin, and also one-string phonofiddles. \u003cbr\u003e\u003cbr\u003eThe design was patented on May 4th 1899 -- UK patent GB9418 titled \"Improvements in Violins and other Stringed Instruments\" which was accepted on March 24th 1900. The patent described the use of a flat metal (other materials are also mentioned) diaphragm in the voice-box (reproducer) of a violin to mechanically amplify the sound. On February 16th 1901 he applied for an additional UK patent (GB3393) titled \"Improvements in the Diaphragms of Phonographs, Musical Instruments, and Anologous Sound-producing, Recording and Transmitting Contrivances\" which was accepted on December 14th 1901. This effectively extended the first concept to now use a conical resonator with corrugations at its edge, allowing a more \"rigid\" diaphragm. \u003cbr\u003e\u003cbr\u003eInterestingly, his failure to patent his inventions in the USA allowed John Dopyera and Geo Beauchamp to subsequently obtain US patents for the tricone and single cone designs used in National resonator instruments.\u003cbr\u003e \u003cbr\u003eOverall length is 26 3\/4 in. (67.9 cm.), 12 in. (30.5 cm.) width. Scale length is 14 1\/2 in. (368 mm.). \u003cbr\u003e\u003cbr\u003eAn exceptionally fine example of this very rare instrument. Very little wear to the finish; one or two minor dings in the large bell. All parts are original, aside from new tuning pegs. Bell diameter is 7 3\/16\". Excellent Condition.","brand":"Stroviols","offers":[{"title":"Default Title","offer_id":46853350031500,"sku":"7242","price":6000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_850e18fc-70c0-4fd4-80e2-21939d15d120.jpg?v=1774335574"},{"product_id":"unlabelled-philomela-violin-mid-19th-century-6943","title":"unlabelled Philomela Violin (mid 19th century)","description":"Philomela Violin (unlabelled), c. mid 19th century, spuce top, curly maple ribs and back. A violin varient, the philomel has a body with incurvations similar to those of the guitar. Without corner blocks, the outline of the upper lobe forms a wavy shoulder reminiscent of the viols but more ornate and fanciful. It was not used in the orchestra, and considered by some the instrument of the dilettanti, frequently played in Germany with the bowed zither. \u003cbr\u003e\u003cbr\u003eFrom the collection of Carol Warden, Dale Music Company, Bethesda, MD.\u003cbr\u003e \u003cbr\u003eOverall length is 22 7\/16 in. (57 cm.), 6 1\/16 in. (15.4 cm.) width, and 1 3\/8 in. (3.5 cm.) in depth, measured at rib. Scale length is 13 in. (330 mm.). Small repaired chip in upper rib Excellent - Condition.","brand":"unlabelled","offers":[{"title":"Default Title","offer_id":46853383258252,"sku":"6943","price":1600.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_ce62f2a2-1af2-4fb0-b835-430e16c74079.jpg?v=1774336843"},{"product_id":"stroviols-resophonic-violin-1910-9629","title":"Stroviols Resophonic Violin (1910)","description":"Stroviols Resophonic Violin, c. 1910, made in Birmingham, England, natural wood and alminum finish, mahogany body, ebony fingerboard, aluminum horn. \u003cbr\u003e\u003cbr\u003eThis is a very rare Stroviols violin, the original and most famous of these fascinating bowed resonator instruments. The sound is completely unique; quite loud and it projects very well, which was the original intention. The Stroh produces a more compressed metallic tone compared to a wood bodied instrument, yet still full and in its own way quite beautiful. This is a good playing and nice-sounding example, showing signs of long use but fairly well maintained and properly set up. \u003cbr\u003e\u003cbr\u003eThe history of the Stroviols company is fascinating, and even plays a role in the development of the National resonator instruments! John Matthias Augustus Stroh, an electrical engineer in London, was a maker using the name Stroviols as a trade name for his phono instruments. These initially included violin, viola, cello, bass and also curious one-string phonofiddles. As time went on this line expanded to include mandolins, ukuleles, an even a magnificently \"Steampunk\" looking Hawaiian guitar! \u003cbr\u003e\u003cbr\u003eThe original design was submitted for patent protection on May 4th 1899 -- UK patent GB9418 titled \"Improvements in Violins and other Stringed Instruments\" -- which was granted on March 24th, 1900. The patent described the use of a flat metal (other materials are also mentioned) diaphragm in the voice-box (reproducer) of a violin to mechanically amplify the sound. \u003cbr\u003e\u003cbr\u003eOn February 16th, 1901 he applied for an additional UK patent (GB3393) titled \"Improvements in the Diaphragms of Phonographs, Musical Instruments, and Analogous Sound-producing, Recording and Transmitting Contrivances\" which was accepted on December 14th, 1901. This effectively extended the first concept to now use a conical resonator with corrugations at its edge, allowing a more \"rigid\" diaphragm. \u003cbr\u003e\u003cbr\u003eStroh did not patent his inventions in the USA which allowed John Dopyera and Geo Beauchamp to subsequently obtain US patents for the tricone and single cone designs used in National resonator instruments, and Dobros. Stroh violins were somewhat successful for a couple of decades, especially in the era of acoustical recording, at which they excelled. 120+ years on the sound and look are still both classy and outrageous, with an enduring appeal to collectors and violinists of an adventurous nature.\u003cbr\u003e \u003cbr\u003eLength is 24 in. (61 cm.), 6 3\/4 in. (17.1 cm.) diameter of bell. Scale length is 13 in. (330 mm.). Width of nut is 7\/8 in. (22 mm.). \u003cbr\u003e\u003cbr\u003eThis is a very good and fully playable example of this very rare 100+ year old instrument, appearing well played but not heavily worn. There is some loss to the stained finish on the back of the neck down to the wood. By comparison the finish on the barrel body is quite good, with some small nicks and dings. The Stroh logo markings on the body are nicely preserved with a bit of loss at one corner. \u003cbr\u003e\u003cbr\u003eThe large horn is more heavily worn with some general corrosion to the metal surface overall and a number of small dents. The open area of the bell has some dents and wear along the rim, but it remains structurally sound. The rim is slightly bent in one spot, and appears to have been hammered back into shape. The interior has been painted silver, likely to hide some of these imperfections. The smaller monitor horn is a neatly done replacement, made of brass but painted silver to match the rest of the metal. All other parts are original and the instrument plays well with the typical powerful if somewhat compressed sound these are famous for. Excellent - Condition.","brand":"Stroviols","offers":[{"title":"Default Title","offer_id":46853403574412,"sku":"9629","price":7500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_ae83bf3f-f17b-4fa8-951a-276719508183.jpg?v=1774337664"},{"product_id":"stroviols-home-model-resophonic-monochord-1910-3388","title":"Stroviols Home Model Resophonic Monochord (1910)","description":"Stroviols Home Model Model Resophonic Monochord, c. 1910, made in England, black finish. \u003cbr\u003e \u003cbr\u003eOverall length is 33 in. (83.8 cm.), 7 in. (17.8 cm.) diameter of bell. Scale length is 24 3\/4 in. (629 mm.). Width of nut is 3\/4 in. (19 mm.). Excellent Condition.","brand":"Stroviols","offers":[{"title":"Default Title","offer_id":46853407375500,"sku":"3388","price":650.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_c6bd43ba-51b5-413d-8025-ae91b1c7bd75.jpg?v=1774337850"},{"product_id":"max-kohl-helmholtz-hybrid-keyboard-synthesizer-1905-6535","title":"Max Kohl Helmholtz Hybrid Keyboard Synthesizer (1905)","description":"Max Kohl Helmholtz Hybrid Model Keyboard Synthesizer, c. 1905, made in Chemnitz, Germany. Although many refer to it as a synthesizer, more correctly it is an electro-mechanical tone generator.\u003cbr\u003e \u003cbr\u003e Original Artifact. Unrestored Condition.","brand":"Max Kohl","offers":[{"title":"Default Title","offer_id":46853407965324,"sku":"6535","price":27000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_45997899-626b-473c-8f00-98f70888a1e2.jpg?v=1774337884"},{"product_id":"unlabelled-violin-early-20th-c-5851","title":"unlabelled Violin (early 20th C.)","description":"Violin (unlabelled) (early 20th C.), probably French, light reddish brown varnish finish, maple back, sides and neck, spruce top, original black hard shell case. \u003cbr\u003e \u003cbr\u003eLength of back is 14 1\/2 in. (36.8 cm.), 8 in. (20.3 cm.) wide at lower bout, and 1 7\/16 in. (3.6 cm.) in depth, measured at side of rim. Scale length is 13 in. (330 mm.). Width of nut is 7\/8 in. (22 mm.). \u003cbr\u003e\u003cbr\u003eThis is an older French-pattern 4\/4 violin with a composite neck, a good player with plenty of volume and a crisp and balanced sound. No maker's markings, but carries a hand-typed label stating \"Repaired and improved by Simon Rosen May 9 1943 New York\". No other major repairs; general wear overall. Includes period case and bow. Excellent - Condition.","brand":"unlabelled","offers":[{"title":"Default Title","offer_id":46853410062476,"sku":"5851","price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_3bee3d23-8979-4622-9048-a660d7c89126.jpg?v=1774337941"},{"product_id":"maestro-th-1-theremin-1970s-7056","title":"Maestro TH-1 Theremin (1970s)","description":"Maestro TH-1 Model Theremin (1970s), black anodized and natural metal finish, original box case. \u003cbr\u003e\u003cbr\u003eOriginally conceived by Leon Theremin in the 1920s, the Theremin was an incredibly novel invention for the time, a purely electronic instrument. Thirty+ years later in the age of the tape recorder and transistor, Bob Moog revived the theremin a new age of live performance. The instrument attracted many artists, from those who produced music and sound effects for movies to jazz, and classical and later rock musicians, who had an interest in exploring brave new sonic structures that could be controlled as any other musical instrument. \u003cbr\u003e\u003cbr\u003eSeveral years before his iconic synthesizer would materialize as a commercial product, Bob Moog started a small business building transistorized theremins. Being an electronics hobbyist since his youth, he learned how to build theremins while still in high school and continued through his college years. Around one thousand Moog theremin kits were sold during the height of this humble little business (twice as many sold than the original RCA theremin in 1930!). Moog's love for the theremin and the mysterious Russian inventor (whom he had never met until later in life) set him squarely on the path to the invention of his ground-breaking Moog synthesizer several years later. As for the theremin, Moog Music still produces Etherwave models, arguably the most widely sold theremin brand in the world today.\u003cbr\u003e\u003cbr\u003eThis little Maestro TH-1 theremin was designed by Bob Moog in the early 1970's when he was employed by Norlin, Gibson's parent company. It is a novel design, using two square plates to control volume and pitch instead of antennae. First made by Southwest Technical Products (SWTP), this unit was sold through Gibson\/Maestro dealers to customers of the company's guitars and amplifiers, from rock bands to jazz artists. Unlike the original Theremins, this model (conveniently for Gibson) requires an outside amp to play through, but offers the familiar Theremin sound with a slightly different playing technique.\u003cbr\u003e \u003cbr\u003e\u003cbr\u003eCosmetically, this little unit is in exemplary condition, with hardly any wear to show on the exterior chassis. The square plates show some darkening around the outer edges. The unit comes with the original box containing the original instruction booklets and unfilled warranty card as well. Electrically, the TH-1 is fully functional and has been recently serviced and calibrated. The bottom of the unit features a thread for mounting on top of a microphone stand. Overall Excellent Condition.","brand":"Maestro","offers":[{"title":"Default Title","offer_id":46853446041740,"sku":"7056","price":3000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_21125ef2-84a9-47e4-9394-2d7c720a661d.jpg?v=1774338699"},{"product_id":"fender-electric-violin-1969-1970-737","title":"Fender Electric Violin (1969 - 1970)","description":"Fender Electric Violin, c. 1969 - 1970, made in USA, 2 tone red sunburst lacquer finish, maple body and neck. \u003cbr\u003e\u003cbr\u003eHas an elongated body with an internal pickup system, 2 knobs and a jack on the bass side of the top. The neck is detachable and has a center routed peghead, ebony fingerboard and tuning pegs.\u003cbr\u003e \u003cbr\u003eOverall Length is 24 3\/4 in. (62.9 cm.), 8 in. (20.3 cm.) wide at lower bout, and 1 1\/2 in. (3.8 cm.) in depth at side, taken at the end block. Scale length is 12 1\/2 in. (318 mm.). Excellent + Condition.","brand":"Fender","offers":[{"title":"Default Title","offer_id":46853482610828,"sku":"737","price":1800.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_5a3fefb5-5b0b-4297-a873-a32f667df4e0.jpg?v=1774339792"},{"product_id":"h-emile-blondelet-violin-1928-1803","title":"H. Emile Blondelet Violin (1928)","description":"H. Emile Blondelet Violin (1928), made in Paris, serial # G55, light amber varnish finish, maple, spruce. \u003cbr\u003e\u003cbr\u003eBlondelet was the co-director of the firm of Thibouville-Lamy from 1908 on. \u003cbr\u003e\u003cbr\u003eThe two piece back is maple of a medium curl descending from the center. The ribs, neck, and scroll are also of medium curly maple and the top is of a fine grained spruce widening at the edge.\u003cbr\u003e\u003cbr\u003eLabel reads \"Grand Prix 1922 Marseille, H. Emile Blondelet, paris 1928 #G 55\".\u003cbr\u003e \u003cbr\u003eLength of back is 14 1\/16 in. (35.7 cm.). Scale length is 12 7\/8 in. (327 mm.). Near Mint Condition.","brand":"H. Emile Blondelet","offers":[{"title":"Default Title","offer_id":46853482741900,"sku":"1803","price":5000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_3727b6bb-aa6f-4016-83fe-98ee13d4c272.jpg?v=1774339798"},{"product_id":"frantisek-zivec-violin-1959-1809","title":"Frantisek Zivec Violin (1959)","description":"Frantisek Zivec Violin (1959), made in Melbourne, Australia, amber varnish finish, curly maple and spruce, brown canvas hard shell case. \u003cbr\u003e\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/izKUdRY_vJU\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003eThe 2 piece back, ribs and scroll are of tightly curled maple and the top is of medium even grained spruce and the instrument has a medium amber varnish. It is a fine violin by a skilled craftsman.\u003cbr\u003e\u003cbr\u003eLabel printed: \"Melbourne Frantisek Zivec As CSR Rok vyroby 1959, Australia\". \u003cbr\u003e\u003cbr\u003eInformation from the Directory of Australian Violin and Bow Makers Compiled by Alan Coggins: ZIVEC, Frantisek (Frank) (1901 - 1963). Migrated to Melbourne, 1949. Set up a shop at 427 Lygon St, Carlton, Vic and produced about 8 - 10 instruments a year. Sold some instruments in USA. \u003cbr\u003e\u003cbr\u003eLabel: [ Melbourne | FRANTISEK ZIVEC | As CSR 1958 | Rok vyroby | Australia ] Blue printed card with white edging.\u003cbr\u003e \u003cbr\u003eLength of back is 13 15\/16 in. (35.4 cm.). Scale length is 12 13\/16 in. (325 mm.). \u003cbr\u003e\u003cbr\u003eViolin shows minor wear. Very Good + Condition.","brand":"Frantisek Zivec","offers":[{"title":"Default Title","offer_id":46853482774668,"sku":"1809","price":6000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_af270d5f-9c16-4ef3-b96f-f33d13389dd3.jpg?v=1774339799"},{"product_id":"ampeg-baby-bass-electric-bass-1967-7427","title":"Ampeg Baby Bass Electric Bass (1967)","description":"Ampeg Baby Bass Model Electric Bass (1967), made in Linden NJ, serial # 002340, sunburst lacquer finish, fiberglass body, original black gig bag case. \u003cbr\u003e \u003cbr\u003eOverall length is 60 in. (152.4 cm.), 18 in. (45.7 cm.) wide at lower bout, and 3.5 in. (8.9 cm.) deep. Scale length is in. (0 mm.). All original with some general wear and shrinkage to the outer covering, as is common with these. Overall Excellent - Condition.","brand":"Ampeg","offers":[{"title":"Default Title","offer_id":46853484839052,"sku":"7427","price":2550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_b1542d86-d76c-45f4-9639-32e9b16239ce.jpg?v=1774339882"},{"product_id":"stainer-mittenwald-stainer-copy-violin-1920-6197","title":"Stainer Mittenwald- 'Stainer' Copy Violin (1920)","description":"Mittenwald- 'Stainer' Copy Model Violin, stamped Stainer, c. 1920, 4\/4 size, made in Germany. NO CASE\u003cbr\u003e \u003cbr\u003eLength of back is 14 1\/4 in. (36.2 cm.), 8 in. (20.3 cm.) wide at lower bout, and 1 in. (2.5 cm.) in depth at side, taken at the end block. Scale length is 13 1\/8 in. (333 mm.). Very Good + Condition.","brand":"Stainer","offers":[{"title":"Default Title","offer_id":46853517443212,"sku":"6197","price":600.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_7cd9682c-5204-4a84-816e-cf2080191132.jpg?v=1774340837"},{"product_id":"wurlitzer-model-111-local-pickup-only-electric-piano-1955-12333","title":"Wurlitzer Model 111 LOCAL PICKUP ONLY Electric Piano (1955)","description":"Wurlitzer Model 111 LOCAL PICKUP ONLY Model Electric Piano (1955), made in Corinth, Mississippi, serial # 1298, Fleckstone finish. \u003cbr\u003e\u003cbr\u003eThis is quite a rare vintage keyboard, a very early variation of the classic Wurlitzer Electric Piano made only during 1955. This Model 111 followed directly on the first iterations the Models 100 and 110, and further rapid development yielded the Model 112, the first Wurlitzer electric piano to go into full production. The Models 100, 110 and 111 are sometimes described as \"prototypes\" for the more familiar model 112, but really they are more short-run pre-production examples which allowed the company to fine tune the instrument before committing to full production. \u003cbr\u003e\u003cbr\u003eCompared to the 112 very few of the Model 111 were made, estimates based on serial number data ranging between 2-400 examples. It retains the now odd looking but very 1950s darker reddish-brown \"Fleckstone\" finish used on the 110. Most Model 112s were finished out in a lighter shade. The most important structural change from the 110 was making the action accessible from the top by removing the cover screws instead of having to slide it out the front. The production run was very short, with features transitioning from the 110 to the 112 over just a few months. The large and heavy sustain pedal mounts on the right side and is often missing; this one is intact. \u003cbr\u003e\u003cbr\u003eThis model lacks integral legs, but instead sits on a sort of small table with wrought iron legs, a laminated wooden slab carrying the same Fleckstone finish. A matching bench comes in the set, functional if not exactly deluxe! This keyboard was likely assembled in the spring of 1955; Wurlitzers appear to have been first advertised for sale around June that year. \u003cbr\u003e\u003cbr\u003eThis series of Electric pianos powered countless recordings in the 1950s, '60s and '70s most famously Ray Charles' \"What'd I Say\". The early Wurlitzers are superb sounding instruments, but were not as sturdily engineered for road use as the later 1960s versions, so not many survive in good original condition. We would not recommend touring this clean and complete instrument, it is very well maintained and would make a fabulous studio or home piece, with the classic \"woody\" vintage Wurlie tone.\u003cbr\u003e \u003cbr\u003eHeight is 34 in. (86.4 cm.), 39 in. (99.1 cm.) width, and 22 3\/8 in. (56.8 cm.) deep. \u003cbr\u003e\u003cbr\u003eOverall this is a lovely, relatively clean and original example of this rare \"Early Wurlie\". The fairly fragile original Fleckstone finish on the piano casing has scuffs, dings and chips (and a few small cigarette burns!) but no heavy loss and generally presents very well, especially for nearly 70 years on the planet. There are small chips to a few key tips. The original tube amplifier has been re-capped and the tubes are correct new old stock. The power cable has been replaced by a modern detachable type. \u003cbr\u003e\u003cbr\u003eThe keyboard action has been aligned, lubricated and regulated and the reeds and pickups tuned and voiced. The instrument is complete including the oft-missing early-pattern sustain pedal, the hinged detachable keyboard cover, the metal-leg support table and the matching bench seat. The support table and seat have some small chips off the edges. Overall this is a very nice example of this rare first-year model, a lovely instrument with a distinctive sonic character. Unfortunately due to its size and fragility we will not be able to securely ship this item, it is sold for direct pick-up only. Overall Excellent - Condition.","brand":"Wurlitzer","offers":[{"title":"Default Title","offer_id":46853528322188,"sku":"12333","price":3950.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_7b12cdb8-a943-466a-ba88-2cf5e76e68fd.jpg?v=1774341232"},{"product_id":"korg-polysix-programmable-polyphonic-synthesizer-1981-12084","title":"Korg PolySix Programmable Polyphonic Synthesizer (1981)","description":"Korg PolySix Model Programmable Polyphonic Synthesizer, c. 1981, made in Japan, serial # 465014, black enamel and woodgrain finish, black road case. \u003cbr\u003e\u003cbr\u003eThe now fairly iconic Korg PolySix was initially an inexpensive alternative to the flagship programmable polysynths of the time. It was released in 1981, almost simultaneously with the Roland Juno 6. This competing pair marked a milestone of being the first fully polyphonic synths ordinary mortal musicians could afford that had comparable features to the industry flagships like the Prophet 5, Oberheim OB-Xa and the Roland Jupiter 8. \u003cbr\u003e\u003cbr\u003eThe PolySix arrived fully laden with features including 32 memory patches, 6 voices of polyphony, cassette backup of memory, programmable modulation effects and not one but three onboard effects: chorus, phase and 'ensemble'. The latter is likely what made the PolySix known as a poor-man's Prophet, as well as achieving Mellotron-like sounds with its string presets. The fairly advanced arpeggiator can memorize and sequence chords across the keyboard. The ADSR has an impressively wide range; the maximum attack time is around 18 seconds and decay and release both around 25 seconds.\u003cbr\u003e\u003cbr\u003eMany synths of this era had begun the move towards digital technology using DCOs or microprocessor-generated envelopes. The PolySix uses a separate analog VCO, VCF and envelope generator for each voice, giving it the warm and full sound it became known for; somewhat softer and brassy-er sounding compared to the Juno and other Japanese synths of the era. It is now recognized as a classic of its time and still a very useful keyboard when in well-maintained condition.\u003cbr\u003e \u003cbr\u003e\u003cbr\u003eCosmetically, this synth is in truly outstandingly fine shape, protected most of its life by the included heavy duty Calzone-made flight case. The control panel is almost entirely free of any notable wear or scratches and all the original knobs are fully intact and present. The wood-paneled sides are also nicely intact, save for some scuffing to the lower rear-left corner. The keys and controls are all in excellent condition and even the original power cord is intact. The synth comes with original documentation, including an unopened cassette containing the original factory presets for the unit. \u003cbr\u003e\u003cbr\u003eElectrically the unit is all original save for the battery, which has been replaced. Like other programmable synthesizers of the era, the PolySix had a rechargeable nickel-cadmium battery that powered the memory when the unit was switched off. The original batteries are now well past their designed lifespan and thus prone to failure, leaving the instrument unable to recall user designed patches from its memory. More seriously, if the battery is not replaced, it can leak and corrode the circuits. \u003cbr\u003e\u003cbr\u003eUnfortunately for the PolySix, this battery is mounted on the main processor board and corrosion here can be fatally damaging to the circuitry of the instrument. Luckily in this case, no such leakage occurred and the original battery was seamlessly replaced with a 3.6-volt Lithium battery kit, courtesy of Syntaur. This is an outstanding example of this unit, as well preserved as we would ever expect to find 40+ years along. Excellent Condition.","brand":"Korg","offers":[{"title":"Default Title","offer_id":46853532713100,"sku":"12084","price":1950.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_75861308-74d1-449e-9ba6-742a05305876.jpg?v=1774341395"},{"product_id":"unlabelled-decorative-pochette-violin-1900-7240","title":"unlabelled Decorative Pochette Violin (1900)","description":"Decorative Model Pochette Violin (unlabelled), c. 1900, made in Bohemian, dark brown varnish finish, spuce top, figured maple back and ribs.. Lion's head scroll with elongated triangular body. Ebony fingerboard and fixtures.\u003cbr\u003e \u003cbr\u003eOverall length is 21 1\/4 in. (54 cm.), and 1 5\/16 in. (3.3 cm.) in depth, measured at rib. Scale length is 12 1\/2 in. (318 mm.). Minor scratches, especially on rear of peg box. Overall Excellent Condition.","brand":"unlabelled","offers":[{"title":"Default Title","offer_id":46853536546956,"sku":"7240","price":1200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_66dfb61f-2dbc-40ad-905f-b529696f96f0.jpg?v=1774341532"},{"product_id":"unknown-pochette-violin-1900-8765","title":"Unknown Pochette Violin (1900)","description":"Pochette Violin (maker Unknown), c. 1900, possibly French or German, molded black plastic hard shell case. \u003cbr\u003e \u003cbr\u003eOverall length is 18 1\/4 in. (46.4 cm.), 5 in. (12.7 cm.) wide at lower bout, and 1 1\/4 in. (3.2 cm.) in depth, measured at rib. Scale length is 9 3\/4 in. (248 mm.). Width of nut is 13\/16 in. (21 mm.). Excellent - Condition.","brand":"Unknown","offers":[{"title":"Default Title","offer_id":46853536874636,"sku":"8765","price":700.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_b5c92538-2d0e-4797-8844-75f96581cf95.jpg?v=1774341546"},{"product_id":"maestro-th-1-theremin-1970s-11978","title":"Maestro TH-1 Theremin (1970s)","description":"Maestro TH-1 Model Theremin (1970s), serial # D-0251, black anodized and natural metal finish. \u003cbr\u003e\u003cbr\u003eOriginally conceived by Leon Theremin in the 1920s, the Theremin was an incredibly novel invention for the time, a purely electronic musical instrument. 30+ years later in the age of the tape recorder and transistor, Bob Moog revived the theremin for a new age of live performance. Over the decades the instrument has attracted many artists, from those who produced classical music to soundtrack and special effects for movies to jazz and later rock musicians with an interest in exploring brave new sonic structures that could be controlled as any other musical instrument.\u003cbr\u003e\u003cbr\u003eSeveral years before his iconic synthesizer would materialize as a commercial product, Bob Moog started a small business building transistorized theremins. Being an electronics hobbyist since his youth, he taught himself how to build theremins while still in high school and continued through his college years. Around one thousand Moog theremin kits were sold during the height of this humble business; twice as many sold than the original RCA theremin in 1930!. Moog's love for the theremin and the mysterious Russian inventor (whom he had never met until later in life) set him squarely on the path to the invention of his ground-breaking Moog synthesizer several years later. As for the theremin, Moog Music still produces Etherwave models, arguably the most widely sold theremin brand in the world today.\u003cbr\u003e\u003cbr\u003eThis little Maestro TH-1 theremin was designed by Bob Moog in the early 1970's when he was employed by Norlin, Gibson's parent company. It is a novel design, using two square plates to control volume and pitch instead of antennae. First made by Southwest Technical Products (SWTP), this unit was sold through Gibson\/Maestro dealers to customers of the company's guitars and amplifiers, from rock bands to jazz artists. Unlike the original Theremins, this model (conveniently for Gibson) requires an outside amp to play through, but offers the familiar Theremin sound with a slightly different playing technique.\u003cbr\u003e \u003cbr\u003e\u003cbr\u003eCosmetically, this little unit is in very nice condition with only minimal wear to the exterior chassis; mostly a few dings and scuffs to the corners. The bottom shows a spray-painted stencil reading \"Nightwing\". The square control plates show some darkening\/staining underneath the lacquered surfaces and the on\/off knob is a replacement. \u003cbr\u003e\u003cbr\u003eElectrically, the TH-1 is nicely original; the transformer bears the code 606-228, dating it to the 28th week of 1972. The unit fully functional and has seen a thorough servicing and calibration, including replacement of out-of-spec\/expired components. It retains its original two-prong power cord. Overall Very Good + Condition.","brand":"Maestro","offers":[{"title":"Default Title","offer_id":46853639012492,"sku":"11978","price":2350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_1675b4ca-c81a-4964-8ece-f8d94c61bf2c.jpg?v=1774342009"},{"product_id":"pochette-violin-817","title":"Pochette Violin","description":"Pochette Violin, probably Italian, molded plastic hard shell case. Bow.\u003cbr\u003e \u003cbr\u003eOverall length is 15 1\/2 in. (39.4 cm.), 4 1\/4 in. (10.8 cm.) wide at lower bout, and 1 in. (2.5 cm.) in depth at side, taken at the end block. Scale length is 8 3\/4 in. (222 mm.). Excellent - Condition.","brand":"Violin Maker","offers":[{"title":"Default Title","offer_id":46853682004108,"sku":"817","price":3750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_b5c82c4e-b3b5-4b1a-a9aa-0e52984d184e.jpg?v=1774342809"},{"product_id":"national-vio-lectric-electric-violin-1941-13237","title":"National Vio-Lectric Electric Violin (1941)","description":"National Vio-Lectric Model Electric Violin (1941), made in Chicago, serial # 1181G, natural lacquer finish, maple back, sides and neck; spruce top, ebony fingerboard, period blonde hard shell case. \u003cbr\u003e\u003cbr\u003eThis National Vio-Lectric is of the earliest, and to our ears at least still one of the best-sounding electric violins ever produced. In the words of jazz violinist \"Stuff\" Smith from 1940: \"This violin is a KILLER!\". The instrument first appeared 1937 and was cataloged up through 1941 until the war put a temporary end to nearly all electric instrument production. This example dates to 1941 and remains in excellent playing condition.\u003cbr\u003e\u003cbr\u003eIn the mid-1930s all stringed instruments were considered game for amplification; while the Hawaiian and then Spanish guitars were the ones that took off the violin seemed a logical candidate as well. Besides National, Vivi-Tone, Vega and Rickenbacker made interesting and rather futuristic instruments, and in the 1950s Leo Fender tried his hand. \u003cbr\u003e\u003cbr\u003eThe Vio-Lectric's design is fundamentally unlike most later electric viols, particularly the pickup system which is very different from the piezo contact pickups generally used in modern electric violins. Because the signal is produced by two small magnetic coils it seems sonically more compatible with the typical guitar amplifier than many modern electric violins. The bridge is a traditional wood violin bridge that rests on a metal strip, which in turn is suspended above the coils on rubber shims. The vibrations of the strings are transmitted mechanically to the block and the coils detect the motion of the block. While this may sound a bit Rube Goldberg in use it produces a full, surprisingly natural sound using any type of violin strings, even gut. Leo Fender's 1950s electric violin design had some similarities, but to our ears the National has a warmer, more pleasing tone. \u003cbr\u003e\u003cbr\u003eThe maple-and-spruce body and neck are purpose-built but conventional in shape and handling unlike some other more abstract 1930s designs. The top on this 1941 example is solid with no F-holes; a few earlier samples did have soundholes but they were quickly deleted from production models. The metal plate surrounding the bridge carries the patent number but there are no other markings on the instrument except a serial number stamped very small on the rim under the tailpiece. \u003cbr\u003e\u003cbr\u003eHow many of these were made is not known, but surviving examples are extremely rare; this is the latest example we have seen. Hot jazz Stuff Smith was prominently pictured in the National catalog endorsing the instrument, as was \"Concert violinist\" Loma Cooper. \"Vio-Lectric is not as novelty\" the company claimed \"but a fine violin electrified\". Certainly the feel and handling is more familiar to the experienced player than any vintage competitors, while sonically this violin is in its own category.\u003cbr\u003e \u003cbr\u003eLength of button stop is 14 1\/8 in. (35.9 cm.), 8 3\/8 in. (21.3 cm.) wide at lower bout, and 1 7\/16 in. (3.6 cm.) in depth, measured at rib. Scale length is 12 7\/8 in. (327 mm.). Width of nut is 7\/8 in. (22 mm.). \u003cbr\u003e\u003cbr\u003eOverall this is a quite attractive example, showing some very light wear. There is minor wear around the volume control knob on top, and light handling wear overall. The only notable repair it to several small cracks in rib at output connector.\u003cbr\u003e\u003cbr\u003eWhile it has a fairly low output compared to most modern electric guitars the amplified tone of this violin is rich and never shrill. It handles and plays excellent and comes with what appears to be the original blonde HSC. Overall Excellent Condition.","brand":"National","offers":[{"title":"Default Title","offer_id":46853691179148,"sku":"13237","price":5000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_44f43892-5f9c-4ee7-aa23-5edf5b63051a.jpg?v=1774343098"}],"url":"https:\/\/retrofret.com\/collections\/orchestral-instruments.oembed","provider":"RetroFret","version":"1.0","type":"link"}