{"title":"Mandocellos","description":"","products":[{"product_id":"gibson-k-2-carved-top-mandocello-1913-5587","title":"Gibson K-2 Carved Top Mandocello (1913)","description":"Gibson K-2 Model Carved Top Mandocello (1913), made in Kalamazoo, Michigan, black top, dark stained back and sides finish, birch back and sides, spruce top; mahogany neck, original black hard shell case. \u003cbr\u003e \u003cbr\u003eOverall length is 38 3\/8 in. (97.5 cm.), 14 3\/8 in. (36.5 cm.) width, and 3 1\/4 in. (8.3 cm.) in depth, measured at side of rim. Scale length is 24 1\/2 in. (622 mm.). Width of nut is 1 5\/8 in. (41 mm.). An excellent player's K-2. The black-top finish is original with some added French polishing; there is one long repaired back crack and a slight old separation on the center seam. No other visible cracks or major repairs. The tuners are original but are reverse-mounted in the modern shaft-above gear position, a common change. The tailpiece is a later replacement in the proper style, the bridge is a modern adjustable archtop guitar unit. Neck and frets very nice, this is a fine-toned K-2 with a round deep sound. Includes a worn but functional original HSC. Overall Very Good + Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46852963172492,"sku":"5587","price":3500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_24922957-83b4-4d21-8af7-922629231ca4.jpg?v=1774328862"},{"product_id":"gibson-k-1-carved-top-mandocello-1912-5363","title":"Gibson K-1 Carved Top Mandocello (1912)","description":"Gibson K-1 Model Carved Top Mandocello (1912), made in Kalamazoo, Michigan, serial # 17439, natural top, cherry stained back and sides finish, birch back and sides, spruce top; mahogany neck with ebony fingerboard. \u003cbr\u003e \u003cbr\u003eOverall length is 38 7\/16 in. (97.6 cm.), 14 1\/8 in. (35.9 cm.) width, and 3 3\/8 in. (8.6 cm.) in depth, measured at side of rim. Scale length is 24 5\/8 in. (625 mm.). Width of nut is 1 5\/8 in. (41 mm.). A bit worn but not abused, this K-1 is currently celebrating its 100th Birthday! Numerous small dings and wear areas to the (very thin) varnish, but no major loss except to the back of the neck. Hardware original except for the tailpiece base (cover is original-the original base has several broken tines) and the bridge saddles (very nice repros). Plays very well with an excallent robust sound. Overall Very Good + Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46852992827532,"sku":"5363","price":3600.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_22bd7d5a-63c7-4ff1-a09d-877f3b1c5017.jpg?v=1774329770"},{"product_id":"gibson-k-2-carved-top-mandocello-1912-6912","title":"Gibson K-2 Carved Top Mandocello (1912)","description":"Gibson K-2 Model Carved Top Mandocello (1912), made in Kalamazoo, Michigan, black top,natural back and sides finish, birch back and sides, spruce top; mahogany neck with ebony fingerboard, hard shell case. \u003cbr\u003e\u003cbr\u003eThe Gibson Mandocello is one of the great under-appreciated instruments of the early 20th century. Originally designed for the 1910's mandolin orchestra, these imposing beasts never found another home in any other style of music despite being wonderful and unique-sounding instruments. Double-strung and tuned in fifths starting with the C below the low E on the guitar, the mandocello has an imposing tone and deep resonance unlike any other fretted instrument. OK, we're starting to sound like an old Gibson catalog here, but we really like these and are always happy to get one in stock!\u003cbr\u003e\u003cbr\u003eThis striking 1912 \"black top\" K-2 Mandocello dates to the decade when Gibson was defining the market for these mandolin family instruments. In the 1910's Gibsons were only available from licensed teacher-agents, and were usually purchased on time along with lessons. As part of the deal the students would often play in the teacher's fretted orchestra, and the low-tuned mandocello was crucial to achieving a full sound in these ensembles. Far fewer were sold compared to mandolins, however, and Gibson mandocellos from any era are a comparative rarity. \u003cbr\u003e\u003cbr\u003eThis particular instrument is a K-2, the midline model of the 3 mandocello models offered but still an expensive instrument when new. It is structurally the same as the basic Model K-1 with some extra \"geegaw\" (decoration)! The headstock face carries an inlaid Fleur-de-Lys in pearl and abalone while the tuners are tipped with the beautiful inlaid Haenel buttons. The soundhole ring is embellished with extra half-herringbone rings. The K-2 package cost around $15.00 more than the K-1 in 1912-which would have bought a pretty nice mandolin by itself from the likes of Sears. Other features were the same for both models, with a bound top, back and fingerboard. Often under-appreciated, the mandocello with its 8 strings and \"C\" orchestral tuning has a totally unique sound and can be useful for a wide range of playing styles; some yet to be explored!\u003cbr\u003e \u003cbr\u003eOverall length is 38 in. (96.5 cm.), 14 1\/16 in. (35.7 cm.) width, and 3 1\/4 in. (8.3 cm.) in depth, measured at side of rim. Scale length is 25 in. (635 mm.). Width of nut is 1 5\/8 in. (41 mm.). This old Gibson has seen some restoration but remains nicely original and a truly excellent player. There is one long repaired top crack on the treble side, running the length of the grain and a shorter one just above it running from the just under the soundhole to the front edge. The back shows one long grain crack on the treble half and a center seam reseal. Overall the finish is not in bad shape, there is a lot of scuffing and micro-checking to the varnish but no major areas of loss. The headstock face has a lot of chipping and the center seam in the laminate has been resealed. The multi-saddle ebony bridge is original and has been cut down slightly, the lovely original inlaid-button tuners are intact and the tailpiece retains its original engraved cover on a repro base. The label has partially crumbled but the serial number is still discernable. This is a fantastic sounding K-2, perhaps not the cleanest we have had but absolutely one of the best playing mandocellos it has been our pleasure to offer. Includes a molded guitar-shaped HSC. Overall Very Good + Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46852999741580,"sku":"6912","price":3200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_a98a1a20-8e51-4211-8fd0-ac508135d2d2.jpg?v=1774330150"},{"product_id":"polestar-cosmotone-mandocello-3311","title":"Polestar Cosmotone Mandocello","description":"Polestar \"Cosmotone\" Model Mandocello, made in Ontario, Canada, natural finish, flame maple back and sides, spruce top, black tolex hard shell case. \u003cbr\u003e\u003cbr\u003eAn unusual and very fine modern mandocello inspired by the Lyon \u0026amp; Healy Style A, often considered the best-sounding mandocello ever engineered. The Polestar is a hand made instrument using the round-soundhole body design of the second generation L \u0026amp; H, with the offset body points, updated with some more modern touches. According to the maker, this is the only example of this particular instrument in existence and there are no plans to build more.\u003cbr\u003e \u003cbr\u003eOverall length is 39 7\/8 in. (101.3 cm.), 14 1\/4 in. (36.2 cm.) wide, and 3 1\/8 in. (7.9 cm.) in depth, measured at side of rim. Scale length is 25 in. (635 mm.). Width of nut is 1 3\/16 in. (30 mm.). \u003cbr\u003e\u003cbr\u003eWould be near mint if not for some very minor playwear. Excellent + Condition.","brand":"Polestar","offers":[{"title":"Default Title","offer_id":46853199626380,"sku":"3311","price":5000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_763f5293-a5e6-41cf-b36a-d9d0477d4431.jpg?v=1774331878"},{"product_id":"gibson-k-1-mandocello-1920-3358","title":"Gibson K-1 Mandocello (1920)","description":"Gibson K-1 Model Mandocello (1920), made in Kalamazoo, Michigan, brown varnish finish, birch back and sides, spruce top, mahogany neck with ebony fingerboard, original black hard shell case. \u003cbr\u003e\u003cbr\u003eThe Gibson Mandocello is one of the great under-appreciated instruments of the early 20th century. Originally designed for the 1910's mandolin orchestra, these imposing beasts never found another home in any other style of music despite being wonderful and unique-sounding instruments to play. Double-strung and tuned in fifths starting with a C below the low E on the guitar, the mandocello has an imposing tone and deep resonance unlike any other fretted instrument. OK, we're starting to sound like an old Gibson catalog here, but we really like these and are always happy to get one in stock!\u003cbr\u003e\u003cbr\u003eThis is a fairly typical late 1910's just pre-Loar style K-1, Gibson's simplest mandocello. The instrument features a dark brown finish overall, single binding, and plain wood rings around the soundhole. The tone is dark, woody, and surprisingly powerful. We think the noble mandocello is due for a re-appraisal and return to its former glory�apparently many folks out there agree, as vintage mando-cellos appear to be becoming ever scarcer! While not in pristine original condition, this is a solid player and a nice find.\u003cbr\u003e \u003cbr\u003eOverall length is 37 1\/2 in. (95.2 cm.), 14 1\/4 in. (36.2 cm.) width, and 3 1\/4 in. (8.2 cm.) in depth, measured at side of rim. Scale length is 25 in. (635 mm.). Width of nut is 1 5\/8 in. (41 mm.). \u003cbr\u003e\u003cbr\u003eOriginal varnish finish has been lightly oversprayed on top, back, and sides, but not on the neck. Professionally refretted recently. Typical back seam and edge repairs; all solid if not as elegant as we would prefer. Original tuners and bridge, tailpiece is a modern replacement, and pickguard apparently disintegrated long ago. Includes an excellent original hard case. Overall Very Good + Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46853202346124,"sku":"3358","price":2600.0,"currency_code":"USD","in_stock":false}]},{"product_id":"gibson-k-1-mandocello-1914-3697","title":"Gibson K-1 Mandocello (1914)","description":"Gibson K-1 Model Mandocello (1914), made in Kalamazoo, Michigan, amber top, dark stain back and sides finish, birch back and sides, spruce top, mahogany neck with ebony fingerboard. \u003cbr\u003e\u003cbr\u003eA lovely \"pumpkin top\" Mandocello from the period when Gibson was defining the market for these mandolin family instruments. In the 1910's, Gibson instruments were only available from licensed teacher-agents, and were often purchased on time with a lesson plan. Often the students would play in the teacher's fretted orchestra, and the mandocello was crucial to achieving a full sound in these ensembles. \u003cbr\u003e\u003cbr\u003eComparatively few were sold compared to mandolins, however, and the mandocello from any era is a comparative rarity. Often under-appreciated, mandocellos have a totally unique sound and are useful for a wide range of playing styles, some yet to be explored! This is a K-1, Gibson's plainest mandocello, but still an expensive instrument when new.\u003cbr\u003e \u003cbr\u003eOverall length is 37 3\/4 in. (95.9 cm.), 14 1\/8 in. (35.9 cm.) width, and 3 1\/4 in. (8.2 cm.) in depth, measured at side of rim. Scale length is 24 3\/4 in. (629 mm.). Width of nut is 1 5\/8 in. (41 mm.). \u003cbr\u003e\u003cbr\u003eExcellent playing example with a particularly deep well rounded sound. There is a very old added overspray to the top and back; all hardware is complete and original including the oft-missing pickguard. One repaired top crack from the soundhole on the treble side of the fingerboard; several small sealed side cracks. Overall a very nice player. Generally Excellent Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46853254447244,"sku":"3697","price":3800.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_0b142b51-6532-46a4-9f67-216d00d3af2a.jpg?v=1774332245"},{"product_id":"lyon-healy-washburn-style-5310-carved-top-mandocello-1925-7858","title":"Lyon \u0026 Healy Washburn Style 5310 Carved Top Mandocello (1925)","description":"Washburn Style 5310 Model Carved Top Mandocello, made by Lyon \u0026amp; Healy, c. 1925, made in Chicago, serial # 1775, natural lacquer finish, maple back and sides, spruce top; laminated mahogany neck with ebony fingerboard, original black hard shell case. \u003cbr\u003e\u003cbr\u003eThis Washburn Mandocello is one of the elaborate and beautifully made mandolin family instruments that Lyon \u0026amp; Healy introduced in 1917 -- the only really serious competition Gibson ever faced in the high-end carved-top 8-string market. The Chicago company launched this line with a blaze of publicity and claims of superiority, likely very troubled that their dominance of the bowl-back mandolin market had been rendered moot by the overwhelming success of the newer carved-top Gibsons. The L \u0026amp; H carved-top mandolins were fairly successful and continued to be built (both under that brand and subsequently \"Washburn\") well into the Depression years, but the larger sister instruments (Mandola and Mandocello) were made in very small numbers are now exceedingly rare. \u003cbr\u003e\u003cbr\u003eDetermined to outdo Gibson at their own game, Lyon \u0026amp; Healy created a timelessly elegant classic in the original Style A using the finest possible materials and a thoroughly original design. Some consider this model the finest mandocello ever designed, superior to the scroll-topped Gibson K-4 and even to Lloyd Loar's 1923 guitar-bodied K-5 Master model. The Washburn's elaborately carved violin scroll headstock is immediately distinctive, but the flame maple 2-point body, shaped black fiber pickguard, antique shaded violin-style finish, and fancy tailpiece cover are all signature features. \u003cbr\u003e\u003cbr\u003eThe sound of these instruments is very refined, more delicate and lighter than most Gibsons, with a nicely rounded tone and less \"bark\". They have been considered since the 1910s to be the best instruments ever made for classical mandolin orchestra playing, but of course that pastime has been declining since the Harding administration. This is a very late example of the Style A mandocello, by now re-christened the Style 5310 and branded as \"Washburn\", but essentially the same instrument. It appears to date around 1925-6, by which point the mandolin family was in steep popular decline. Be that as it may, we are always impressed by both the sound and craftsmanship of the Lyon \u0026amp; Healy Style A mandolin family, and this top of the line mandocello is both an exceptionally rare and extremely fine instrument worthy of any player's or collector's attention.\u003cbr\u003e \u003cbr\u003eOverall length is 40 in. (101.6 cm.), 14 1\/2 in. (36.8 cm.) across at the widest point, and 3 1\/16 in. (7.8 cm.) in depth, measured at side of rim. Scale length is 25 7\/8 in. (657 mm.). Width of nut is 1 5\/8 in. (41 mm.). \u003cbr\u003e\u003cbr\u003eThis instrument remains in splendid and complete original condition, with just some very light general wear. There are some tiny dings and dents, but no major finish wear or signs of damage. Oft-missing pieces like the large fibre pickguard and elaborate pictoral tailpiece cover are present and accounted for. It plays very well, set up with the approved Thomastik-Infeld flatwound classical strings for the traditional orchestra style sound; tonally it is really close to a plucked 'cello, as intended. This is as fine an example of this extremely rare instrument as we have ever seen, and it is housed in the ONLY original hardshell case for a Lyon \u0026amp; Healy mandocello we have ever encountered! Excellent Condition.","brand":"Lyon \u0026 Healy","offers":[{"title":"Default Title","offer_id":46853281775756,"sku":"7858","price":9500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_57be5994-084f-4a8c-aa15-8a6b47e85001.jpg?v=1774332940"},{"product_id":"kalamazoo-kk-31-mandocello-1935-8003","title":"Kalamazoo KK-31 Mandocello (1935)","description":"Kalamazoo KK-31 Model Mandocello (1935), made in Kalamazoo, Michigan, sunburst lacquer finish, mahogany back, sides and neck, spruce top, original brown chipboard case. \u003cbr\u003e \u003cbr\u003eOverall length is 41 in. (104.1 cm.), 16 1\/8 in. (41 cm.) wide at lower bout, and 3 1\/4 in. (8.3 cm.) deep. Scale length is 24 3\/4 in. (629 mm.). Width of nut is 1 1\/2 in. (38 mm.). Excellent Condition.","brand":"Kalamazoo","offers":[{"title":"Default Title","offer_id":46853297438860,"sku":"8003","price":3750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_b4317a13-e17a-4de1-92a9-0fd2e386bb6c.jpg?v=1774333535"},{"product_id":"gibson-k-1-carved-top-mandocello-1912-8323","title":"Gibson K-1 Carved Top Mandocello (1912)","description":"Gibson K-1 Model Carved Top Mandocello (1912), made in Kalamazoo, Michigan, serial # 15014, natural top, cherry stained back and sides finish, birch back and sides, spruce top; mahogany neck with ebony fingerboard, gig bag case. \u003cbr\u003e\u003cbr\u003eWe feel the Gibson Mandocello is one of the great under-appreciated instruments of the early 20th century. Originally designed for use in 1910s mandolin orchestras, these imposing beasts never found a home in any other style of music despite being wonderful and unique-sounding instruments. \u003cbr\u003e\u003cbr\u003eDouble-strung and tuned in fifths starting with the C below the low E on the guitar, the mandocello has an imposing tone and deep resonance quite unlike any other fretted instrument. OK, we're starting to sound like an old Gibson catalog here, but we really like these and are always happy to get one in stock!\u003cbr\u003e\u003cbr\u003eThis particular instrument is a Style K-1, the most basic of the 3 mandocello models offered but still a fairly expensive instrument when new. It is structurally the same as the fancier Model K-2 with a little less \"geegaw\" (decoration). The headstock face carries just a plain pearl \"The Gibson\" inlay while the tuners are tipped with unadorned ivoroid buttons. \u003cbr\u003e\u003cbr\u003eThe sound hole decoration is made up of two separate half-herringbone wood inlaid rings and a bound edge. The K-2 had fancier versions of these decorative touches, but the physical features and sound were the same for both models, with an oval body, bound carved spruce top, and birch back. The necks are mahogany with a bound and dot-inlaid ebony fingerboard. \u003cbr\u003e\u003cbr\u003eThis 1912 \"Pumpkin top\" K-1 Mandocello dates to the decade when Gibson was defining the market for these mandolin family instruments. In the 1910s-'20s these Gibsons were only available from licensed teacher-agents, and were usually purchased on time along with lessons. As part of the deal, the students would often play in the teacher's fretted orchestra, and the low-tuned mandocello was crucial to achieving a full sound in these ensembles. Far fewer were sold compared to mandolins, however, making Gibson mandocellos from any era a comparative rarity. \u003cbr\u003e\u003cbr\u003eThe mandocello with its 8 strings and \"C\" orchestral tuning has a totally unique sound and makes an excellent recording instrument. It can be employed for a wide range of playing styles; some still yet to be explored!\u003cbr\u003e \u003cbr\u003eOverall length is 38 7\/16 in. (97.6 cm.), 14 1\/8 in. (35.9 cm.) width, and 3 3\/8 in. (8.6 cm.) in depth, measured at side of rim. Scale length is 24 5\/8 in. (625 mm.). Width of nut is 1 5\/8 in. (41 mm.). \u003cbr\u003e\u003cbr\u003eThis is a well-worn but good playing example of a K-1, now well over 100 years old. We would describe this as a \"player grade\" mandocello, but a nice one at that. There is a decent amount of play wear overall, mostly dings and scuffs, and the finish is a bit \"smoked\" and nicely ambered on the top. The tailpiece cover is not original and the baseplate has been modified to hold the jack for an under-the-top pickup, which is functional if a bit crude by modern standards.\u003cbr\u003e\u003cbr\u003eThere was a diagonal split to the headstock that was well-repaired long ago. The Kluson tuners are from the WWII era and it looks like the repair dates to that time. It is very solid with a varnish overcoat applied, but no obtrusive finish work. There are several small repaired grain cracks to the bass side of the body. The top is very solid with no cracks and a nicely preserved arch without the sinkage often seen on these. There is a small bulge in the side-back seam on the bass side by the tailpiece, which is very common. \u003cbr\u003e\u003cbr\u003eThe pickguard is long gone and the original bridge has a newer compensated saddle. Overall a very good playing and sounding mandocello, strung with Thomastik flatwound strings for the favored classical tone. Includes a functional, if inelegant, hard gig bag case. Very Good + Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46853306515596,"sku":"8323","price":2450.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_11356d14-fd2a-4b0a-95b9-eafbea8f1df4.jpg?v=1774333944"},{"product_id":"gibson-k-2-carved-top-mandocello-1911-8416","title":"Gibson K-2 Carved Top Mandocello (1911)","description":"Gibson K-2 Model Carved Top Mandocello (1911), made in Kalamazoo, Michigan, serial # 12491, black top,natural back and sides finish, birch back and sides, spruce top; mahogany neck with ebony fingerboard, black hard shell case. \u003cbr\u003e\u003cbr\u003eThe Gibson Mandocello is one of the great under-appreciated instruments of the early 20th century. Originally designed for the 1910s mandolin orchestra craze, these imposing beasts never found a home in other styles of music despite being wonderful and unique-sounding instruments. Double-strung and tuned in fifths starting with the C below the low E on the guitar, the mandocello has an imposing tone and deep resonance unlike any other fretted instrument. OK, we're starting to sound like an old Gibson catalog here, but we really like these and are always happy to get one in stock!\u003cbr\u003e\u003cbr\u003eThis striking 1911 \"black top\" K-2 Mandocello dates to the decade when Gibson was defining the market for these mandolin family instruments. In the 1910s Gibsons were only available from licensed teacher-agents, and were usually purchased on a time plan along with lessons. As part of the deal the students would often play in the teacher's fretted orchestra, and the low-tuned mandocello was crucial to achieving a full sound in these ensembles. Far fewer were sold compared to mandolins, however, and Gibson mandocellos from any era are a comparative rarity. \u003cbr\u003e\u003cbr\u003eThis particular instrument is a K-2, the midline model of the three mandocello models offered but an expensive instrument when new. It is structurally the same as the basic Model K-1 with some extra \"geegaw\" (decoration)! The headstock face carries an inlaid Fleur-de-Lys in pearl and abalone while the tuners are tipped with the beautiful inlaid Handel buttons. The sound hole ring is embellished with extra half-herringbone rings. \u003cbr\u003e\u003cbr\u003eThe K-2 package cost around $15.00 more than the K-1 in 1912, which would have bought a pretty nice mandolin by itself from the likes of Sears. Other features were the same for both models, with a bound top, back, and fingerboard. Often under-appreciated, the mandocello with its 8 strings and \"C\" orchestral tuning has a totally unique sound and can be useful for a wide range of playing styles, some yet to be explored!\u003cbr\u003e \u003cbr\u003eOverall length is 38 in. (96.5 cm.), 14 1\/16 in. (35.7 cm.) width, and 3 1\/4 in. (8.3 cm.) in depth, measured at side of rim. Scale length is 25 in. (635 mm.). Width of nut is 1 5\/8 in. (41 mm.). \u003cbr\u003e\u003cbr\u003eThis is a superbly original example of this relatively early mandocello, unusually well-preserved with only minor wear, especially considering it has been more than a century on this planet. All of the hardware is original including the inlaid tuner buttons, tailpiece and cover, and floating celluloid pickguard which in itself is a rare thing these days. There is an old and clever pin repair to the metal pickguard bracket which must have come loose ages ago. There are no other visible repairs -- no cracks, all the seams are tight...we'd assume the back edge seam has likely been resealed. \u003cbr\u003e\u003cbr\u003eThe finish has the very fine checking common to these older varnished Gibsons, most notably on the top but only very minor play wear with no serious finish loss. It is a very good player with quite a powerful sound that rings for days. This is quite the nicest early K-2 we have had, and one of the best Gibson mandocellos period. Examples of these early 20th century 'cellos are an increasingly rare find these days, especially in this unaltered state. Currently housed in a hard shell guitar case that is a functional if inexact fit. Excellent Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46853319852172,"sku":"8416","price":4750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_9ebd7f4c-de9b-4949-97a0-8a2f7b76956d.jpg?v=1774334504"},{"product_id":"gibson-k-1-carved-top-mandocello-1914-8522","title":"Gibson K-1 Carved Top Mandocello (1914)","description":"Gibson K-1 Model Carved Top Mandocello (1914), made in Kalamazoo, Michigan, serial # 27688, natural top, cherry stained back and sides finish, birch back and sides, spruce top; mahogany neck with ebony fingerboard, black guitar-shaped hard shell case. \u003cbr\u003e\u003cbr\u003eWe feel the Gibson Mandocello is one of the great under-appreciated instruments of the early 20th century. Originally designed for use in 1910s mandolin orchestras, these imposing beasts never found a home in any other style of music despite being wonderful and unique-sounding instruments. \u003cbr\u003e\u003cbr\u003eDouble-strung and tuned in fifths starting with the C below the low E on the guitar, the mandocello has an imposing tone and deep resonance quite unlike any other fretted instrument. OK, we're starting to sound like an old Gibson catalog here, but we really like these and are always happy to get one in stock!\u003cbr\u003e\u003cbr\u003eThis particular instrument is a Style K-1, the most basic of the three mandocello models Gibson offered in the 1910s but still a fairly expensive instrument when new. It is structurally the same as the fancier Model K-2 with a little less \"geegaw\" (decoration). The headstock face carries just a plain pearl \"The Gibson\" inlay while the tuners are tipped with unadorned ivoroid buttons. \u003cbr\u003e\u003cbr\u003eThe sound hole decoration is made up of two separate half-herringbone wood inlaid rings and a bound edge. The K-2 had fancier versions of these decorative touches, but the physical features and sound were the same for both models, with an oval body, bound carved spruce top, and birch back. The necks are mahogany with a bound and dot-inlaid ebony fingerboard. \u003cbr\u003e\u003cbr\u003eThis 1914 \"Pumpkin top\" K-1 Mandocello dates to the decade when Gibson was defining the market for these mandolin family instruments. In the 1910s-'20s these Gibsons were only available from licensed teacher-agents, and were usually purchased on time along with lessons. As part of the deal, the students would often play in the teacher's fretted orchestra, and the low-tuned mandocello was crucial to achieving a full sound in these ensembles. Far fewer were sold compared to mandolins, however, making Gibson mandocellos from any era a comparative rarity. \u003cbr\u003e\u003cbr\u003eThe mandocello with its 8 strings and \"C\" orchestral tuning has a totally unique sound and makes an excellent recording instrument. It can be employed for a wide range of playing styles, some still yet to be explored!\u003cbr\u003e \u003cbr\u003eOverall length is 38 7\/16 in. (97.6 cm.), 14 1\/8 in. (35.9 cm.) width, and 3 3\/8 in. (8.6 cm.) in depth, measured at side of rim. Scale length is 24 5\/8 in. (625 mm.). Width of nut is 1 5\/8 in. (41 mm.). \u003cbr\u003e\u003cbr\u003eThis is a very well-preserved example of a 'teens K-1, one of the nicer ones we have had. The finish shows some wear and checking, but no major loss except to areas of the back of the neck in the lower positions, a deep ding behind the 5th fret, and a long scrape on the upper top. All hardware is original, the neck and frets are in very fine shape, and this is an excellent playing and sounding mandocello. Excellent Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46853329354892,"sku":"8522","price":3750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_34e72901-42d5-4adb-b5e0-2731c38dd230.jpg?v=1774334699"},{"product_id":"gibson-k-2-carved-top-mandocello-1914-5876","title":"Gibson K-2 Carved Top Mandocello (1914)","description":"Gibson K-2 Model Carved Top Mandocello (1914), made in Kalamazoo, Michigan, serial # 29539, sunburst top, dark cherry stained back and sides finish, birch back and sides, spruce top; mahogany neck with ebony fingerboard. \u003cbr\u003e\u003cbr\u003eThe Gibson Mandocello is one of the great under-appreciated instruments of the early 20th century. Originally designed for the 1910s mandolin orchestra craze, these imposing beasts never found a home in other styles of music despite being wonderful and unique-sounding instruments. Double-strung and tuned in fifths starting with the C below the low E on the guitar, the mandocello has an imposing tone and deep resonance unlike any other fretted instrument. OK, we're starting to sound like an old Gibson catalog here, but we really like these and are always happy to get one in stock!\u003cbr\u003e\u003cbr\u003eThis 1914 K-2 Mandocello dates to the decade when Gibson was defining the market for these mandolin family instruments. In the 1910s Gibson products were only available from licensed teacher-agents, and were usually purchased on a time plan along with lessons. As part of the deal, the students would often play in the teacher's fretted orchestra, and the low-tuned mandocello was crucial to achieving a full sound in these ensembles. Far fewer of them were sold compared to mandolins, however, and Gibson mandocellos from any era are a comparative rarity. \u003cbr\u003e\u003cbr\u003eThis particular instrument is a Model K-2, the midline model of the three mandocello models offered and at $50 (in 1914 dollars) a rather expensive instrument when new. It is structurally the same as the basic Model K-1 with some added \"geegaw\" (decoration). The headstock face carries an inlaid Fleur-de-Lys in pearl and abalone under the pearl \"The Gibson\" logo while the tuners are tipped with the beautiful inlaid Handel buttons. The sound hole is embellished with extra half-herringbone rings. \u003cbr\u003e\u003cbr\u003eThe K-2 package cost $15.00 more than the K-1 in 1914, which would have bought a pretty nice mandolin by itself from the likes of Sears. Other features were the same for both models, with a bound top, back, and ebony fingerboard. Often under-appreciated, the mandocello with its 8 strings and \"C\" orchestral tuning has a totally unique sound and can be useful for a wide range of playing styles, some yet to be explored!\u003cbr\u003e \u003cbr\u003eOverall length is 38 1\/4 in. (97.2 cm.), 14 1\/4 in. (36.2 cm.) width, and 3 1\/4 in. (8.3 cm.) in depth, measured at side of rim. Scale length is 25 in. (635 mm.). Width of nut is 1 5\/8 in. (41 mm.). \u003cbr\u003e\u003cbr\u003eThis is a lovely example of this early 'teens Gibson Mandocello, well-played and with some old repair work performed in the past but still nicely original with a great sound. The finish has dings, dents, and a few deeper scrapes in the top. There is an old repaired area to the top near the rim on the bass side; a section of the spruce was cracked in several places along the grain and one cross grain spot, and this was solidly glued up long ago. The repair looks to have been done a long time ago and is not perfectly neat (it is visible and can be felt), but only minimal spot touch-up was employed; there is no heavy overspray or added varnish. \u003cbr\u003e\u003cbr\u003eThere are a few side cracks, also repaired in a similar manner but with a bit more finish work, again only locally applied. All parts are original (pickguard, Gibson engraved tailpiece, and beautiful Handel tuners with inlaid buttons) except for a handmade ebony bridge, similar to the original but slightly wider. This is a very fine-sounding mandocello, well past its 100th birthday with a richer voice than some from the period -- not to mention beautiful to look at as well! Overall Very Good + Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46853331943564,"sku":"5876","price":3450.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_44140eaf-d2d9-4c53-8d72-1a5091945ab6.jpg?v=1774334755"},{"product_id":"gibson-k-1-carved-top-mandocello-1912-8218","title":"Gibson K-1 Carved Top Mandocello (1912)","description":"Gibson K-1 Model Carved Top Mandocello (1912), made in Kalamazoo, Michigan, natural top, cherry stained back and sides finish, birch back and sides, spruce top; mahogany neck with ebony fingerboard, original black hard shell case. \u003cbr\u003e\u003cbr\u003eWe feel the Gibson Mandocello is one of the great under-appreciated instruments of the early 20th century. Originally designed for use in 1910s mandolin orchestras, these imposing beasts never found a home in any other style of music despite being wonderful and unique-sounding instruments. Double-strung and tuned in fifths starting with the C below the low E on the guitar, the mandocello has an imposing tone and deep resonance quite unlike any other fretted instrument. OK, we're starting to sound like an old Gibson catalog here, but we really like these and are always happy to get one in stock!\u003cbr\u003e\u003cbr\u003eThis particular instrument is a Style K-1, the most basic of the 3 mandocello models offered but still a fairly expensive instrument when new. It is structurally the same as the fancier Model K-2 with a little less \"geegaw\" (decoration). The headstock face carries just a plain pearl \"The Gibson\" inlay while the tuners are tipped with unadorned ivoroid buttons. \u003cbr\u003e\u003cbr\u003eThe sound hole decoration is made up of two separate half-herringbone wood inlaid rings and a bound edge. The K-2 had fancier versions of these decorative touches but the physical features and sound were the same for both models, with an oval body, bound carved spruce top and birch back. The necks are mahogany with a bound and dot-inlaid ebony fingerboard. \u003cbr\u003e\u003cbr\u003eThis 1912 \"Pumpkin top\" K-1 Mandocello dates to the decade when Gibson was defining the market for these mandolin family instruments. In the 1910s-'20s these Gibsons were only available from licensed teacher-agents, and were usually purchased on time along with lessons. As part of the deal the students would often play in the teacher's fretted orchestra, and the low-tuned mandocello was crucial to achieving a full sound in these ensembles. Far fewer were sold compared to mandolins, however, making Gibson mandocellos from any era are a comparative rarity. \u003cbr\u003e\u003cbr\u003eThe mandocello with its 8 strings and \"C\" orchestral tuning has a totally unique sound and make excellent recording instruments. They can be employed for a wide range of playing styles; some still yet to be explored!\u003cbr\u003e \u003cbr\u003eOverall length is 38 7\/16 in. (97.6 cm.), 14 1\/8 in. (35.9 cm.) width, and 3 3\/8 in. (8.6 cm.) in depth, measured at side of rim. Scale length is 24 5\/8 in. (625 mm.). Width of nut is 1 5\/8 in. (41 mm.). \u003cbr\u003e\u003cbr\u003eThis K-1 has had a long and relatively eventful existence (for a Mandocello!) but remains an excellent-playing instrument. The finish on the back, sides, neck, and headstock face have been polished out and\/or French Polished long ago; the original stain is still present but the surface is smoother and less aged than it would otherwise be. \u003cbr\u003e\u003cbr\u003eThe top still has the fine varnish checking visible but looks to have been very lightly over-finished as well, probably long ago. The instrument shows some wear overall; there is one small grain crack repair on the rim and several minor seam re-seals, but structurally this instrument is in excellent condition. \u003cbr\u003e\u003cbr\u003eThe pickguard and clamp are missing, but all other hardware is intact including the compensated one-piece ebony bridge, Gibson-logo tailpiece, and original strip tuners. It has recently been refretted and plays excellently, with quite a powerful sound. \u003cbr\u003e\u003cbr\u003eDespite (or perhaps because of) its history, this is one of the best-sounding K-1s we have heard, with a lovely resonance all around and a deep and even response. It also comes complete with the original hard case, which is almost impossible to replace if missing. More of a player's than collector's piece, perhaps, but this 100+ year old Gibson is entering its second century with aplomb. Very Good + Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46853335122060,"sku":"8218","price":2950.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_5c414331-34d3-46cb-abd9-2e7e70829ce6.jpg?v=1774334898"},{"product_id":"gibson-k-1-carved-top-mandocello-1917-8523","title":"Gibson K-1 Carved Top Mandocello (1917)","description":"Gibson K-1 Model Carved Top Mandocello (1917), made in Kalamazoo, Michigan, serial # 42639, natural top, cherry stained back and sides finish, birch back and sides, spruce top; mahogany neck with ebony fingerboard, original black hard shell case. \u003cbr\u003e\u003cbr\u003eWe feel the Gibson Mandocello is one of the great under-appreciated instruments of the early 20th century. Originally designed for use in 1910s mandolin orchestras, these imposing beasts never found a home in any other style of music despite being wonderful and unique-sounding instruments. \u003cbr\u003e\u003cbr\u003eDouble-strung and tuned in fifths starting with the C below the low E on the guitar, the mandocello has an imposing tone and deep resonance quite unlike any other fretted instrument. OK, we're starting to sound like an old Gibson catalog here, but we really like these and are always happy to get one in stock!\u003cbr\u003e\u003cbr\u003eThis particular instrument is a Style K-1, the most basic of the 3 mandocello models offered but still a fairly expensive instrument when new. It is structurally the same as the fancier Model K-2 with a little less \"geegaw\" (decoration). The headstock face carries just a plain pearl \"The Gibson\" inlay while the tuners are tipped with unadorned ivoroid buttons. \u003cbr\u003e\u003cbr\u003eThe sound hole decoration is made up of two separate half-herringbone wood inlaid rings and a bound edge. The K-2 had fancier versions of these decorative touches, but the physical features and sound were the same for both models, with an oval body, bound carved spruce top, and birch back. The necks are mahogany with a bound and dot-inlaid ebony fingerboard. \u003cbr\u003e\u003cbr\u003eThis 1917 \"Pumpkin top\" K-1 Mandocello dates to the decade when Gibson had defined the market for these mandolin family instruments. In the 1910s-'20s these Gibsons were only available from licensed teacher-agents, and were usually purchased on time along with lessons. As part of the deal, the students would often play in the teacher's fretted orchestra, and the low-tuned mandocello was crucial to achieving a full sound in these ensembles. Far fewer were sold compared to mandolins, however, making Gibson mandocellos from any era a comparative rarity. \u003cbr\u003e\u003cbr\u003eThe mandocello with its 8 strings and \"C\" orchestral tuning has a totally unique sound and makes an excellent recording instrument. It can be employed for a wide range of playing styles; some still yet to be explored!\u003cbr\u003e \u003cbr\u003eOverall length is 38 7\/16 in. (97.6 cm.), 14 1\/8 in. (35.9 cm.) width, and 3 3\/8 in. (8.6 cm.) in depth, measured at side of rim. Scale length is 24 5\/8 in. (625 mm.). Width of nut is 1 5\/8 in. (41 mm.). \u003cbr\u003e\u003cbr\u003eThis is a nicely original if well-played example of a 'teens K-1, one of the better-sounding ones we have had. The finish shows some moderately heavy wear and checking, with a number of errant pick scrapes to the top but no large areas of loss. The back has heavier scrapes and dings over much of its area, and several seals along the edge have been resealed. \u003cbr\u003e\u003cbr\u003eThe back of the neck has some scrapes and general wear, mostly in the lower positions. All hardware is original, including the tuners, tailpiece, bridge, and even the often-missing elevated pickguard and bracket. The neck and frets are in very fine shape, and this is an excellent-playing and sounding mandocello with a round, even tone. Excellent - Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46853344559244,"sku":"8523","price":3500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_e7348fd2-e5de-4d91-967a-a4e96e14369d.jpg?v=1774335319"},{"product_id":"gibson-k-1-carved-top-mandocello-1937-7011","title":"Gibson K-1 Carved Top Mandocello (1937)","description":"Gibson K-1 Model Carved Top Mandocello (1937), made in Kalamazoo, Michigan, black top, dark stained back and sides finish, birch back and sides, mahogany neck with ebony fingerboard, original black hard shell case. \u003cbr\u003e\u003cbr\u003eThis very rare instrument would likely be one of the last K-1 Gibson mandocellos to leave Kalamazoo, at a time when the model was practically extinct. The serial number and FON (Factory order number) date to 1937, but the body itself appears to be leftover stock from the mid-1920's or even earlier. The neck itself is rather unusual; it is equipped with a truss rod and is considerably slimmer in profile than the earlier models both in girth and depth. The body finish is a heavier black lacquer than would have been seen in the 1920's, with a natural finish neck. The tuners are Kluson openback strips with plastic buttons typical of the period, and the pickguard and bridge are also 1930's style. \u003cbr\u003e\u003cbr\u003eBy the late 1930's Gibson still listed mandocellos as available, but rarely actually built any. This example would have been put together from whatever parts were around, new or old, when the order came in. As an interesting note, the headstock logo is distinctly off-center-likely the headplate was originally intended for a different instrument entirely. From a player's point of view, this instrument's slimmer neck makes for a very different feel than the traditional 1910's heavy deep \"V\", being both narrower and slimmer. This makes for a much more modern feel than the typical 1910's mandocello, and the sound is equally fine. A fantastic find, both as a historic and player's instrument.\u003cbr\u003e \u003cbr\u003eOverall length is 38 1\/4 in. (97.2 cm.), 14 3\/8 in. (36.5 cm.) width, and 3 1\/4 in. (8.2 cm.) in depth, measured at side of rim. Scale length is 24 3\/4 in. (629 mm.). Width of nut is 1 3\/8 in. (35 mm.). This instrument is very fine overall, with only light signs of use. The neck appears to have been rebound expertly, and the nut replaced. Everything else appears original; the original adjustable bridge has been lowered somewhat and the pickguard is showing some very slight celluloid shrinkage where the support bar is attached. A nice example of an extremely rare variant of the K-style Gibson mandocello, the latest one we have ever seen. Excellent - Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46853349933196,"sku":"7011","price":3400.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_6757af5f-4f68-40d6-ad94-b29a88e9a848.jpg?v=1774335569"},{"product_id":"gibson-k-1-mandocello-1924-3656","title":"Gibson K-1 Mandocello (1924)","description":"Gibson K-1 Model Mandocello (1924), made in Kalamazoo, Michigan, black top, dark stained back and sides finish, birch back and sides, mahogany neck with ebony fingerboard, original black hard shell case. \u003cbr\u003e\u003cbr\u003eOne of the best-sounding mandocellos we have ever heard, this peak-of-the-Loar era K-1 is also beautifully preserved in very fine original condition. By the mid-1920's the mandolin orchestra was fading and the jazz orchestra taking hold of America's musical imagination; instruments like mandocellos were quickly becoming passe! Mandocellos were never common, but by this time period were being built in ever smaller numbers. \u003cbr\u003e\u003cbr\u003eThis instrument has all the 'modern' features in place by 1924 including the slimmer truss rod neck, adjustable bridge and more responsive top carving. Although the K-1 was the least expensive mandocello offered by Gibson, it was still an expensive instrument and this is an exceptional example.\u003cbr\u003e \u003cbr\u003eOverall length is 38 1\/4 in. (97.2 cm.), 14 3\/8 in. (36.5 cm.) width, and 3 1\/4 in. (8.2 cm.) in depth, measured at side of rim. Scale length is 24 3\/4 in. (629 mm.). Width of nut is 1 3\/8 in. (35 mm.). \u003cbr\u003e\u003cbr\u003eExcellent playing condition; light wear overall and all original except possibly pickguard bracket nut. Includes original hardshell case. Excellent Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46853349965964,"sku":"3656","price":5200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_28ef2f7a-c1d2-40b0-a0f0-a850fb189ee4.jpg?v=1774335570"},{"product_id":"gibson-k-1-carved-top-mandocello-1931-9280","title":"Gibson K-1 Carved Top Mandocello (1931)","description":"Gibson K-1 Model Carved Top Mandocello (1931), made in Kalamazoo, Michigan, serial # 87509, black top, dark back and sides finish, birch back and sides, mahogany neck with ebony fingerboard, original black hard shell case. \u003cbr\u003e\u003cbr\u003eThis rare instrument is late example of the Gibson K-1 Mandocello, shipped out of Kalamazoo at a time when the model was becoming practically extinct. The serial number on the label dates to 1931, a year when Gibson was shipping precious little of anything, especially large mandolin family instruments. The FON (Factory order number) indicates a build date of 1930, although the body itself appears identical to earlier 1920's versions. The silver script stenciled \"The Gibson\" headstock logo is typical of the late 1920's. \u003cbr\u003e\u003cbr\u003eThe 3-piece laminated mahogany neck is equipped with Gibson's adjustable truss rod and is quite a bit slimmer in profile than earlier models both in girth and depth. The body finish is a heavier black lacquer than would have been seen in the 1920's, with a natural finish neck shaded at the heel. The tuners are openback strips with plastic buttons typical of the period, the bridge still typical 1920's style and the pickguard the older style elevated celluloid with the later metal rod bracket. \u003cbr\u003e\u003cbr\u003eIn the depression era the 1930's Gibson catalogs still listed mandocellos as available, but the company rarely actually built any. This example would have been put together from whatever parts were around, new or old, when that precious order came in. From a player's point of view, the slimmer neck with a less prominent spine makes for a more comfortable feel than the traditional 1910's heavy deep \"V\", being both narrower and shallower. \u003cbr\u003e\u003cbr\u003eThis more elegant neck gives this K-1 a much more modern feel than the typical Gibson mandocello, and the instrument feels much more immediately friendly to the average player. The sound is extremely fine, with a very even response, excellent lows and highs and plenty of volume. We would rate this as one of the best K-1's we have had, both in feel and sound. Truss rod equipped, slimmer neck mandocellos like this one make up only a tiny proportion of extant survivors of these 8-string wonders making this a fantastic find, both as a historic and player's instrument.\u003cbr\u003e \u003cbr\u003eOverall length is 38 1\/4 in. (97.2 cm.), 14 3\/8 in. (36.5 cm.) width, and 3 1\/4 in. (8.2 cm.) in depth, measured at side of rim. Scale length is 24 3\/4 in. (629 mm.). Width of nut is 1 3\/8 in. (35 mm.). \u003cbr\u003e\u003cbr\u003eThis K-1 shows some wear and tear but overall remains a nicely preserved instrument. The finish shows checking, dings, dents and scrapes overall with a patch of buckle wear down to the wood on the back and some minor pick wear to the top. Some of the neck finish is worn down to the wood in the lower positions. The instrument is in excellent structural condition with no cracks or seam separations visible. \u003cbr\u003e\u003cbr\u003eThis mandocello remains original except for a reproduction top piece on the original ebony adjustable bridge. The top edge of the pickguard has a patched spot over the soundhole where it looks to have been notched for a pickup long ago, then restored. There is an old patched strap button hole over the heel on the body edge. The frets show some very minor wear in the lower positions but playability remains excellent, and the sound is sublime. The original case (which is very annoying to have to replace these days!) is fully intact with some general wear and a newer handle. Overall this is one of the best K-1's we have had, certainly about the best player. Excellent - Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46853350654092,"sku":"9280","price":4500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_1afc590a-1161-4f41-b27e-d030681f5714.jpg?v=1774335598"},{"product_id":"gibson-k-1-mandocello-1916-4390","title":"Gibson K-1 Mandocello (1916)","description":"Gibson K-1 Model Mandocello (1916), made in Kalamazoo, Michigan, black varnish finish, birch back and sides, spruce top; mahogany neck with ebony fingerboard. \u003cbr\u003e\u003cbr\u003eThis striking 1916 \"black top\" mandocello dates to the period when Gibson was defining the market for these enlarged mandolin family instruments. In the 1910s Gibson instruments were only available from licensed teacher-agents, and were often purchased on time with the lessons. As part of the deal, the students would often play in the teacher's fretted orchestra, and the low-tuned mandocello was crucial to achieving a full sound in these ensembles. Comparatively few were sold compared to mandolins, however, and Gibson mandocellos from any era are a comparative rarity. \u003cbr\u003e\u003cbr\u003eOften under-appreciated, the mandocello with its 8 strings and \"C\" tuning has a totally unique sound and can be useful for a wide range of playing styles; some yet to be explored! This is a K-1, the plainest of 3 mandocello models offered but still an expensive instrument when new.\u003cbr\u003e \u003cbr\u003eOverall length is 38 in. (96.5 cm.), 14 1\/4 in. (36.2 cm.) width, and 3 5\/8 in. (9.2 cm.) in depth, measured at side of rim. Scale length is 24 3\/4 in. (629 mm.). Width of nut is 1 5\/8 in. (41 mm.). \u003cbr\u003e\u003cbr\u003eOne of the nicer-sounding Gibson Mandocellos we have had. Has had a light clear overspray long ago. All hardware original except the bridge is a later adjustable version. A very good-playing example, and a sharp looker as well! Overall Excellent Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46853367595148,"sku":"4390","price":3250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_07ead71d-f0b7-4f18-9780-3de736c433aa.jpg?v=1774336241"},{"product_id":"gibson-k-1-carved-top-mandocello-1914-9612","title":"Gibson K-1 Carved Top Mandocello (1914)","description":"Gibson K-1 Model Carved Top Mandocello (1914), made in Kalamazoo, Michigan, serial # 29381, natural top, cherry stained back and sides finish, birch back and sides, spruce top; mahogany neck with ebony fingerboard, original brown canvas soft shell case. \u003cbr\u003e\u003cbr\u003eWe feel the Gibson Mandocello is one of the great under-appreciated instruments of the early 20th century. Originally designed for use in 1910s-era mandolin orchestras, these imposing beasts never found a home in any other style of music despite being wonderful and unique-sounding creations. \u003cbr\u003e\u003cbr\u003eDouble-strung and tuned in fifths starting with the C below the low E on the guitar, the mandocello has an imposing tone and deep resonance quite unlike any other fretted instrument. OK, we're starting to sound like an old Gibson catalog here, but we really like these and are always happy to get one in stock!\u003cbr\u003e\u003cbr\u003eThis particular instrument is a Style K-1, the most basic of the three mandocello models Gibson offered in the 1910s but still a fairly expensive instrument when new. It is structurally the same as the fancier Model K-2 with a little less \"geegaw\" (decoration). The headstock face carries just a plain pearl \"The Gibson\" inlay while the openback strip tuners are tipped with unadorned ivoroid buttons.\u003cbr\u003e\u003cbr\u003eThe sound hole decoration is made up of two separate half-herringbone wood inlaid rings and a bound edge. The K-2 had fancier versions of these decorative touches, but the physical features (and sound) were the same for both models, with an oval body, bound carved spruce top, and birch back. The necks on all models are mahogany with a bound and dot-inlaid ebony fingerboard. \u003cbr\u003e\u003cbr\u003eThis 1914 \"Pumpkin top\" K-1 Mandocello dates to the decade when Gibson was defining the market for these mandolin family instruments. In the 1910s-'20s these Gibsons were only available from licensed teacher-agents, and were usually purchased on a time payment plan along with lessons. As part of the deal, the students would often play in the teacher's fretted orchestra, and the low-tuned mandocello was crucial to achieving a full sound in these ensembles. Far fewer were sold compared to mandolins, however, making Gibson mandocellos from any era a comparative rarity. \u003cbr\u003e\u003cbr\u003eWith its 8 strings and \"C\" orchestral tuning the mandocello has a totally unique sound and makes an excellent recording instrument. While mandolin orchestras are rather thin on the ground in the 21st century these instruments can be employed for a wide range of playing styles, some still yet to be explored!\u003cbr\u003e \u003cbr\u003eOverall length is 38 7\/16 in. (97.6 cm.), 14 1\/8 in. (35.9 cm.) width, and 3 3\/8 in. (8.6 cm.) in depth, measured at side of rim. Scale length is 24 5\/8 in. (625 mm.). Width of nut is 1 5\/8 in. (41 mm.). \u003cbr\u003eThis is a very well-preserved example of an over-100 year old K-1, one of the nicer ones we have had. The original varnish finish shows some fairly heavy checking, on the top especially on the back but appears completely original. There are small dings, dents and scratches overall but no major loss. The bridge was located too far forward for proper intonation for most (or all) of its life, so there is a visible mark in the top finish where it used to sit. \u003cbr\u003e\u003cbr\u003eAll hardware is original, including the tuners, tailpiece and cover and the often missing pickguard and bracket clamp. The one-piece mahogany neck and original thin frets are in very fine shape, the only thing changed is the nut. This is an excellent playing and sounding mandocello with a big booming sound. It includes the original end-opening canvas case that is OK for storage but useless for carrying; a guitar gig bag can also be supplied if needed. Overall Excellent Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46853377917068,"sku":"9612","price":3950.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_5e4ae964-342e-4771-a8de-010234d59c6e.jpg?v=1774336555"},{"product_id":"gibson-k-1-carved-top-mandocello-1912-9802","title":"Gibson K-1 Carved Top Mandocello (1912)","description":"Gibson K-1 Model Carved Top Mandocello (1912), made in Kalamazoo, Michigan, serial # 16793, natural top, cherry stained back and sides finish, birch back and sides, spruce top; mahogany neck with ebony fingerboard, original black chipboard case. \u003cbr\u003e\u003cbr\u003eWe feel the Gibson Mandocello is one of the great under-appreciated instruments of the early 20th century. Originally designed for use in 1910s-era mandolin orchestras, these imposing beasts never found a home in any other style of music despite being wonderful and unique-sounding creations. \u003cbr\u003e\u003cbr\u003eDouble-strung and tuned in fifths starting with the C below the low E on the guitar, the mandocello has an imposing tone and deep resonance quite unlike any other fretted instrument. OK, we're starting to sound like an old Gibson catalog here, but we really like these and are always happy to get one in stock!\u003cbr\u003e\u003cbr\u003eThis particular instrument is a Style K-1, the most basic of the three mandocello models Gibson offered in the 1910s but still a fairly expensive instrument when new. It is structurally the same as the fancier Model K-2 with a little less \"geegaw\" (decoration). The headstock face carries just a plain pearl \"The Gibson\" inlay while the openback strip tuners are tipped with unadorned ivoroid buttons.\u003cbr\u003e\u003cbr\u003eThe sound hole decoration is made up of two separate half-herringbone wood inlaid rings and a bound edge. The K-2 had fancier versions of these decorative touches, but the physical features (and sound) were the same for both models, with an oval body, bound carved spruce top, and birch back. The necks on all models are mahogany with a bound and dot-inlaid ebony fingerboard.\u003cbr\u003e\u003cbr\u003eThis \"Pumpkin top\" K-1 Mandocello dates to early 1912, the exact period when Gibson was defining the market for these mandolin family instruments. In the 1910s-'20s these Gibsons were only available from licensed teacher-agents, and were usually purchased on a time payment plan along with lessons. As part of the deal, the students would often play in the teacher's fretted orchestra, and the low-tuned mandocello was crucial to achieving a full sound in these ensembles. Far fewer were sold compared to mandolins, however, making Gibson mandocellos from any era a comparative rarity. \u003cbr\u003e\u003cbr\u003eWith its 8 strings and \"C\" orchestral tuning the mandocello has a totally unique sound and makes an excellent recording instrument. While mandolin orchestras are rather thin on the ground in the 21st century these instruments can be employed for a wide range of playing styles, some still yet to be explored!\u003cbr\u003e \u003cbr\u003eOverall length is 38 7\/16 in. (97.6 cm.), 14 1\/8 in. (35.9 cm.) width, and 3 3\/8 in. (8.6 cm.) in depth, measured at side of rim. Scale length is 24 5\/8 in. (625 mm.). Width of nut is 1 5\/8 in. (41 mm.). \u003cbr\u003eThis is a very well-preserved nearly 110 year old K-1, one of the nicer ones we have had. The very thin varnish finish appears all original; it may have been polished out a bit on the top long ago, but no overfinishing is detectable. The varnish shows micro-checking and small dings, dents and scratches overall but no major loss. As with many of these the bridge was located too far forward for proper intonation for most (or all) of its life, so there is a visible mark in the top finish where it used to sit. \u003cbr\u003e\u003cbr\u003eAll hardware is original and complete, including the tuners, tailpiece and cover and the often missing pickguard and bracket clamp. The one-piece mahogany neck has been straightened and original thin frets are in very fine shape. This is an excellent playing and sounding mandocello with a fairly bright and ringing sound that retains plenty of depth. \u003cbr\u003e\u003cbr\u003eThis mandocello is housed in an interesting original case by M\u0026amp;W (Maulbetsch \u0026amp; Whittemore based in Newark, NJ) that is sort of a transition between the older canvas and leather cases and the newer now-familiar hardshell side-opening plywood cases introduced around this time. It is a semi-hard shell but not made of plywood, with leather hinges and metal clasps. It was definitely made for Gibson, but apparently a short-lived accessory as we have never seen another! This case is very cool and remains useful for storage but the leather handle and hinges have rotted away so it not functional for carrying; a modern guitar or banjo gig bag can also be supplied if desired. Overall Excellent Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46853380669580,"sku":"9802","price":4600.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_cbb4c8a0-0dc2-4760-acbc-5514d969832f.jpg?v=1774336718"},{"product_id":"kalamazoo-kk-31-mandocello-1937-10151","title":"Kalamazoo KK-31 Mandocello (1937)","description":"Kalamazoo KK-31 Model Mandocello (1937), made in Kalamazoo, Michigan, sunburst lacquer finish, mahogany back, sides and neck, spruce top, rosewood fingerboard, black hard shell case. \u003cbr\u003e\u003cbr\u003eThis is a very unusual and interesting instrument, a Kalamazoo KK-31 mandocello marked with and sold under the parent Gibson brand. This up-branding is something Gibson rarely did, but in this case it was likely necessitated by an overseas order otherwise difficult to fill. Gibson was making very few mandocellos by the mid\/late 1930s, and those that do appear in the traditional Gibson style appear to have been made up mostly of leftover 1920s parts. The Kalamazoo branded KK-31 and KK-32 were a simple solution to the occasional random order; they were built on production Kalamazoo archtop guitar bodies and could be sold at a much lower price, listed retail in the US at $27.50.\u003cbr\u003e\u003cbr\u003eThis Kalamazoo mandocello is a stock piece except for the Gibson logo, but it remains in unusually fine condition. It is stamped \"Made in the U.S.A.\" on the back of the headstock, indicating that the instrument was marked at the factory for export. There is also a \"Made in USA by Gibson Inc. Kalamazoo MI.\" under the soundhole. The Kalamazoo logo on the headstock is covered by a thin metal plate pinned to the face with Gibson engraved and painted in white script letters. \u003cbr\u003e\u003cbr\u003eThe spruce top and mahogany back are single bound. The top and back are \"arco-arched\" in Gibson parlance, not carved but pressed into shape and braced to retain it. This one has a fairly heavy X-brace and has held its shape very well over nearly 85 years.\u003cbr\u003e\u003cbr\u003eThe mahogany neck is fairly slim with a \"V\" profile, but lacks the sharp spine found on many Kalamazoos. The rosewood fingerboard is bound and dot inlaid. The neck is also in excellent shape, almost perfectly straight even without the Gibson adjustable truss rod installed. The rosewood adjustable bridge, single bound firestripe pickguard, nickel plated trapeze tailpiece and very early Kluson strip tuners are all original to the instrument. \u003cbr\u003e\u003cbr\u003eThis is a splendid and most unusual example of this rare Gibson-made mandocello, which is a fairly unique instrument in itself. Nearly all earlier Gibson mandocellos have smaller birch bodies, heavy carved spruce tops and oval soundholes. This 16\" wide guitar-shaped mahogany instrument with a thin f-hole spruce top has a completely different and very lively sound, quite unlike most other specimens. While designed as a budget piece the KK-31 is actually a very fine playing and sounding instrument that is more responsive than many mandocellos; it even fingerpicks very well. If you can't find an original Loar-era Gibson K-5, as far as vintage instruments go this is the next closest thing!\u003cbr\u003e \u003cbr\u003eOverall length is 41 in. (104.1 cm.), 16 1\/8 in. (41 cm.) wide at lower bout, and 3 1\/4 in. (8.3 cm.) deep. Scale length is 24 3\/4 in. (629 mm.). Width of nut is 1 1\/2 in. (38 mm.). \u003cbr\u003e\u003cbr\u003eOverall this is a very clean instrument showing signs of use but no heavy wear. The top shows only some very minor pickwear and light crazing, remaining in unusually clean condition for its age. The mahogany back, sides and neck are also similarly clean with only a few scrapes, dings and dents throughout. There is an area of thumb wear at the second fret on the neck but otherwise it is very clean. There are no cracks or other visible repairs.\u003cbr\u003e\u003cbr\u003eThe neck shows only minimal relief and plays very well up and down the fretboard. The fretboard has recently received an expert refret with slightly larger fretwire than the original specification. The headstock retains its original four-to-a-side white button Kluson tuners that still function smoothly. This is a superb example overall, complete in an old European HSC. \u003cbr\u003e\u003cbr\u003e Excellent Condition.","brand":"Kalamazoo","offers":[{"title":"Default Title","offer_id":46853396955276,"sku":"10151","price":6000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_9bb7359c-60eb-48f0-be55-65fa54842db8.jpg?v=1774337321"},{"product_id":"kalamazoo-kk-31-arch-top-mandocello-1939-10473","title":"Kalamazoo KK-31 Arch top Mandocello (1939)","description":"Kalamazoo KK-31 Model Arch top Mandocello (1939), made in Kalamazoo, Michigan, serial # EK-2521, sunburst lacquer finish, mahogany back, sides and neck, spruce top, rosewood fingerboard, black hard shell case. \u003cbr\u003e\u003cbr\u003eThis is a very interesting instrument, a Kalamazoo KK-31 mandocello from 1939. By the mid\/late 1930s Gibson was making VERY few mandocellos, and the scattered examples that do appear in the traditional oval-body style look to have been primarily made up from leftover 1920s parts. The newer Kalamazoo branded KK-31 and KK-32 were introduced in 1936 as a simple budget-friendly 'cello solution. As they were built on production Kalamazoo archtop guitar bodies the model could be sold at a much lower price, listed retail in the US at $27.50.\u003cbr\u003e\u003cbr\u003eEven these Kalamazoo mandocellos were only made in very small numbers. This one is stamped \"Made in the U.S.A.\" on the back of the headstock, indicating it was marked at the factory for shipment outside the USA. Sure enough the decal from a Canadian dealer is still in place on the headstock face; we have found several of these that were sold beyond the borders of the US during the depression. \u003cbr\u003e\u003cbr\u003eThe spruce top has fairly large F-holes and is \"arco-arched\" in Gibson parlance, not carved but pressed into shape and braced to retain it. The fairly heavy X-brace pattern used has held its shape very well over 80+ years. The top and mahogany back are single bound, the top has a dramatic zipper pattern along the edge that really pops visually next to the medium\/dark sunburst. \u003cbr\u003e\u003cbr\u003eThe mahogany neck is fairly slim with a \"V\" profile, as found on many Kalamazoos. The rosewood fingerboard is bound and dot inlaid. The neck is also in excellent shape, it is re-inforced with metal although there is no adjustable truss rod installed. The rosewood adjustable bridge, single bound firestripe pickguard, nickel plated trapeze tailpiece and early Kluson strip tuners are all original to the instrument. \u003cbr\u003e\u003cbr\u003eWhile a budget line instrument when new, the KK-31 is an excellent player's piece and one of the very few pre-WWII F-hole mandocellos ever made, a fairly unique instrument in itself. Nearly all earlier Gibson mandocellos have smaller birch bodies, heavy carved spruce tops and oval soundholes. This 16\" wide guitar-shaped mahogany instrument with a thin f-hole spruce top has a completely different and very lively sound, quite unlike most other specimens. The KK-31 is actually a very fine playing and sounding instrument that is more responsive than many mandocellos; it even fingerpicks very well. If you can't find an original Loar-era Gibson K-5, as far as vintage instruments go this is the next closest thing!\u003cbr\u003e \u003cbr\u003eOverall length is 41 in. (104.1 cm.), 16 1\/8 in. (41 cm.) wide at lower bout, and 3 1\/4 in. (8.3 cm.) deep. Scale length is 24 3\/4 in. (629 mm.). Width of nut is 1 1\/2 in. (38 mm.). \u003cbr\u003e\u003cbr\u003eThis is a fairly well worn but quite playable instrument showing signs of use but no alterations The top shows a fairly random collection of pickwear strikes, dings, dents and scrapes. The back has heavier crazing, and some deeper scratches near the edges. The back of the neck has the most wear with much of the finish worn away and some deep capo dents along the spine. There is a small grain split off the top end of the bass side F hole, a long sealed crack on the bass side lower bout rim and another on the same side in the waist area, none causing any structural issues. \u003cbr\u003e\u003cbr\u003eAll hardware is original; the adjustment wheels on the original rosewood bridge have been replaced with stouter posts, making adjustment easier. The original pickguard is intact with one small spot of discoloration indicating celluloid decay will likely be its eventual fate. The headstock retains its original four-to-a-side white button Kluson tuners that still function smoothly. \u003cbr\u003e\u003cbr\u003eThe fretboard has recently received an expert refret with slightly larger fretwire than the original specification. The neck shows only minimal relief and plays very well, with a crisp and powerful sound unique to this instrument. While conceived as a low-budget gap filler, today the KK-31 seems a better and more interesting instrument than its creators likely realized. Very Good + Condition.","brand":"Kalamazoo","offers":[{"title":"Default Title","offer_id":46853420843148,"sku":"10473","price":6000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_873c5f8d-e7d7-443d-9dcc-2bf384ac95e8.jpg?v=1774338363"},{"product_id":"gibson-k-4-carved-top-mandocello-1921-8195","title":"Gibson K-4 Carved Top Mandocello (1921)","description":"Gibson K-4 Model Carved Top Mandocello (1921), made in Kalamazoo, Michigan, serial # 65944, sunburst varnish finish, maple back and sides, spruce top; mahogany neck with ebony fingerboard, original black hard shell case. \u003cbr\u003e\u003cbr\u003eThe Gibson Mandocello is one of the great under-appreciated instruments of the early 20th century. Originally designed for the 1910s mandolin orchestra, these imposing beasts never found another home in any other style of music despite being wonderful and unique-sounding instruments to play. \u003cbr\u003e\u003cbr\u003eDouble-strung and tuned in fifths starting with a C below the low E on the guitar, the mandocello has an imposing tone and deep resonance unlike any other fretted instrument. OK, we're starting to sound like an old Gibson catalog here, but we really like these instruments and are always happy to get one in stock!\u003cbr\u003e\u003cbr\u003eThis is also an exceptional piece, a just pre-Loar Style K-4, Gibson's then top-of-the-line mandocello. The instrument features the unique scroll-top maple body with an oval sound hole in the spruce top, echoing the far more common F-style mandolins it was built to accompany. This features a beautiful deep red-to-amber finish overall, celluloid binding on all edges, and half-herringbone rings around an ivoroid center sound hole rosette. \u003cbr\u003e\u003cbr\u003eThe laminated maple neck has a bound ebony fingerboard and the unique scrolled headstock has the older \"The Gibson\" pearl logo above the elaborate double flowerpot inlay. The tailpiece is the standard mandolin fitting and the bridge is a solid carved single piece of ebony with a compensating ridge on top. \u003cbr\u003e\u003cbr\u003eThe tone of this K-4 is surprisingly powerful; brighter with more high-mid character than many mandocellos we have had. This would make an exceptional recording instrument. We think the noble mandocello is due for a re-appraisal and return to its former glory...apparently many folks out there agree, as vintage mando-cellos appear to be becoming ever scarcer! \u003cbr\u003e\u003cbr\u003eThe K-4 was a very expensive instrument, made only in small numbers even during the heyday of the mandolin orchestra and examples this nice are quite rare today. This one remains in fine original condition; a fabulous-looking, excellent-playing mandocello and an exceptional find in an 8-string Art Nouveau showpiece.\u003cbr\u003e \u003cbr\u003eOverall length is 39 in. (99.1 cm.), 14 3\/16 in. (36 cm.) wide at lower bout, and 3 1\/4 in. (8.3 cm.) in depth, measured at side of rim. Scale length is 24 3\/4 in. (629 mm.). Width of nut is 1 5\/8 in. (41 mm.). \u003cbr\u003e\u003cbr\u003eThis instrument has survived nearly 100 years in exceptionally fine condition, and is an excellent player. It has been expertly refretted with somewhat larger wire than the original and has had some light overfinish in the French polish mode. This was likely done some time ago, but the instrument shows no other alterations or repairs. There is very little play wear; in fact, the instrument does not appear to have seen a lot of use over the years. \u003cbr\u003e\u003cbr\u003eThere are small dings and dents overall but no notable play wear spots except some finish worn away in the neck heel area. All hardware remains original. As noted, there appears to be a light clear overfinish over much of the body, perhaps done just to punch up the shine factor long ago. We cannot detect any repairs and the original varnish finish appears intact underneath. \u003cbr\u003e\u003cbr\u003eThis is one of the best-playing mandocellos we have ever had and puts forth a remarkably clear sound, and still resides in a very well-preserved original hard case. Excellent - Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46853427003532,"sku":"8195","price":12000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_08f148a0-4d27-449b-8071-3c399f2f4cb0.jpg?v=1774338569"},{"product_id":"gibson-k-2-carved-top-mandocello-1912-10205","title":"Gibson K-2 Carved Top Mandocello (1912)","description":"Gibson K-2 Model Carved Top Mandocello (1912), made in Kalamazoo, Michigan, sunburst top, natural back and sides finish, birch back and sides, spruce top; mahogany neck with ebony fingerboard, original black hard shell case. \u003cbr\u003e\u003cbr\u003eThe Gibson Mandocello remains one of the great under-appreciated instruments of the early 20th century. Originally designed for the 1910s mandolin orchestra craze, these imposing beasts never found a home in other styles of music despite being often wonderful and always unique-sounding instruments. Double-strung and tuned in fifths starting with the C below the low E on the guitar, the mandocello has an imposing tone and deep resonance unlike any other fretted instrument. OK, we're starting to sound like an old Gibson catalog here, but we really like these and are always happy to get one in stock!\u003cbr\u003e\u003cbr\u003eThis beautiful 1912 K-2 Mandocello dates to the decade when Gibson was the defining force in the market for these instruments. In the 1910s Gibsons were only available from licensed teacher-agents, and were often purchased on a time payment plan along with the lessons. As part of the deal the students would often get to play in the teacher's fretted orchestra, and the low-tuned mandocello was crucial to achieving a full sound in these ensembles. Far fewer were sold compared to mandolins, however, and the Gibson mandocellos from any era are a comparative rarity. \u003cbr\u003e\u003cbr\u003eThis particular instrument is a K-2, the midline model of three mandocello styles offered. It was an expensive instrument when new, priced in the red-plush lined case this one still retains at $62.50. This package cost was around $15.00 more than the K-1 in 1912, which would have bought a pretty nice mandolin by itself from the likes of Sears. The two models are structurally the same with the K-2 simply offering some extra \"geegaw\" (decoration)! The headstock face carries an inlaid Fleur-de-Lys in pearl and abalone while the tuners are tipped with the beautiful inlaid Handel buttons. The sound hole ring is embellished with extra half-herringbone rings and the top has a rich red sunburst finish. Features the same on both models include a bound top, back, and fingerboard, raided pickguard and \"crown\" engraved tailpiece cover.\u003cbr\u003e\u003cbr\u003e Often misunderstood and under-appreciated, the mandocello with its 8 strings and \"C\" orchestral tuning has a totally unique sound and can be used for a wide range of playing styles, some yet to be explored! \"Perhaps the most satisfying instrument, of all the fretted instruments, is the Mandocello\" wrote Lewis A. Williams in the 1912 Gibson catalog \"In tonal broadness, richness and carrying power it is peculiarly distinctive and phenomenally gratifying\". We couldn't have said it better ourselves, but will just add that this particular K-2 is one of the best sounding we have ever heard, and comes closer to living up to Mr. Williams grandiose claims than many.\u003cbr\u003e \u003cbr\u003eOverall length is 38 in. (96.5 cm.), 14 1\/16 in. (35.7 cm.) width, and 3 1\/4 in. (8.3 cm.) in depth, measured at side of rim. Scale length is 25 in. (635 mm.). Width of nut is 1 5\/8 in. (41 mm.). \u003cbr\u003e\u003cbr\u003eThis is a very well-preserved nearly 110 year old K-2, easily one of the nicest ones we have had. The very thin original finish appears intact and unaltered; no overfinishing is detectable. The varnish shows micro-checking and a number of small dings, dents and scratches overall but no major loss except to the back of the neck. The carved ebony bridge is original but the removable saddle pieces are reproductions; this was done to seamlessly lower the action. The originals are preserved in the case pocket and can be easily be re-installed if desired. \u003cbr\u003e\u003cbr\u003eAll other hardware is original and complete, including the inlaid-button tuners, tailpiece and cover and the often missing pickguard and bracket clamp. The one-piece mahogany neck is still quite straight and original thin wire frets are in fine shape. This is an excellent playing and sounding mandocello with a powerful and ringing sound with plenty of volume and depth. \u003cbr\u003e\u003cbr\u003eThis mandocello is housed in the original deluxe hardshell case introduced around this time. This model with the red plush lining was the top of the line and added $13.50 to the 1912 price! Excellent - Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46853465800844,"sku":"10205","price":6500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_23b82ec5-f438-4cac-bf28-e89f14cad013.jpg?v=1774339158"},{"product_id":"gibson-k-4-carved-top-mandocello-1916-11413","title":"Gibson K-4 Carved Top Mandocello (1916)","description":"Gibson K-4 Model Carved Top Mandocello (1916), made in Kalamazoo, Michigan, sunburst varnish finish, maple back and sides, spruce top; mahogany neck with ebony fingerboard, original black hard shell case. \u003cbr\u003e\u003cbr\u003eWe feel the Gibson Mandocello is one of the great under-appreciated instruments of the early 20th century. Originally designed for use in 1910s mandolin orchestras, these imposing beasts never found another home in other styles of music despite being wonderful and unique-sounding instruments to play.\u003cbr\u003e\u003cbr\u003eDouble-strung and tuned in fifths starting with a C below the low E on the guitar, the mandocello has an imposing tone and deep resonance unlike any other fretted instrument. OK, we're starting to sound like an old Gibson catalog here, but we really like these and are always happy to get one in stock!\u003cbr\u003e\u003cbr\u003eThis is an exceptional piece: a mid-1910s Style K-4, Gibson's then top-of-the-line mandocello. This was the 'cello version of the top-line F-4, the most expensive mandolin family piece Gibson offered. It features the unique scroll-top maple body with an oval sound hole in the carved spruce top, scaled up from the far more common F-style mandolins it was built to accompany. This K-4 features a beautiful deep red-to-amber sunburst finish overall, ivoroid binding on all edges and half-herringbone rings around an ivoroid center sound hole rosette.\u003cbr\u003e\u003cbr\u003eThe laminated mahogany neck has a fairly deep \"V\" profile, topped with a bound dot-inlaid ebony fingerboard. The unique scrolled headstock is bound and ornamented with the original slanted \"The Gibson\" pearl logo above the elaborate double flowerpot inlay. The tailpiece is the standard mandolin fitting, the bridge is a solid carved single piece of ebony with a compensating ridge on top and the elevated tortoise celluloid pickguard is secured by the standard Gibson clamp.\u003cbr\u003e\u003cbr\u003eThe tone of this K-4 is deep but well defined, not the loudest we have heard but with a very even, singing quality. This would make an exceptional recording instrument in any context. We think the noble mandocello is due for a re-appraisal in the 21st century and apparently some folks agree, as vintage mando-cellos appear to be becoming ever scarcer!\u003cbr\u003e\u003cbr\u003eThe K-4 was a very expensive instrument, listing for $125 (plus case) in 1917. Only the Style U harp guitar was cataloged at a higher price. These were made only in small numbers even during the mandolin orchestra's heyday and are quite rare today. This one has a factory order number putting its construction in mid\/late 1915, and the serial number indicates it was shipped out sometime in 1916. It shows some wear but remains in fine original condition; a fabulous-looking, excellent-playing mandocello and an exceptional find in an 8-string Art Nouveau showpiece.\u003cbr\u003e \u003cbr\u003eOverall length is 39 in. (99.1 cm.), 14 3\/16 in. (36 cm.) wide at lower bout, and 3 1\/4 in. (8.3 cm.) in depth, measured at side of rim. Scale length is 24 3\/4 in. (629 mm.). Width of nut is 1 5\/8 in. (41 mm.). \u003cbr\u003e\u003cbr\u003eThis instrument has survived over 100 years in good playing condition, showing some wear and minor repair but no notable alterations. The original varnish finish shows typical micro-checking with numerous dings, scrapes and dents overall but no large worn away areas. There is some light touchup to spots of pickwear above and below the fingerboard extension, other than that the finish is original. There are areas of finish worn away along the back of the neck down to the heel area. \u003cbr\u003e\u003cbr\u003eThere is a repaired spruce grain split in the area of the top behind the scroll, solidly sealed but visible. This is the only notable structural repair. All hardware remains original and in excellent condition. The original very small frets are fairly low but still fully playable. Well over a century on this is a fine playing mandocello and of course visually a real showpiece. It puts forth a deep and resonant sound, and still resides in its generally well-preserved original hard case. Overall Excellent - Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46853472911500,"sku":"11413","price":18500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_60b8b823-1d37-4f48-b6ac-0bb7bd7cd1a2.jpg?v=1774339454"},{"product_id":"gibson-k-1-carved-top-mandocello-1921-11947","title":"Gibson K-1 Carved Top Mandocello (1921)","description":"Gibson K-1 Model Carved Top Mandocello (1921), made in Kalamazoo, Michigan, serial # 60912, Sheraton brown varnish finish, birch back and sides, spruce top; mahogany neck with ebony fingerboard, original black hard shell case. \u003cbr\u003e\u003cbr\u003eWe feel the Gibson Mandocello is one of the great under-appreciated instruments of the early 20th century. Originally designed for use in 1910s-era mandolin orchestras, these imposing beasts never found a home in any other style of music despite being unique-sounding creations. Double-strung and tuned in fifths starting with the C below the low E on the guitar, the mandocello has an imposing tone and deep resonance unlike any other fretted instrument. OK, we're starting to sound like an old Gibson catalog here, but we really like these and are always happy to get one in stock!\u003cbr\u003e\u003cbr\u003eThis particular instrument is a fairly worn-in but really fine sounding Style K-1 from the dawn of the 1920s. This was the most basic of the three mandocello models Gibson offered but still a fairly expensive instrument when new. It is structurally the same as the fancier Model K-2 with a little less \"geegaw\" (decoration). The headstock face carries just a plain pearl \"The Gibson\" inlay while the openback strip tuners are tipped with unadorned ivoroid buttons.\u003cbr\u003e\u003cbr\u003eThe top finish is what Gibson called \"Sheraton Brown\", a thin varnish shade particular to the late teens\/early twenties period. The sound hole decoration is two separate wood inlaid rings and a bound edge. The K-2 had fancier versions of these decorative touches, but the physical features (and sound) were the same for both, with an oval body, bound carved spruce top with a flat oval soundhole and birch back. The necks on all models are mahogany, carved with a medium \"V\" profile topped with a bound and dot-inlaid ebony fingerboard.\u003cbr\u003e\u003cbr\u003eThis 1921 K-1 Mandocello dates to the decade when these mandolin family instruments were starting to fall from favor, and are less common than in the 1910s. Up through the mid-'20s Gibsons were only available from licensed teacher-agents, and were usually purchased on a time payment plan along with lessons. As part of the deal, the students would often play in the teacher's fretted orchestra, and the low-tuned mandocello was crucial to achieving a full sound in these ensembles. Far fewer were sold compared to mandolins, however, making Gibson mandocellos from any era a comparative rarity.\u003cbr\u003e\u003cbr\u003eWith its 8 strings and \"C\" orchestral tuning the mandocello has a totally unique sound and makes an excellent recording instrument. While mandolin orchestras are rather thin on the ground in the 21st century these instruments can be employed for a wide range of playing styles, some still yet to be explored!\u003cbr\u003e \u003cbr\u003eOverall length is 38 7\/16 in. (97.6 cm.), 14 1\/8 in. (35.9 cm.) width, and 3 3\/8 in. (8.6 cm.) in depth, measured at side of rim. Scale length is 24 5\/8 in. (625 mm.). Width of nut is 1 5\/8 in. (41 mm.). \u003cbr\u003e\u003cbr\u003eThis over-100 year old K-1 shows a decent amount of general wear; it is not cleanest we have had but sonically a fine example. The original top varnish shows some micro-checking and many tiny dings of unknown origin, along with more typical scrapes and chips, noticeable under the bridge feet. The lower edge has sone old overfinish over a spot of moisture wear that extends onto the rim as well. The back and sides appear to have been polished out long ago, with perhaps a thin coat of lacquer added; there is heavier scraping wear on the lower rim. The neck finish is the original fairly thin varnish with just some loss along the spine. There are dings, dents, scrapes and scratches overall and heavier checking on the headstock. \u003cbr\u003e\u003cbr\u003eThe back\/side seams have been neatly re-glued in some spots, which it typical for these as the birch backs often have shrunken up over 100+ years. The instrument has no visible cracks or structural repairs. All hardware is original including the tuners, tailpiece and cover; the often missing pickguard and bracket clamp are gone, stains under the case lid indicating it likely disintegrated decades ago. The original one-piece carved bridge has been lowered a bit but is intact. \u003cbr\u003e\u003cbr\u003eThe one-piece mahogany neck is very solid; the original frets have been polished out and are in very playable shape, with a comfortable action. This is an excellent playing and sounding mandocello with a forceful tone. It includes the original HSC, which if missing today is almost impossible to replace. Overall Very Good + Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46853512331404,"sku":"11947","price":5250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_62f807d1-b8fb-4c08-9471-00bbbbb84686.jpg?v=1774340572"},{"product_id":"gibson-k-1-carved-top-mandocello-1918-12237","title":"Gibson K-1 Carved Top Mandocello (1918)","description":"Gibson K-1 Model Carved Top Mandocello (1918), made in Kalamazoo, Michigan, serial # 47581, natural top, cherry stained back and sides finish, birch back and sides, spruce top; mahogany neck with ebony fingerboard, original black hard shell case. \u003cbr\u003e\u003cbr\u003eWe feel the Gibson Mandocello is one of the great under-appreciated instruments of the early 20th century. Originally designed for use in 1910s-era mandolin orchestras, these imposing beasts never found a home in any other style of music despite being wonderful and unique-sounding creations. Double-strung and tuned in fifths starting with the C below the low E on the guitar, the mandocello has an imposing tone and deep resonance quite unlike any other fretted instrument. OK, we're starting to sound like an old Gibson catalog here, but we really like these and are always happy to get one in stock!\u003cbr\u003e\u003cbr\u003eThis particular instrument is a lovely sounding Style K-1, the most basic of the three mandocello models Gibson offered in the 1910s but still a fairly expensive instrument when new. It is structurally the same as the fancier Model K-2 with a little less \"geegaw\" (decoration). The headstock face carries just a plain pearl \"The Gibson\" inlay while the openback strip tuners are tipped with unadorned ivoroid buttons.\u003cbr\u003e\u003cbr\u003eThe sound hole decoration is made up of two separate half-herringbone wood inlaid rings and a bound edge. The K-2 had fancier versions of these decorative touches, but the physical features (and sound) were the same for both, with an oval body, bound carved spruce top with a flat oval soundhole and birch back. The necks on all models are mahogany with a bound and dot-inlaid ebony fingerboard.\u003cbr\u003e\u003cbr\u003eThis 1918 \"Pumpkin top\" K-1 Mandocello dates to the decade when Gibson was defining the market for these mandolin family instruments. In the 1910s-'20s Gibsons were only available from licensed teacher-agents, and were usually purchased on a time payment plan along with lessons. As part of the deal, the students would often play in the teacher's fretted orchestra, and the low-tuned mandocello was crucial to achieving a full sound in these ensembles. Far fewer were sold compared to mandolins, however, making Gibson mandocellos from any era a comparative rarity.\u003cbr\u003e\u003cbr\u003eWith its 8 strings and \"C\" orchestral tuning the mandocello has a totally unique sound and makes an excellent recording instrument. While mandolin orchestras are rather thin on the ground in the 21st century these instruments can be employed for a wide range of playing styles, some still yet to be explored!\u003cbr\u003e \u003cbr\u003eOverall length is 38 7\/16 in. (97.6 cm.), 14 1\/8 in. (35.9 cm.) width, and 3 3\/8 in. (8.6 cm.) in depth, measured at side of rim. Scale length is 24 5\/8 in. (625 mm.). Width of nut is 1 5\/8 in. (41 mm.). \u003cbr\u003e\u003cbr\u003eThis well-over-105 year old K-1 shows some general wear and minor repair; it is not the cleanest but one of the nicer sounding ones we have had. The original varnish finish has less micro-checking than some, with a collection of dings, dents, scrapes and scratches overall but no large areas of loss except to the back of the neck, which is worn through to the wood in a number of spots, especially the lower positions on the treble side. The spine is mostly worn through with many small dinks that are feelable but not too distracting and could be smoothed out if desired. \u003cbr\u003e\u003cbr\u003eThe back\/side seams have been visibly re-glued in several spots, which it typical for these as the birch backs often have shrunken up noticeably over 100+ years. There is a sealed split along the back center seam just above the tailblock, glued up but not finished over. There are no other visible cracks to the instrument. The top shows some light sinking in the center, less than many and not an ongoing structural issue as it appears to have been stable for decades. \u003cbr\u003e\u003cbr\u003eOriginal hardware includes the tuners, tailpiece and cover; the often missing pickguard is a repro using an original slightly later bracket clamp. The one-piece mahogany neck is very straight and original thin frets have recently been recrowned are in very playable shape. This is an excellent playing and sounding mandocello with a comfortable action and a sweet round tone. It includes the original HSC in very nice shape, somewhat rarer than the instrument and almost impossible to find loose these days. Very Good + Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46853519179916,"sku":"12237","price":5750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_aa86af4e-643e-4870-8c3d-af379476d019.jpg?v=1774340929"},{"product_id":"gibson-k-1-carved-top-mandocello-1916-10283","title":"Gibson K-1 Carved Top Mandocello (1916)","description":"Gibson K-1 Model Carved Top Mandocello (1916), made in Kalamazoo, Michigan, serial # 36337, natural top, cherry stained back and sides finish, birch back and sides, spruce top; mahogany neck with ebony fingerboard, plastic gig bag case. \u003cbr\u003e\u003cbr\u003eWe feel the Gibson Mandocello is one of the great under-appreciated instruments of the early 20th century. Originally designed for use in 1910s-era mandolin orchestras, these imposing beasts never found a home in any other style of music despite being wonderful and unique-sounding creations. Double-strung and tuned in fifths starting with the C below the low E on the guitar, the mandocello has an imposing tone and deep resonance quite unlike any other fretted instrument. OK, we're starting to sound like an old Gibson catalog here, but we really like these and are always happy to get one in stock!\u003cbr\u003e\u003cbr\u003eThis particular instrument is a fairly well worn-in but fantastic sounding Style K-1, the most basic of the three mandocello models Gibson offered in the 1910s but still a fairly expensive instrument when new. It is structurally the same as the fancier Model K-2 with a little less \"geegaw\" (decoration). The headstock face carries just a plain pearl \"The Gibson\" inlay while the openback strip tuners are tipped with unadorned ivoroid buttons.\u003cbr\u003e\u003cbr\u003eThe sound hole decoration is made up of two separate half-herringbone wood inlaid rings and a bound edge. The K-2 had fancier versions of these decorative touches, but the physical features (and sound) were the same for both, with an oval body, bound carved spruce top with a flat oval soundhole and birch back. The necks on all models are mahogany with a bound and dot-inlaid ebony fingerboard. \u003cbr\u003e\u003cbr\u003eThis 1916 \"Pumpkin top\" K-1 Mandocello dates to the decade when Gibson was defining the market for these mandolin family instruments. In the 1910s-'20s Gibsons were only available from licensed teacher-agents, and were usually purchased on a time payment plan along with lessons. As part of the deal, the students would often play in the teacher's fretted orchestra, and the low-tuned mandocello was crucial to achieving a full sound in these ensembles. Far fewer were sold compared to mandolins, however, making Gibson mandocellos from any era a comparative rarity. \u003cbr\u003e\u003cbr\u003eWith its 8 strings and \"C\" orchestral tuning the mandocello has a totally unique sound and makes an excellent recording instrument. While mandolin orchestras are rather thin on the ground in the 21st century these instruments can be employed for a wide range of playing styles, some still yet to be explored!\u003cbr\u003e \u003cbr\u003eOverall length is 38 7\/16 in. (97.6 cm.), 14 1\/8 in. (35.9 cm.) width, and 3 3\/8 in. (8.6 cm.) in depth, measured at side of rim. Scale length is 24 5\/8 in. (625 mm.). Width of nut is 1 5\/8 in. (41 mm.). \u003cbr\u003eThis well-over-100 year old K-1 shows a decent amount of general wear and more than a few repairs; it is far from the cleanest but sonically one of the nicer ones we have had. The original varnish finish has darkened quite a bit over a century and shows noticeable micro-checking, on the top especially but appears completely original. There are dings, dents, scrapes and scratches overall but no large areas of loss except to the worn-through back of the neck. \u003cbr\u003e\u003cbr\u003eThere are a number of repairs done, some more artfully than others but combined make the instrument structurally solid and very playable. The back\/side seams have been visibly re-glued in a number of spots, which it typical for these as the birch backs often have shrunken up noticeably over 100+ years. Some seams were not lined up as cleanly as they might have been, but all are solid. Both the upper and lower sides have fairly obvious old crack repairs; on the lower one extends down from the heelblock, with another over the forward curve of the body and a third off the tailblock. On the bass side one longer split runs about 9\" from the outward curve of the body down towards the neck. These are all sealed but not overfinished.\u003cbr\u003e\u003cbr\u003eThe back has one split just by the upper edge, and a short resealed section of the rear center seam off the bottom edge. The top shows no cracks but has an added brace under the bridge which has done its job well as the arch is very good. This may have been done a long time ago, and the sound seems to have not suffered at all. There is also a very small split at the base of the back of the headstock, just at the apex of the \"V\". This has been sealed up but not finished over at all so is plainly visible and feelable but not an ongoing issue. \u003cbr\u003e\u003cbr\u003eAll hardware appears original, including the tuners, tailpiece and cover and even the often missing pickguard and bracket clamp. It is possible the pickguard was once on another mandocello as the fit is inexact around the fingerboard, but it is an authentic period Gibson piece. The one-piece mahogany neck is very straight and original thin frets are in very playable shape, with a comfortable action. Even with this extensive catalog of repairs (or really, because of it) this is an excellent playing and sounding mandocello with a big booming tone. It includes a vintage 1960s heavy guitar gig bag that is a bit oversized but quite functional for storage and carrying. Overall Very Good + Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46853524127884,"sku":"10283","price":5500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_d938eb61-0f51-40bd-a17f-4d7c06ec0b7b.jpg?v=1774341088"},{"product_id":"gibson-k-2-carved-top-mandocello-1913-10513","title":"Gibson K-2 Carved Top Mandocello (1913)","description":"Gibson K-2 Model Carved Top Mandocello (1913), made in Kalamazoo, Michigan, serial # 19439, black top, natural back and sides finish, birch back and sides, spruce top; mahogany neck with ebony fingerboard, original black hard shell case. \u003cbr\u003e\u003cbr\u003eThe Gibson Mandocello remains one of the great under-appreciated instruments of the early 20th century. Originally designed for the 1910s mandolin orchestra craze, these imposing beasts never found a home in other styles of music despite being often wonderful and always unique-sounding instruments. Double-strung and tuned in fifths starting with the C below the low E on the guitar, the mandocello has an imposing tone and deep resonance unlike any other fretted instrument. OK, we're starting to sound like an old Gibson catalog here, but we really like these and are always happy to get one in stock!\u003cbr\u003e\u003cbr\u003eThis beautiful K-2 Mandocello was made in early 1913, the decade when Gibson was defining the market for these instruments. In the 1910s Gibsons were only available from licensed teacher-agents, and were often purchased on a time payment plan along with the lessons. As part of the deal the students would often get to play in the teacher's fretted orchestra, and the low-tuned mandocello was crucial to achieving a full sound in these ensembles. Far fewer were sold compared to mandolins, however, and the Gibson mandocellos from any era are a comparative rarity.\u003cbr\u003e\u003cbr\u003eThis instrument is a K-2, the midline model of three mandocello styles Gibson offered. It was fairly expensive when new, priced with the red-plush lined case this one still retains at $62.50. This package cost was around $15.00 more than the plainer K-1 in 1913, which would have bought a pretty nice mandolin by itself from the likes of Sears. The two models are structurally the same with the K-2 simply offering some extra \"geegaw\" (decoration)! The headstock face carries an inlaid Fleur-de-Lys in pearl and abalone while the tuners are tipped with the beautiful inlaid Handel buttons. The sound hole ring is embellished with extra half-herringbone rings and the top has an ebony finish. Features the same on both models include a bound top, back, and fingerboard, raided pickguard and \"crown\" engraved tailpiece cover.\u003cbr\u003e\u003cbr\u003e Often misunderstood and under-appreciated, the mandocello with its 8 strings and \"C\" orchestral tuning has a totally unique sound and can be used for a wide range of playing styles, some yet to be explored! \"Perhaps the most satisfying instrument, of all the fretted instruments, is the Mandocello\" wrote Lewis A. Williams in the 1912 Gibson catalog \"In tonal broadness, richness and carrying power it is peculiarly distinctive and phenomenally gratifying\". We couldn't have said it better ourselves! We will just add that this particular K-2 has some old repairs but even so is one of the better sounding ones we have heard, and comes closer to living up to Mr. Williams grandiose claims than many.\u003cbr\u003e \u003cbr\u003eOverall length is 38 in. (96.5 cm.), 14 1\/16 in. (35.7 cm.) width, and 3 1\/4 in. (8.3 cm.) in depth, measured at side of rim. Scale length is 25 in. (635 mm.). Width of nut is 1 5\/8 in. (41 mm.). \u003cbr\u003eThis is a fine playing and sounding nearly 110 year old K-2, showing some wear and repair but in excellent structural condition. The very thin original finish appears intact and unaltered; no overfinishing is detectable. The varnish shows micro-checking and a the typical collection of dings, dents and scratches overall most notable pick scratches to the upper top and some wear to the wood on the back of the neck. The carved ebony bridge is original, the removable saddle pieces have been shaved down to seamlessly lower the action. \u003cbr\u003e\u003cbr\u003eThere is one quite noticeable repaired crack to the top just below the fingerboard, running from the forward edge to the soundhole rim. This is solidly sealed but a bit ugly, with some distortion to the celluloid at either end. It is well closed up with some fill, and does not present an ongoing structural issue. There are several sealed thin grain cracks to the rim between the heel and the area around the pickguard clamp, sealed cleanly with no overfinish so still visible. The instrument shows no other visible cracks or major repairs. \u003cbr\u003e\u003cbr\u003eAll the hardware is original and complete, including the inlaid-button Handel tuners, tailpiece and cover and the often missing pickguard and bracket clamp. The three-piece laminated mahogany neck is still quite straight and original thin wire frets are in fine shape. This is an excellent playing and sounding mandocello with a powerful and ringing sound with plenty of volume and depth. \u003cbr\u003e\u003cbr\u003eThis mandocello is housed in the original deluxe hardshell case introduced around this time, which has some wear but is fully functional. This model with the red plush lining was the top of the line and added $13.50 to the 1912 price! This is not the most perfect K-2 we have had but an excellent example to actually play. Overall Very Good + Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46853533204620,"sku":"10513","price":6800.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_b294e737-1ba7-4430-bb0b-10c9dfbdd866.jpg?v=1774341415"},{"product_id":"gibson-k-1-carved-top-mandocello-1915-10935","title":"Gibson K-1 Carved Top Mandocello (1915)","description":"Gibson K-1 Model Carved Top Mandocello (1915), made in Kalamazoo, Michigan, serial # 31326, natural top, cherry stained back and sides finish, birch back and sides, spruce top; mahogany neck with ebony fingerboard, original black hard shell case. \u003cbr\u003e\u003cbr\u003eWe feel the Gibson Mandocello is one of the great under-appreciated instruments of the early 20th century. Originally designed for use in 1910s-era mandolin orchestras, these imposing beasts never found a home in any other style of music despite being wonderful and unique-sounding creations. \u003cbr\u003e\u003cbr\u003eDouble-strung and tuned in fifths starting with the C below the low E on the guitar, the mandocello has an imposing tone and deep resonance quite unlike any other fretted instrument. OK, we're starting to sound like an old Gibson catalog here, but we love these and are always happy to get one in stock!\u003cbr\u003e\u003cbr\u003eThis particular instrument is a Style K-1, the most basic of the three mandocello models Gibson offered in the 1910s but still a fairly expensive instrument when new. It is structurally the same as the fancier Model K-2 with a little less \"geegaw\" (decoration). The headstock face carries just a plain pearl \"The Gibson\" inlay while the openback strip tuners are tipped with unadorned ivoroid buttons.\u003cbr\u003e\u003cbr\u003eThe top is carved spruce with a single transverse brace just behind the soundhole. The sound hole decoration is made up of two separate half-herringbone wood inlaid rings and a bound edge. The K-2 had fancier versions of these decorative touches, but the physical features (and sound) were the same for both models, with an oval body, bound top and birch back \u0026amp; sides. The necks on all models are mahogany with a noticeably \"V\" profile neck topped by a bound, dot-inlaid ebony fingerboard. \u003cbr\u003e\u003cbr\u003eThis \"Pumpkin top\" K-1 Mandocello was assembled at the end of 1914 and labeled early the next year, the middle of the decade when Gibson defined the market for these mandolin family instruments. In the 1910s-'20s these Gibsons were only available from licensed teacher-agents, and were usually purchased on a time payment plan along with lessons. As part of the deal, the students would often play in the teacher's fretted orchestra, and the low-tuned mandocello was crucial to achieving a full sound in these ensembles. Far fewer were sold compared to mandolins, however, making Gibson mandocellos from any era a comparative rarity. \u003cbr\u003e\u003cbr\u003eWith its 8 strings and \"C\" orchestral tuning the mandocello has a totally unique sound and makes an excellent recording instrument. While mandolin orchestras are rather thin on the ground in the 21st century these instruments can be employed for a wide range of playing styles, some still yet to be explored!\u003cbr\u003e \u003cbr\u003eOverall length is 38 7\/16 in. (97.6 cm.), 14 1\/8 in. (35.9 cm.) width, and 3 3\/8 in. (8.6 cm.) in depth, measured at side of rim. Scale length is 24 5\/8 in. (625 mm.). Width of nut is 1 5\/8 in. (41 mm.). \u003cbr\u003e\u003cbr\u003eThis is a generally well-preserved example of a 110 year old K-1, and an excellent player. The original varnish finish shows far less checking than most, with mostly small dings, dents and scratches overall. There are some small old touch-ups to the top over some scratches and dents. There is a decent amount of finish worn off the back of the neck and from the treble side heel; this one did get played along the way. There are no visible crack repairs, just a slightly bulged resealed back\/side seam just above the tailpiece. \u003cbr\u003e\u003cbr\u003eAll hardware is original except for the bridge, which is a more modern adjustable piece replacing the solid non-adjustable original. The tuners, tailpiece and cover and the often missing pickguard and bracket clamp are all intact. The one-piece mahogany neck has been neatly refretted and the fingerboard leveled making for an excellent playing and sounding mandocello with a big booming sound. It includes the original HSC, something almost impossible to replace if it has gone missing. Overall Excellent - Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46853539692684,"sku":"10935","price":5950.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_4d5e088a-2957-4103-a784-28d001ffec3b.jpg?v=1774341647"},{"product_id":"gibson-k-1-carved-top-mandocello-1915-12759","title":"Gibson K-1 Carved Top Mandocello (1915)","description":"Gibson K-1 Model Carved Top Mandocello (1915), made in Kalamazoo, Michigan, serial # 29378, natural top, cherry stained back and sides finish, birch back and sides, spruce top; mahogany neck with ebony fingerboard, original black hard shell case. \u003cbr\u003e\u003cbr\u003eWe feel the Gibson Mandocello is one of the great under-appreciated instruments of the early 20th century. Originally designed for use in 1910s-era mandolin orchestras, these imposing beasts never found a home in any other style of music despite being wonderful and unique-sounding creations. \u003cbr\u003e\u003cbr\u003eDouble-strung and tuned in fifths starting with the C below the low E on the guitar, the mandocello has an imposing tone and deep resonance quite unlike any other fretted instrument. OK, we're starting to sound like an old Gibson catalog here, but we love these and are always happy to get one in stock!\u003cbr\u003e\u003cbr\u003eThis particular instrument is a Style K-1, the most basic of three mandocello models Gibson offered in the 1910s but still a fairly expensive instrument when new. It is structurally the same as the fancier Model K-2 with a little less \"geegaw\" (decoration). The headstock face carries just a plain pearl \"The Gibson\" inlay while the openback strip tuners are tipped with unadorned ivoroid buttons.\u003cbr\u003e\u003cbr\u003eThe top is carved spruce with a single transverse brace just behind the soundhole. The sound hole decoration is made up of two separate half-herringbone wood inlaid rings and a bound edge. The K-2 had fancier versions of these decorative touches, but the physical features (and sound) were the same for both models, with an oval body, bound top and birch back \u0026amp; sides. The necks on all models are mahogany with a noticeably \"V\" profile neck topped by a bound, dot-inlaid ebony fingerboard. \u003cbr\u003e\u003cbr\u003eThis \"Pumpkin top\" K-1 Mandocello was assembled at the end of 1914 and labeled early the next year, the middle of the decade when Gibson defined the market for these mandolin family instruments. In the 1910s-'20s these Gibsons were only available from licensed teacher-agents, and were usually purchased on a time payment plan along with lessons. As part of the deal, the students would often play in the teacher's fretted orchestra, and the low-tuned mandocello was crucial to achieving a full sound in these ensembles. Far fewer were sold compared to mandolins, however, making Gibson mandocellos from any era a comparative rarity. \u003cbr\u003e\u003cbr\u003eWith its 8 strings and \"C\" orchestral tuning the mandocello has a totally unique sound and makes an excellent recording instrument. While mandolin orchestras are rather thin on the ground in the 21st century these instruments can be employed for a wide range of playing styles, some still yet to be explored!\u003cbr\u003e \u003cbr\u003eOverall length is 38 7\/16 in. (97.6 cm.), 14 1\/8 in. (35.9 cm.) width, and 3 3\/8 in. (8.6 cm.) in depth, measured at side of rim. Scale length is 24 5\/8 in. (625 mm.). Width of nut is 1 5\/8 in. (41 mm.). \u003cbr\u003e\u003cbr\u003eThis is a generally well-preserved example of a 110 year old K-1, and an excellent player. The original varnish finish shows far less checking than most but does have dings, dents and scratches overall. There is a some finish worn off the back of the neck in the lower positions; It did get played along the way. The only crack repair is a small grain split on the upper rim, sealed but not finished over. There are a few resealed back\/side seam spots just around the heel. \u003cbr\u003e\u003cbr\u003eAll hardware is original except for the bridge top, which is a more modern nicely sculpted piece replacing the original individual saddle blocks. The tuners, tailpiece and cover and the often missing pickguard and bracket clamp are all intact. The original frets have been leveled and recrowned making for an excellent playing and sounding mandocello with a big booming sound. We are now using a custom properly fitted LaBella set on all out mandocellos and loving the sound and feel. This K-1 also includes the original HSC, something difficult to replace if it has gone missing. Excellent - Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46853645598860,"sku":"12759","price":6500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_eb147611-6869-4b6c-9503-0fd3ee131cda.jpg?v=1774342243"},{"product_id":"weber-carved-top-mandocello-2016-12905","title":"Weber Carved Top Mandocello (2016)","description":"Weber Carved Top Mandocello (2016), made in Bend, Oregon, serial # 1619008, black top, dark cherry stained back and sides finish, maple back and sides, Sitka spruce top, original grey tolex hard shell case. \u003cbr\u003e\u003cbr\u003eThis instrument is a fairly rare modern interpretation of the classic Gibson K-4 Mandocello format built by the Weber company of Bend, Indiana. It retains most of the design elements of the original 1910s Gibson but with a noticeably slimmer more modern feeling round-backed maple neck equipped with an adjustable truss rod. The top is finished in \"Black Ice' (says the label) while the back, sides and neck are a cherry stain over attractively grained sugar maple. The instrument is single bound on the top, back, soundhole edge and headstock. The arched fingerboard is single bound with small diamond pearl inlay. There is no soundhole rosette or pickguard the only other decorative touch being a pearl Weber logo and diamond inlay underneath. The adjustable bridge and tailpiece are Weber's own fittings. \u003cbr\u003e\u003cbr\u003eMost Weber mandocellos are built with an F-hole format; this one follows the older F-4 pattern with an oval hole giving a somewhat rounder tone with a more open character. The top is braced in a thin scalloped X-pattern, a major deviation from any Gibson 'cello adding to the unique sonic character. It also features a built in pickup wired to an endpin jack for an excellent amplified sound. This is an unusual instrument, even as mandocellos go and definitely has a unique sound and feel, as well as its badass black-topped look!\u003cbr\u003e \u003cbr\u003eOverall length is 41 in. (104.1 cm.), 14 3\/8 in. (36.5 cm.) across at the widest point, and 3 5\/16 in. (8.4 cm.) in depth, measured at side of rim. Scale length is 25 in. (635 mm.). Width of nut is 1 9\/16 in. (40 mm.). \u003cbr\u003e\u003cbr\u003eThis instrument is not quite 10 years old and shows only very light signs of play. There is a strap button on the heel that was probably added. This is an excellent player, certainly more friendly feeling to most modern stylists than the vintage Gibsons it is descended from. The sound is fairly bright with a nice transparency, and if lacking some of the depth and warmth of the best older \"Gibson's is much more practical as a full chorded instrument than most of those are, and single lines, dyads and triads punch through nicely as well. Foe anyone seeking a superbly playable modern mandocello this is a cool find, complete in its original (and very heavy) fitted HSC. Overall Excellent Condition.","brand":"Weber","offers":[{"title":"Default Title","offer_id":46853648449676,"sku":"12905","price":8250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_7945fc75-385a-4eab-8576-7d1f60c431f1.jpg?v=1774342401"},{"product_id":"gibson-k-1-carved-top-mandocello-1919-12919","title":"Gibson K-1 Carved Top Mandocello (1919)","description":"Gibson K-1 Model Carved Top Mandocello (1919), made in Kalamazoo, Michigan, serial # 57495, Sheraton brown varnish finish, birch back and sides, spruce top; mahogany neck with ebony fingerboard, original black hard shell case. \u003cbr\u003e\u003cbr\u003eWe feel the Gibson Mandocello is one of the great under-appreciated instruments of the early 20th century. Originally designed for use in 1910s-era mandolin orchestras, these imposing beasts never found a home in any other style of music despite being unique-sounding creations. Double-strung and tuned in fifths starting with the C below the low E on the guitar, the mandocello has an imposing tone and deep resonance unlike any other fretted instrument. OK, we're starting to sound like an old Gibson catalog here, but we really like these and are always happy to get one in stock!\u003cbr\u003e\u003cbr\u003eThis particular instrument is a fairly worn-in but really fine sounding Style K-1 from just before the dawn of the 1920s. This was the most basic of the three mandocello models Gibson offered but still a fairly expensive instrument when new. It is structurally the same as the fancier Model K-2 with a little less \"geegaw\" (decoration). The headstock face carries just a plain pearl \"The Gibson\" inlay while the openback strip tuners are tipped with unadorned ivoroid buttons.\u003cbr\u003e\u003cbr\u003eThe top finish is what Gibson called \"Sheraton Brown\", a thin varnish shade particular to the late teens\/early twenties period. These \"brown tops\" may not be the prettiest of the 1910's Gibsons but are often among the best sounding. The sound hole decoration is two separate wood inlaid rings and a bound edge. The K-2 had fancier versions of these decorative touches, but the physical features (and sound) were the same for both with an oval body, bound carved spruce top with a flat oval soundhole and birch back. The necks on all models are mahogany, carved with a medium \"V\" profile topped with a bound and dot-inlaid ebony fingerboard.\u003cbr\u003e\u003cbr\u003eThis 1919 K-1 Mandocello dates to the end of the 1910s decade when these mandolin family instruments were about to fall from favor, and are less common than in the earlier 'teens examples. Up through the mid-'20s Gibsons were only available from licensed teacher-agents, and were usually purchased on a time payment plan along with lessons. As part of the deal, the students would often play in the teacher's fretted orchestra, and the low-tuned mandocello was crucial to achieving a full sound in these ensembles. Far fewer were sold compared to mandolins, however, making Gibson mandocellos from any era a comparative rarity.\u003cbr\u003e\u003cbr\u003eWith its 8 strings and \"C\" orchestral tuning the mandocello has a totally unique sound and makes an excellent recording instrument. While mandolin orchestras are rather thin on the ground in the 21st century these instruments can be employed for a wide range of playing styles, some still yet to be explored!\u003cbr\u003e \u003cbr\u003eOverall length is 38 7\/16 in. (97.6 cm.), 14 1\/8 in. (35.9 cm.) width, and 3 3\/8 in. (8.6 cm.) in depth, measured at side of rim. Scale length is 24 5\/8 in. (625 mm.). Width of nut is 1 5\/8 in. (41 mm.). \u003cbr\u003e\u003cbr\u003eThis over-105 year old K-1 shows a decent amount of general wear; If not cleanest we have had sonically it is a particularly fine example. The original top finish shows micro-checking and dings, scrapes and chips, with a LOT of noticeable wear all around the base of the bridge. The lower edge of the body has some old overfinish over the back and side rims where the seam has been resealed and one small split repaired on the rim just below the endblock. The neck finish is the original fairly thin varnish with some loss down to the wood along its length. There are dings, dents, scrapes on the headstock.\u003cbr\u003e\u003cbr\u003eThe back\/side seams have been neatly re-glued in some spots, which it typical for these as the birch backs often have shrunken up over 100+ years. Apart from these and the one small rim crack the instrument has no other visible cracks or structural repairs. The hardware is mostly original including the tuners, tailpiece and cover and even the often missing pickguard and bracket clamp. The exception is a replaced bridge, a 1920s Gibson style adjustable unit. \u003cbr\u003e\u003cbr\u003eThe one-piece mahogany neck is very solid; the fingerboard appears to have been refretted some time ago and these frets are in nicely playable shape, with a very comfortable action. This is an excellent playing and sounding mandocello with a forceful tone. It includes the original HSC, which if missing today is almost impossible to replace, and a custom case cover made to fit over it. Overall Very Good + Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":46853649498252,"sku":"12919","price":6250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_f2b436c3-7ffa-42fe-a50d-07f73a520d9c.jpg?v=1774342441"},{"product_id":"gold-tone-arch-top-mandocello-2022-12576","title":"Gold Tone Arch top Mandocello (2022)","description":"Gold Tone Arch top Mandocello (2022), made in China, serial # 22404784, sunburst finish, maple back and sides, spruce top; maple neck with rosewood fingerboard, original black hard shell case. \u003cbr\u003e\u003cbr\u003eThis recent gold Tone Mandocello is a nice find in a modern instrument of this type, the least expensive mandocello of its type available. The Venetian-style cutaway guitar shaped body is more comfortable to most modern players than the vintage Gibson style oval body. The back and sides are maple with a solid spruce F-hole top, fitted with an adjustable ebony bridge and pakkawood tailpiece. The neck is slim with a medium C profile, a two-way adjustable truss rod and Gold tone's patented Zero Glide nut. \u003cbr\u003e\u003cbr\u003eFor stage use this Mandocello features a dual pickup system, with a jazz guitar-style floating humbucker pickup down by the neck and a transducer pickup in the bridge. The controls are a master volume knob and a second knob that smoothly blends the two pickups providing a lot of tonal options. This Mandocello is a welcome addition to Gold Tone's innovative \"Folkternative\" line, providing amateur and professional players with a wider selection of instruments. Low-priced Mandocellos are hardly ever available, and this is a really solid player in this class, really the only functional option available!\u003cbr\u003e \u003cbr\u003eOverall length is 42 in. (106.7 cm.), 16 3\/8 in. (41.6 cm.) wide at lower bout, and 3 in. (7.6 cm.) in depth, measured at side of rim. Scale length is 25 1\/2 in. (648 mm.). Width of nut is 1 7\/16 in. (36 mm.). \u003cbr\u003e\u003cbr\u003eThis is a used example of this innovative and useful instrument, overall in excellent playing condition. The finish shows some very light wear, with more scuffing to the top of the plastic pickguard than anything else. The tailpiece has been repaired where the strings pull through, solidly but visibly. The instrument plays very well with a surprisingly nice acoustic sound, especially for its price class. It includes a HSC. Excellent Condition.","brand":"Gold Tone","offers":[{"title":"Default Title","offer_id":46853681774732,"sku":"12576","price":1100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_d464ba1c-76ae-4c2c-a981-eb85bf08a2a3.jpg?v=1774342794"},{"product_id":"gibson-k-1-carved-top-mandocello-1914-12807","title":"Gibson K-1 Carved Top Mandocello (1914)","description":"Gibson K-1 Model Carved Top Mandocello (1914), made in Kalamazoo, Michigan, serial # 27631, natural top, cherry stained back and sides finish, birch back and sides, spruce top; mahogany neck with ebony fingerboard, black tolex hard shell case. \u003cbr\u003e\u003cbr\u003eWe feel the Gibson Mandocello is one of the great under-appreciated instruments of the early 20th century. Originally designed for use in 1910s-era mandolin orchestras, these imposing beasts never found a home in any other style of music despite being wonderful and unique-sounding creations. Double-strung and tuned in fifths starting with the C below the low E on the guitar, the mandocello has an imposing tone and deep resonance quite unlike any other fretted instrument. OK, we're starting to sound like an old Gibson catalog here, but we really like these and are always happy to get one in stock!\u003cbr\u003e\u003cbr\u003eThis particular instrument is a lovely sounding Style K-1 which is an excellent player with some old repair work evident. This was the most basic of the three mandocello models Gibson offered in the 1910s but still a fairly expensive instrument when new. It is structurally the same as the fancier Model K-2 with a little less \"geegaw\" (decoration). The headstock face carries just a plain pearl \"The Gibson\" inlay while the openback strip tuners are tipped with unadorned ivoroid buttons.\u003cbr\u003e\u003cbr\u003eThe top is single bound and the sound hole decoration is made up of two separate half-herringbone wood inlaid rings and a bound edge. The K-2 had fancier versions of these decorative touches, but the physical features (and sound) were the same for both, with an oval body, bound carved spruce top with a flat oval soundhole and birch back. The necks on all models are mahogany with a bound and dot-inlaid ebony fingerboard.\u003cbr\u003e\u003cbr\u003eThis \"Pumpkin top\" K-1 Mandocello dates to the decade when Gibson was defining the market for these mandolin family instruments. The combination of the FON (Factory Order Number) stamped on the neck block and the serial number penciled on the white label under the soundhole indicate it was built in late 1914 and shipped out early the next year. In the 1910s Gibsons were only available from licensed teacher-agents, and were usually purchased on a time payment plan along with lessons. As part of the deal, the students would often play in the teacher's fretted orchestra, and the low-tuned mandocello was crucial to achieving a full sound in these ensembles. Far fewer were sold compared to mandolins, however, making Gibson mandocellos from any era a comparative rarity.\u003cbr\u003e\u003cbr\u003eWith its 8 strings and \"C\" orchestral tuning the mandocello has a totally unique sound and makes an excellent recording instrument. While mandolin orchestras are rather thin on the ground in the 21st century these instruments can be employed for a wide range of playing styles, some still yet to be explored!\u003cbr\u003e \u003cbr\u003eOverall length is 38 7\/16 in. (97.6 cm.), 14 1\/8 in. (35.9 cm.) width, and 3 3\/8 in. (8.6 cm.) in depth, measured at side of rim. Scale length is 24 5\/8 in. (625 mm.). Width of nut is 1 5\/8 in. (41 mm.). \u003cbr\u003e\u003cbr\u003eThis over 110 year old K-1 shows some general wear and old repair; it is not the cleanest but one of the nicer sounding ones we have had. The original very thin varnish finish on the top has less micro-checking and pick wear than many, with some small dings, dents and scratches and minor polished out spots but no large areas of loss. The back of the neck remains original and is worn through to the wood in a few places, especially along the spine with some small scattered dinks that are feelable but not too distracting. \u003cbr\u003e\u003cbr\u003eThe back\/side areas have seen a lot more work. Those seams must have been well out of alignment long ago, which is typical for these as the birch backs often have shrunken up noticeably. A single layer of tortoise Celluloid binding was added all along the outer edge of the back, which was removed for this repair many decades ago. The back and sides have an old clear lacquer overfinish which has checked noticeably in spots, and is uneven in some areas with later touch ups visible. There are sealed seam splits on the back along the center seam above the tailblock and off the heelblock. These were solidly glued up with bias tape reinforcement internally and finished over. There are no other visible cracks to the instrument, and these repairs appear largely done many decades ago. \u003cbr\u003e\u003cbr\u003eSurviving original hardware includes the tuners, tailpiece and cover and the multi-saddle bridge, which has been lowered somewhat. The often missing pickguard is a correct style reproduction in tortoise celluloid using the original bracket clamp. The one-piece mahogany neck is very straight and has been refretted with wire slightly larger than the original very thin style, with little subsequent wear. While not an untouched original example this K-1 is an excellent playing and sounding mandocello with a comfortable low action and a sweet deep and round tone. It is strung with special LaBella strings of our own spec and includes a later (1980s?) HSC in very nice shape, a somewhat rare find and quite convenient at that! Overall Very Good + Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":50263850483852,"sku":"12807","price":6250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_3729f9fe-cc2c-4543-80f6-4667bd25a897.jpg?v=1779912363"},{"product_id":"gibson-k-2-carved-top-mandocello-1914-13836","title":"Gibson K-2 Carved Top Mandocello (1914)","description":"Gibson K-2 Model Carved Top Mandocello (1914), made in Kalamazoo, Michigan, serial # 26465, sunburst top, natural back and sides finish, birch back and sides, spruce top; mahogany neck with ebony fingerboard, original black hard shell case. \u003cbr\u003e\u003cbr\u003eThe Gibson Mandocello remains one of the great under-appreciated instruments of the early 20th century. Originally designed for the 1910s mandolin orchestra craze, these imposing beasts never found a home in other styles of music despite being often wonderful and always unique-sounding instruments. Double-strung and tuned in fifths starting with the C below the low E on the guitar, the mandocello has an imposing tone and deep resonance unlike any other fretted instrument. OK, we're starting to sound like an old Gibson catalog here, but we really like these and are always happy to get one in stock!\u003cbr\u003e\u003cbr\u003eThis worn but beautiful 1914 K-2 Mandocello dates to the decade when Gibson was the defining force in the market for these instruments. In the 1910s Gibsons were only available from licensed teacher-agents, and were often purchased on a time payment plan along with the lessons. As part of the deal the students got to play in the teacher's fretted orchestra, and the low-tuned mandocello was crucial to achieving a full sound in these ensembles. Far fewer were sold compared to mandolins, however, and the Gibson mandocellos from any era are a comparative rarity.\u003cbr\u003e\u003cbr\u003eThis particular instrument is a K-2, the midline model of three mandocello styles offered. It was an expensive instrument when new, priced in the purple-plush lined case this one still retains at $62.50. This package cost was around $15.00 more than the K-1 in 1914, which would have bought a pretty nice mandolin by itself from the likes of Sears. The two models are structurally the same with the K-2 simply offering some extra \"geegaw\" (decoration). The headstock face carries an inlaid Fleur-de-Lys in pearl and abalone. The sound hole ring is embellished with extra half-herringbone rings and the top has a rich deep red sunburst finish. Features the same on both models include a bound top, back, and fingerboard, raided pickguard and \"crown\" engraved tailpiece cover.\u003cbr\u003e\u003cbr\u003eOften misunderstood and under-appreciated, the mandocello with its 8 strings and \"C\" orchestral tuning has a totally unique sound and can be used for a wide range of playing styles, some yet to be explored! \"Perhaps the most satisfying instrument, of all the fretted instruments, is the Mandocello\" wrote Lewis A. Williams in the 1912 Gibson catalog \"In tonal broadness, richness and carrying power it is peculiarly distinctive and phenomenally gratifying\". We couldn't have said it better ourselves, but will just add that this particular K-2 is a very nice sounding one and comes closer to Mr. Williams grandiose claims than many.\u003cbr\u003e \u003cbr\u003eOverall length is 38 in. (96.5 cm.), 14 1\/16 in. (35.7 cm.) width, and 3 1\/4 in. (8.3 cm.) in depth, measured at side of rim. Scale length is 25 in. (635 mm.). Width of nut is 1 5\/8 in. (41 mm.). \u003cbr\u003e\u003cbr\u003eThis over 110 year old K-2 shows a decent amount of wear and tear but remains a fine playing and sounding example. The thin original finish appears intact and unaltered, showing play and handling wear overall but fewer pick marks to the top than many. The varnish shows micro-checking with dings, dents and scratches over the entire instrument, with heavier scratches to the lower side and back where the pickguard clamp once mounted and a couple of areas worn to the wood on the back around the edges. The soundhole ring shows heavier wear than the rest of the top with a piece of binding patched in on the lower half. \u003cbr\u003e\u003cbr\u003eThe back of the neck has loss down to the wood over a decent amount of its length, largely on the treble side. The headstock is cleaner than some but has some chipping at the base on the back side. There are no detectable crack repairs but some of the back side seams have likely been resealed and there is a visibly patched jack hole in a predictable spot on the lower rim. \u003cbr\u003e\u003cbr\u003eThis instrument is not fitted with the inlaid-button tuners usually used on the K-2; the strips fitted are vintage correct machines but likely from another instrument. The top shaft on the treble side is noticeable bent but still functional. The carved ebony bridge is original and has been re-shaped a bit on the top to lower the action. The tailpiece and cover remain original, the often missing pickguard and bracket clamp are indeed long gone. The two-piece mahogany neck is still quite straight and original thin wire frets have some light wear but still play well. This one is perhaps a but scruffy looking but remains an excellent playing and sounding mandocello offering a powerful ringing sound with plenty of volume and depth. The included original hardshell case is well worn but still fully functional. Overall Very Good Condition.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":50263852351628,"sku":"13836","price":6500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0672\/8702\/3756\/files\/01_bceb2831-725d-4445-922f-d029f9a22175.jpg?v=1779912365"}],"url":"https:\/\/retrofret.com\/collections\/mandocellos.oembed?page=2","provider":"RetroFret","version":"1.0","type":"link"}